Photoessay: Enter the Abyss

_Z723166 copy

The most challenging types of watch to design is where there are already rigid expectations set by the genre – pilot, diver etc. – to go outside this requires either not meeting functional requirements, or producing something that takes some acclimatisation by the market. You want to avoid being different simply or the age of being different as this inevitably leads to issues of design longevity/maturity as well as functional compromises. Our interpretation of a dive watch has had the longest and most painful gestation to date – with conceptual explorations starting in late 2017, not long after the 17.01 was launched. It’s taken us nearly two years to make something we were happy with, and in the end – we have also decided not to go to series production because it came too late in the brand’s overall design cycle. Even if we committed now, we wouldn’t see product until the end of next year at the earliest, by which time other launches with our second generation design language would have taken place and leaving the Abyss feeling a bit out of place.

[Read more…]

Off topic: Why I started making watches, part II

_8502482-7 copy
The unexpected: 19.01, November 2017

Continued from part I.

Our group wondered if there were alternatives. We started looking into independents, and for me personally, those who would be willing to entertain serious customisation without breaking the bank; this meant compromising on the movement side, but as it turns out there were still interesting alternatives to be had. Ochs und Junior took the challenge and gave me very simple (read: reliable) annual calendar and high accuracy moon phase watches, but more than that, forced me to adapt the design to be coherent with the immutable parts (cases, complication locations and indications, production limitations). Until this point, I was still designing; evolving both my movement conceptualisation skills and aesthetics. By now, I’d developed a coherent design language and over 50 watches (including movements) on paper; these watches would represent the first baby steps towards seeing them come to life. But first, the ornamental complexity had to go; design would be reductive instead of additive. It was an interesting process that forced me to really identify and simplify critical elements required for time telling and identifiable stylistic cues down to their bare minimum. The Simpleton and Celestial were the product of those experiments, and it’s probably clear that design elements from both made it into our subsequent watches.

[Read more…]

Off topic: Why I started making watches, part I

_Z602455
The MING family, as of March 2019

It’s a fair question, and one I’ve been asked frequently enough to properly explain myself somewhere, for the record. I suppose it isn’t just something you pick up on a whim one day, nor is it something that even if you had a burning desire to do – can easily begin by submitting a CV to a headhunter. Watchmaking, in its purest definition, is a vocation – not a profession. You physically have to make something, and in the process of doing so (from scratch, of course) understand everything from engineering to metallurgy to physics to aesthetics. It is the kind of masochistic intellectual pursuit undertaken successfully by only the most dedicated, the most skilled, or the most masochistically insane. I am not a watchmaker in the pure definition, nor am I dextrously skilled, but I am fairly dedicated and probably also insane. After all, eight years ago (has it been that long?) I did quit the top of the corporate game to start all over again as a photographer. And now, not having learned my lesson, history repeats.

[Read more…]

On-assignment photoessay: From the workbench

_PF06447 copy

I shot for one of my toughest clients recently: ourselves. Whilst there’s no pressure, we all have the desire to do better with every set – and there’s the friendly internal competition given that there are no fewer than five photographers amongst the founders’ group. I am of course talking about the watch business; this set was photographed at the facilities of our production partners Schwarz-Etienne in La Chaux de Fonds, Switzerland, whilst a series of 19.01s and 19.02s underwent assembly, regulation and final quality control. I’ve shot this kind of thing before for many other brands, of course – but it feels very different when it’s your own name on the dial and movement… MT

Images were shot with an Olympus PEN F and Panasonic-Leica 12-60. Post processing with the Monochrome Masterclass workflow. Image of yours truly at the bench shot by my co-founder Dr. Magnus Bosse.

[Read more…]

OT: first anniversary!

