Review: the Canon EF-M 22/2 STM

Just when I thought my temporary flirtation with the Canon EOS-M6 was over, Canon Malaysia came back to me with the EF-M 22mm F2 STM lens which I was very interested to try out. In my recent review of the Canon EOS-M6, I concluded that it performed well, with the only serious downside being the sub-standard kit lens. Therefore, I was hoping that the 22mm F2 pancake would do justice to what the M6 is truly capable of!  [Read more…]

Review: The 2017 Canon EOS M6

With the release of the Canon EOS-M5/M6, perception towards Canon’s mirrorless system has changed. Both the M5 and M6 use the same APS-C 24 Megapixels image sensor and dual pixel AF system as Canon’s high-end APS-C DSLR, the 77D, Thanks to Canon Malaysia, I have had the new Canon EOS-M6 to shoot with for the past week. I understand that the M6 is not a new camera and has been on the market since April. Some of you may already have one. I am doing this review purely out of curiosity: to find out where the M6 fits in the almost never-ending choice of mirrorless cameras now. [Read more…]

Review: The Olympus Zuiko Digital ZD 12-100/4 Pro

For the last year, the question I’ve been asked most frequently is when will I review the Olympus M.Zuiko 12-100mm F4 lens? The reason this has been pushed back so long is because I knew I was exiting Olympus, and I wanted this review to be written after I had left the company. While Olympus never restricted me, during my time there, in saying anything I wanted to about their cameras or lenses, I just felt that being completely independent would make it easier to write freely. [Read more…]

Premiere and review: The 2017 Olympus E-M10 Mark III

Olympus just launched a new camera in their OM-D series – the E-M10 Mark III. I personally own an E-M10 Mark II that was launched 2 years ago and have found it to be an extremely reliable and versatile camera to work with. The new and third iteration of the E-M10 comes with a few feature upgrades and improvements. In this article I shall review the OM-D E-M10 Mark III’s performance based on my own experience.

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Field test: the Scarabaeus camera clip

The Scarabaeus is a German hand-made camera holster system that clips to the waist belt allowing quick access to the camera. Generally, special holster for quick access camera attachment systems can be useful for street shooters. Ming Thein and myself have had one each to try out for the past several weeks. . In this article, I shall share my experience using the Scarabaeus camera clip in street shooting scenario. MT will add his thoughts towards the end, having also road tested it.

Disclaimer: the Scarabaeus was sent to us by photoscarab.de; we agreed to try it out to provide feedback because it seemed like an interesting idea and solution to the problem for those who don’t like neckstraps, but still sometimes need their hands free.

[Read more…]

Review: Panasonic Leica DG Vario-Elmarit 8-18mm f2.8-4.0 ASPH

I had the opportunity to shoot with the newly launched Panasonic Leica DG Vario-Elmarit 8-18mm F2.8-4.0 ASPH, thanks to a loan unit from Panasonic Malaysia. In this review article, I shall share plenty of sample images shot with the Panasonic 8-18mm lens, exploring the characteristics and strengths of the lens, as well as adding my own personal experience during the limited time using the lens.

Some important notes first, before we dive into the lens review. This write up is done independently, and I am currently not tied to any company. The Panasonic 8-18mm F2.8-4 lens was only a loan unit, and has been returned to Panasonic Malaysia after use for review purposes. My photography review style is less technical and analytical, but heavily based on user experience approach, thus my opinion is subjective. All the images taken in this article were shot with my own Olympus OM-D E-M10 Mark II, shot raw and converted via Olympus Viewer. [Read more…]

Book review: ‘The Scent of a Dream: Travels in the World of Coffee’, by Sebastiao Salgado

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‘The Scent of a Dream: Travels in the World of Coffee’, by Sebastian Salgado, first edition, Abrams, late- 2015

