Review: The Olympus Zuiko Digital ZD 12-100/4 Pro

For the last year, the question I’ve been asked most frequently is when will I review the Olympus M.Zuiko 12-100mm F4 lens? The reason this has been pushed back so long is because I knew I was exiting Olympus, and I wanted this review to be written after I had left the company. While Olympus never restricted me, during my time there, in saying anything I wanted to about their cameras or lenses, I just felt that being completely independent would make it easier to write freely. [Read more…]

Street photography with the Olympus E-M10 Mark III

Traditionally, I always bring a new camera to the streets to shoot for review. For the recently launched Olympus OM-D E-M10 Mark III (full review here), I decided to shoot a different variety of sample shots which included sports, outdoor portrait and landscape. I am all game when it comes to doing something different to keep my reviews fresh. Still, since I had the E-M10 Mark III with me for a few more days, I had to satisfy the itch to have my shutter therapy on the streets. [Read more…]

Premiere and review: The 2017 Olympus E-M10 Mark III

Olympus just launched a new camera in their OM-D series – the E-M10 Mark III. I personally own an E-M10 Mark II that was launched 2 years ago and have found it to be an extremely reliable and versatile camera to work with. The new and third iteration of the E-M10 comes with a few feature upgrades and improvements. In this article I shall review the OM-D E-M10 Mark III’s performance based on my own experience.

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Micro four thirds and insect macros (part II)

This is a follow up to the last article on insect photography but unlike in that, I will not discuss techniques today, but rather why I find the Olympus Micro Four Thirds system ideal for newcomers to photography, who want to explore the world of insect macro. [Read more…]

The un-camera camera

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Levels of commitment

What on earth is an ‘un-camera’? I think I’d better start by explaining the title of this post a bit better. I often find myself in a bit of a conundrum: I’m sure you are undoubtedly all aware of my role with Hasselblad and longstanding affinity for their hardware. I’m sure many of you are aware that I continually push the envelope for what’s possible with medium format and achieve some pretty unique results in the process. On top of that, I have the added benefit of having access to pretty much anything I need from the product catalog. I also still have a full Nikon system kicking around. So: what possible justification could I have for yet another camera?

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Review: Panasonic Leica DG Vario-Elmarit 8-18mm f2.8-4.0 ASPH

I had the opportunity to shoot with the newly launched Panasonic Leica DG Vario-Elmarit 8-18mm F2.8-4.0 ASPH, thanks to a loan unit from Panasonic Malaysia. In this review article, I shall share plenty of sample images shot with the Panasonic 8-18mm lens, exploring the characteristics and strengths of the lens, as well as adding my own personal experience during the limited time using the lens.

Some important notes first, before we dive into the lens review. This write up is done independently, and I am currently not tied to any company. The Panasonic 8-18mm F2.8-4 lens was only a loan unit, and has been returned to Panasonic Malaysia after use for review purposes. My photography review style is less technical and analytical, but heavily based on user experience approach, thus my opinion is subjective. All the images taken in this article were shot with my own Olympus OM-D E-M10 Mark II, shot raw and converted via Olympus Viewer. [Read more…]

Premiere and review: The Olympus PEN F

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After being limited to 16MP for nearly four years, we now have a marginal increase in resolution – to 20MP, matching the Panasonic GX8 announced last year (and quite possibly sharing the same sensor, too). The PEN F is another retro-tastic design clearly inspired by the original film half-frame PEN F, right down to the knob on the front vertical face of the camera. It is also yet another subdivision of a niche by Olympus of its EVF cameras – we have the photo-centric E-M1, the video-centric E-M5II, the budget-centric E-M10II, and now the PEN F. One thing that struck me throughout the test period was that the camera really feels as though it’s geared towards the JPEG shooter (or, more likely, the social media crowd). It’s the first all-new ‘serious’ camera from Olympus in a couple of years – so how does it perform?

Thank you to Olympus Malaysia for the loan. Note that all images were processed in Olympus Raw Viewer 3, and then run through my usual photoshop workflow; as such it’s difficult for me to make objective and comparative statements about image quality as this is not my normal workflow and one cannot compare it to other cameras easily. What I can do for now is assess how this particular workflow performs, and that’s what I’ll be doing later. Additional images will be posted to this flickr gallery.

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Review: The Olympus E-M5 Mark II

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 My usual deployment: handheld video, with HLD-8 battery grip, Zeiss ZM 1.4/35 Distagon rin an adaptor, and a Zoom H5 audio recorder. I am working on fixing the hard/sharp/uncomfortable edges of the battery grip with a silicone putty compound called Sugru, and will post the results in a future post.

Better late than never (or, I finally get around to trying out the second coming): the Olympus’ E-M5 Mark II. Many of the long-suffering readers of this site will know that I had a period of enthusiasm for M4/3 gear (and specifically the original E-M5) before that abruptly came to a halt in early 2014. The reasons were simple: firstly, camera technology has moved on; what was an impressive size/quality ratio in 2012 is not in 2015. Secondly, my output requirements have changed; the cameras have never had sufficient resolution to make a meaningfully-sized Ultraprint. Thirdly, there was no real solution to the shutter shock problem of the E-M1, which produced unusable images under basically every shooting condition – from 1/90s to 1/350s*. We were amongst the first to use the original E-M5 for video because of its stabiliser, and continued to use the E-M1s for video (including all of the workshop videos after The Fundamentals), Olympus and I then parted ways, and it appears they found new champions less demanding of their equipment. But, why the change of heart for me?

*I demand critically sharp pixels and can achieve them with the same camera under other conditions. Different users may have different thresholds of acceptability and different levels of shot discipline and not see any problems. On top of that, I tested >80 E-M1 bodies including >70 at Olympus Malaysia HQ, all of which exhibited the problem. The initial review unit did not, because it was a preproduction unit with a shutter module from a different batch. A firmware update was subsequently released with EFC, but it only works in single shot mode.

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OpEd: resolution, output, collector or photographer?

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The Internets have been alive with the noises of high resolution (if that isn’t a messed up metaphor, I’m not sure what is) cameras. “Finally, my photos will be better!” Let’s pause for a moment here. There are a lot of assumptions being made, and a lot which is not obvious. And I’m writing this article to address the flood of email I’ve been getting asking for an opinion.

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Opinion-review: the Panasonic LX100/ Leica D-Lux 109

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Sony has the RX100 series. Canon has their G Powershots. Nikon…never mind. But Panasonic has the ooseX series, and the accompanying Leica D Lux redesign; I reviewed its predecessor, the LX7/ D Lux 6 some time back, and owned an LX3 back when it was pretty much the only choice for a serious compact – variable aspect ratios and all. In the intervening years since the last generation, sensors have grown – even in compacts – and the bar has been raised. I’ve spent a few days with the LX100/D Lux 109 twins and have some rather polarising thoughts…

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