_8521476 copy

With some relief and a big exhalation of breath, it seems the horological venture has survived the first year; let me tell you it hasn’t been easy given we’re effectively trying to start something in an industry that doesn’t have any ecosystem in our country, competing directly against much better funded and experienced players. There have been no end of surprises – both good and bad – for the moment culminating in a nomination for a GPHG* prize for our flagship 19.01. We’re celebrating with a watch (of course) or more specifically two (one is good, more is better) variants of the automatic GMT 17.03 – both in the ever popular blue, with revised and refined dial and hands, and an experiment – because experimentation is what keeps us going. I heat blued 25 grade 2 titanium cases with a blowtorch, resulting in something rather special (and something I wanted to do with my own Ochs und Junior some time ago, but we had the wrong alloy). We made 125 of the regular titanium cased blue dial, and 25 of the Ultra Blue – unfortunately the Ultra Blue sold out within about an hour of announcement, and we have a very long wait list**, but the Blue is available right now at www.ming.watch. I leave you with specifications after the jump and the customary images; experimented with some new lighting techniques in this set, too. MT

*Grand Prix de Horologerie de Geneve, which is effectively the Oscars of the watch world.
**I seem to be very good at shooting myself in the foot when it comes to estimating demand and edition sizes.

[Read more…]

Experiments with stereoscopic photography

GX85_1020927-8 4k

What’s old is new again, history goes in cycles etc. – is all true. One of the earliest widespread experiments in photography – dating to the mid 1800s or earlier – was that of stereoscopy: the making of a three-dimensional image from two normal flat images but shot from a relatively offset position. Though there are many methods of varying complexity that can be used to create the illusion of three dimensions, they all fall back to the same fundamental theory: we humans physiologically have stereoscopic vision because we perceive an object from two slightly different positions; our brains interpret both the difference in images and probably also the physical position of eyeball, focus muscles, iris etc. to gauge relative spatial position and absolute distance. Without this – two dimensional images are reliant on cues such as overlap, shadows, fade/haze etc. to create suggestions of distance and position. Photography itself is the projection of a three dimensional world onto a two dimensional recording medium: this brings about significant limitations in reproduction and fidelity, but at the same time opens up great possibilities for artistic interpretation that a person with normal vision simply cannot see with their naked eyes. In essence, we are forcing both eyes to see the same image at the same time.

[Read more…]

Off topic: Presenting the MING 17.03

MING 17.03 1

I’m pleased to report that my horological venture has very much taken on a life of its own, and though it lives on its own site, I’m also aware that there’s quite a bit of crossover between photographers and watch enthusiasts. I also owe a big thanks to those of you who’ve supported this venture in its first and second iterations. Our latest piece is a sportier everyday wearer, with automatic winding convenience and a second timezone for travel. It’s also highly luminous in the dark.

[Read more…]

Off topic: Presenting the MING 19.01

MING 19.01 3

Many of you will know that I’ve recently brought my interest in watches full circle with the launch of my own watch brand earlier in the year. We were surprised and humbled by the response, but also fortunate as we had another project in the works at the same time: something at the other end of the spectrum, and our flagship: the 19.01. Whilst the 17.01 was designed to be an honest watch that brought a lot of the features valued by collectors to a more accessible price point, the reality is there were a lot of things I wanted to do that I simply couldn’t because of production cost restrictions. This is not the case with the 19.01, which was designed without compromises ad to be something very special in a world that’s already got a lot of very special watches. This is of course not a simple task, and required something special aesthetically, mechanically and stylistically consistent with previous designs so as to fit within the MING lineup.

[Read more…]

Off topic: Presenting the MING 17.01

_8B41717 copy

Many of you might be aware of my historical preoccupation with mechanical watches: it’s arguably what started me photographing seriously in the first place. Which is why after nearly two years in gestation (and just in this form) I’m very proud to present my latest project: the 17.01. It’s the first of a new line of watches designed by me, made in Switzerland and funded by a group of fellow collectors, but brought to life with the aid of individuals who’ve been in the industry for a long time. To avoid the bunch of cliches that are typically used during new watch launches: it’s an honest watch that tells the time reliably and has the benefit of experience behind it – nothing more, nothing less.

[Read more…]