It’s been a little while since I last reviewed a book, and a surprisingly a much longer while since today’s subject put out what was supposedly his last work – ‘Genesis’ (2013). Genesis’ challenge was that its scope was massive (a decade-plus of work, covering umpteen continents and locations) and it had been played up to the point that expectations were extremely high. Accompanied by a massive travelling exhibition with a huge number of large prints – you really got the sense that the images were meant to be viewed in that format over the book, and perhaps that we were missing something from his previous work by viewing it smaller. Unfortunately, this proved to be mostly not the case: whilst the impact of the prints was definitely wonderful, anything remotely approaching an intimate examination revealed serious shortcomings in printing and huge inconsistencies in post processing. There were also so many images that the whole thing felt like it could have used a bit more curation; understandably the output from a lifetime magnum opus would be huge, but even with the audience giving you the benefit of the doubt – there’s only so many images you can fully appreciate before hitting saturation. At least the lighting was nice.

[Read more…]

Review: Apple MacBook Pro 13″, late 2016 with touch bar

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Image: Apple

Like every piece of hardware, there are plenty of reviews out there that assess the product from just about every possible point of view. For computers, there are other places that do the extensive quantitative testing far better than I could even if I had the time and inclination – which I don’t – but I think where I can add perhaps a little clarity is to review this machine from the point of view of a working and travelling photographer. If you don’t want to read the rest, in short and in my own opinion, this is perhaps the best laptop out there at the moment for the serious photography. There are a couple of major gotchas, though – which may or may not be a deal breaker for you. I’ve been using one of these new machines since the start of December, which is long enough for performance and battery life to settle down, and to figure out how it fits into the workflow overall.

[Read more…]

The ultimate lens list, at Nov 2016 (part II)

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Continued from part 1.

Remember: what constitutes ‘ultimate’ is actually highly subjective; some value smooth drawing quality and tonal transitions over outright resolution; others require zero distortion or high color accuracy or secondary color correction. If anything, my personal preferences tend to lean towards resolution and microcontrast; I can accept some vignetting, distortion, secondary lateral CA (but not longitudinal) – because these are easy to fix in post. Field curvature, smearing, coma etc. are not. Not all lenses on this list are here because of technical perfection or MTF chart performance, either. On top of that, there are two lenses that are not system options, but included anyway because they deserve honourable mentions. There are probably also better lenses I’ve not used yet (and so obviously can’t include them). I’ve tried to give justifications where possible. With that in mind, and in no particular order, here we go.

**Items denoted with two stars are lenses I currently own. *One star, lenses I’ve owned. Links are to reviews or affiliate suppliers. Images shot with the respective lenses mentioned.

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The ultimate lens list, at Nov 2016 (part I)

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Following a couple of recent email exchanges I’ve had, I thought I’d tidy things up and publish them here for the benefit of the general readership. This is a list of what I consider to be the ultimate lenses, on their native systems (and irrespective of system, actually). Lenses also tend to have significantly greater longevity (especially if without electronics) especially compared to camera bodies; you could buy one set of Otuses and adapt it to just about everything now and to come. In that sense, whilst good glass is expensive – the long term cost of ownership is significantly less than cutting edge bodies, and given residuals are high, generally worth the investment.

Of course, what constitutes ‘ultimate’ is actually highly subjective; some value smooth drawing quality and tonal transitions over outright resolution; others require zero distortion or high color accuracy or secondary color correction. If anything, my personal preferences tend to lean towards resolution and microcontrast; I can accept some vignetting, distortion, secondary lateral CA (but not longitudinal) – because these are easy to fix in post. Field curvature, smearing, coma etc. are not. Not all lenses on this list are here because of technical perfection or MTF chart performance, either. On top of that, there are two lenses that are not system options, but included anyway because they deserve honourable mentions. There are probably also better lenses I’ve not used yet (and so obviously can’t include them). I’ve tried to give justifications where possible. With that in mind, and in no particular order, here we go.

**Items denoted with two stars are lenses I currently own. *One star, lenses I’ve owned. Links are to reviews or affiliate suppliers. Images shot with the respective lenses mentioned.

[Read more…]