Street photography with the Olympus ZD 17mm f1.2 PRO – an addendum to the review

Some of you who read the Olympus M.Zuiko 17mm F1.2 PRO lens review here, must be wondering why there were no street photography images, since the 35mm equivalent is a classic focal length for street photography and it is widely known that I do love shooting on the streets. The culprit was bad weather, thanks to a spell of rain over the last couple of week combined with overcast skies. Lighting is crucial for all photography and with cloudy weather I would have had flat, uninteresting and dull looking images. Fortunately, I did have a little time left with the Olympus 17mm F1.2 lens before returning it to Olympus, so I went out to do some street shooting when the weather cleared. This article shall be an extension to the Olympus 17mm F1.2 review, with more sample images shot with the lens.

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Micro Four Thirds and wedding photography

There is a perception that the use of large DSLR cameras with gargantuan lenses equals professional wedding photography; I beg to differ. I have been shooting weddings for several years using Micro Four Thirds exclusively and have found it to be sufficient in delivering results. In fact, there are distinct benefits in using the Micro Four Thirds system for wedding photography, which I will discuss in this article.

I’ve used varying combinations of OM-D cameras and lenses, with my current setup being: the Olympus OM-D E-M1 and E-M10 Mark II with M.Zuiko lenses 12-40mm F2.8, 25mm F1.8 and 45mm F1.8 lenses. I also use an external flash when necessary. Typically, wedding photographers require super fast autofocus to capture fleeting moments, comfortable handling for all day shooting and running around, and most importantly good, high quality image output. This basically means clean high ISO images, sufficient dynamic range is harsh light and the ability to render shallow depths of field for effective subject isolation. Mirrorless interchangeable lens camera systems have come a long way, and have improved to a point where they can adequately fulfill all these needs.

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Macro redux: Getting lost in the insect world

When I want an escape from the world, I simply pick up my macro gear and indulge in some insect macro photography. I find the process to be both physically and mentally challenging and lose my myself quite easily in the tiny world of bugs. The little creatures often hide in the most unexpected places that require me to flex and stretch my body in impossible ways while holding the camera and the flash steady. The mind must be entirely focused on getting the shot and doing it quickly because insects do not stay still for very long. All kinds of calculations and considerations come to play, as you juggle between lighting, getting closer for better magnification, ensuring critically sharp focus and not to forget, composition! There is just so much the mind and body needs to coordinate and execute to achieve one simple insect macro shot. In that brief moment, I find myself entering a different universe where only getting the shot matters to me.

For today’s set of images, I hiked the trails of the Bukit Gasing Forest Park to find the critters. Half of the fun was in the hunt for the bugs. All the images shown in this article were shot with Olympus OM-D E-M1 Mark II and M.Zuiko 60mm F2.8 Macro lens. I used the FL-50R flash off camera. If you have questions about my technique, I’ve shared those in detail in a previous article here.

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Review: the Panasonic DG Vario-Elmarit 12-60 f2.8-4

Olympus and Panasonic have been releasing increasingly similar and overlapping lenses as the Micro Four Thirds system matures. More options and choice can definitely be seen as an advantage. Early this year, in January, Panasonic released the Panasonic Leica DG Vario-Elmarit 12-60mm F2.8-4.0 zoom lens. The other competitors for a similar zoom lens are: the Panasonic 12-35mm F2.8 and Olympus 12-40mm F2.8 at about the same price as the new 12-60mm F2.8-4. For a premium, you can have the Olympus 12-100mm F4, and at the lower end there is the Panasonic 12-60mm F3.5-5.6. There is no shortage of standard zoom lenses. Therefore in this review, I shall explore the capabilities of the Panasonic 12-60mm F2.8-4 and discuss how this lens stands out from the rest of the crowd. [Read more…]

Review: the 2017 Olympus M. Zuiko Digital 45mm f1.2 PRO

With the Micro Four Thirds lens collection now no longer lacking good, affordable zoom and prime options, Olympus has shifted their focus to making premium large aperture prime lenses. In addition to the existing M.Zuiko 25mm F1.2 PRO lens, Olympus just announced two new PRO lenses: the 17mm F1.2 and the 45mm F1.2. Special thanks to Olympus Malaysia for the M.Zuiko 45mm F1.2 PRO loan unit for this review. I’ve had one full day to shoot with the lens on the streets and behind the scenes of a Chinese Opera.

The highlights of the Olympus M.Zuiko 45mm F1.2 PRO lens are:

  • Designed to be optimally balanced between delivering excellent resolution and producing beautiful “feathered” bokeh.
  • Complex lens construction consisting 14 Elements in 10 Groups with 1 ED lens, 4 HR lenses, 1 aspherical lens
  • Full weather sealing (splash and dust proof)
  • Minimum focusing distance of 0.5 meter and maximum magnification of 0.1x
  • LF-n button (customize-able function button on lens), manual focus clutch mechanism, takes 62mm filters and weighs about 410g

You can find the full technical specifications on the official product page.

In case some of you aren’t aware yet, I left my Olympus employment in April. So neither MT nor I are affiliated to Olympus in any way and this is an independent review. The Olympus M.Zuiko 45mm F1.2 PRO lens and OM-D E-M1 Mark II camera body were provided on loan by Olympus Malaysia strictly for review purposes only. This is an experience based review and is likely to be subjective. All images were shot in RAW and post-processed in Capture One Pro version 10.2. For higher resolution images with full EXIF data intact, kindly view the images in the online gallery here.

Read on for the rest of the review. [Read more…]

Review: The Olympus Zuiko Digital ZD 12-100/4 Pro

For the last year, the question I’ve been asked most frequently is when will I review the Olympus M.Zuiko 12-100mm F4 lens? The reason this has been pushed back so long is because I knew I was exiting Olympus, and I wanted this review to be written after I had left the company. While Olympus never restricted me, during my time there, in saying anything I wanted to about their cameras or lenses, I just felt that being completely independent would make it easier to write freely. [Read more…]

Street photography with the Olympus E-M10 Mark III

Traditionally, I always bring a new camera to the streets to shoot for review. For the recently launched Olympus OM-D E-M10 Mark III (full review here), I decided to shoot a different variety of sample shots which included sports, outdoor portrait and landscape. I am all game when it comes to doing something different to keep my reviews fresh. Still, since I had the E-M10 Mark III with me for a few more days, I had to satisfy the itch to have my shutter therapy on the streets. [Read more…]

Premiere and review: The 2017 Olympus E-M10 Mark III

Olympus just launched a new camera in their OM-D series – the E-M10 Mark III. I personally own an E-M10 Mark II that was launched 2 years ago and have found it to be an extremely reliable and versatile camera to work with. The new and third iteration of the E-M10 comes with a few feature upgrades and improvements. In this article I shall review the OM-D E-M10 Mark III’s performance based on my own experience.

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Micro four thirds and insect macros (part II)

This is a follow up to the last article on insect photography but unlike in that, I will not discuss techniques today, but rather why I find the Olympus Micro Four Thirds system ideal for newcomers to photography, who want to explore the world of insect macro. [Read more…]

The un-camera camera

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Levels of commitment

What on earth is an ‘un-camera’? I think I’d better start by explaining the title of this post a bit better. I often find myself in a bit of a conundrum: I’m sure you are undoubtedly all aware of my role with Hasselblad and longstanding affinity for their hardware. I’m sure many of you are aware that I continually push the envelope for what’s possible with medium format and achieve some pretty unique results in the process. On top of that, I have the added benefit of having access to pretty much anything I need from the product catalog. I also still have a full Nikon system kicking around. So: what possible justification could I have for yet another camera?

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