NEW: The Mirrorless Bag, and the Travel Duffel

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L-R, for relative size: Mirrorless Bag, a very well used Ultimate Daybag Mark I prototype, Travel duffel (folded)

Today is my birthday, and in the tradition of this site – I’ve got an announcement to make. We’ve teamed up with bespoke UK bag makers Frankie Falcon for a second round: firstly, by popular demand, there’s the Mirrorless Bagwhich is an improved and smaller version of the Ultimate Daybag Mark I. Next, a little surprise: the folding Travel Duffel. We have both bags in stock, and they will be ongoing stock items for the time being. Future additions will go up here, on the Bag Store. We have also resolved prior shipping issues – back to good old Royal Mail. Click on after the jump for more details on each bag.

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Finding inspiration, redux

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Following on from the earlier thoughts on making ‘good enough’ images getting ever harder with increased productivity – the flip side of the coin becomes a question of how we find sufficient inspiration to get over that activation energy threshold*. How do we firstly get inspired enough to get out the camera and attempt to produce something at all, and furthermore – produce something that will satisfy us. In reality, what needs to happen is we must find sufficient motivation to make us want to answer the question of ‘how will the finished image look?’ There are several ways of doing this, I think. And hopefully – if you’ve been on hiatus or feeling photographically jaded, this might help get the camera out again.

*I promise one day I’ll write that long-delayed article on physics and photography.

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Photoessay: Scattered

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I think of this set of images is a reflection of one’s rather scattered – but oddly consistent – state of mind when you see and grab an image on the way to doing something else. Being a full time photographer, I’m used to focusing 100% of my energy on shooting alone – to the exclusion of everything else. Since going pro in 2012, this is actually the first time in years I’ve actually been capturing a good proportion of my off duty images when photography wasn’t the primary objective of my day or trip. You can’t really turn your photographic eye off, but it feels as though you’re a lot more scattered and rushing to get the shot – even though the total number of photograph opportunities is of course much lower. Conversely, being in the zone really distorts your perception of time, often in both directions – moments stretch out but whole events and sequences land up passing in the blink of an eye. In essence, that’s what I feel like I’m left with here after curation: scattered glimpses of lives that are moving in different frames of reference to your own, momentarily intersecting for just long enough for you to know that you’re not going the same way. MT

Shot with a Hasselblad H6D-100c, 100mm and X1D-50c and 90mm and post processed with the Monochrome Masterclass workflow.

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Why GAS might actually turn out to be good for you

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One is bad enough. Two is…well, probably a signal that some form of clinical treatment is required. Full disclosure: the second one was supplied as a spare for the Thaipusam video; we didn’t use it.

At the risk of severely contradicting myself, I’m going to offer an alternative point of view to several of my posts from earlier this year (namely, this one on diminishing returns; this one on finding the right camera and moving on; this one on ideal formats for a given creative output). Many of you have pointed out in the comments and subsequent emails etc. that things are not really quite so clear cut; I’ve given this some thought and spent some time rationalising my own equipment journey – especially since from an external standpoint, it might appear that I’m probably the worst offender of all. The conclusion, is of course one of very fine balance – like most things in photography; and like most things creative, a little tension is required to produce not-safe and not-boring results. Here are my thoughts on why…

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Photoessay: living Tokyo vignettes

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The choice of title is a deliberate, non static one: the suggestion of motion in each of these images contributes to the feeling that we are viewing something transient, temporal and busy. Despite the density and size of the population, Tokyo somehow can still manage to feel quiet and isolated and times – I put this down to having something to do with the very ordered nature of society and the existence of very formal structures/expectations that mean nobody is in Ginza before about 11am since nothing is open, or Maronouchi is rather dead after 9pm and on weekends as everybody has gone home. It’s possible to make images that make the place feel quite cold and inhuman even though most of the time, this couldn’t be further form the truth. This set looks for a little chaos and humanity. You’ll probably also notice it’s quite cinematic, despite being mostly shot with relatively slow lenses. MT

This series was shot with a Canon 100D, 24STM and 55-250STM lenses, an X1D-50c and 90mm, and a H6D-100c and 100mm. Post processing was completed using the techniques in the weekly workflow and PS Workflow III. Travel to Tokyo vicariously with How To See Ep.2: Tokyo, learn to be stealthy with S1: Street Photography and see how to capture the essence of a location with T1: Travel Photography.

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Hasselblad is hiring: Creative Coordinator

We’re looking to recruit another photographer to serve a couple of roles: most importantly, to engage with the photographic community via social media and other outreach, and to shape the way Hasselblad presents new products and creative ideas going forward. It’s an opportunity to conceive and produce unconventional campaigns together with the rest of the team and the ambassador pool: we have the paradox of producing the tools, but also needing to provide some inspiration on how to use them. In addition, it isn’t limited to just marketing and community engagement – the role is flexible and could span everything from product development to market strategy, and therefore suited to somebody with an entrepreneurial bent. After all, a photographer’s creative needs are best understood by another photographer.

Personally, I believe that the best candidates are unlikely to be found via conventional recruitment channels or with ‘typical’ marketing or communications-type CVs; I thought it would therefore be an interesting experiment to push this one back to the community to find the right passionate enthusiast who’s most importantly already a photographer. Precisely because the role might suit a very wide range of candidates, we’ve deliberately left the requirements somewhat open ended: the most important thing will be a convincing reason why you’re the right person for the job (and that’s not necessarily qualification-based). You’ll also be interacting with me quite a lot in your day to day work. The position is to be based in either Gothenburg, Sweden or Shenzhen, China, and salary is negotiable.

Further information and details on how to apply can be found here on the Hasselblad website. MT

Life after Olympus

I left Olympus Malaysia not too long ago, which came as a surprise to many, and subsequently Ming Thein on this awesome photography site as an active contributor. Since then, I’ve been asked by many curious people how my life has been, what I’ve been doing, which manufacturer I’ve jumped ship to (Sony? Fujifilm? *gasp*) and how the hell I can still afford that expensive cup of coffee? [Read more…]

Review: The Olympus Zuiko Digital ZD 12-100/4 Pro

For the last year, the question I’ve been asked most frequently is when will I review the Olympus M.Zuiko 12-100mm F4 lens? The reason this has been pushed back so long is because I knew I was exiting Olympus, and I wanted this review to be written after I had left the company. While Olympus never restricted me, during my time there, in saying anything I wanted to about their cameras or lenses, I just felt that being completely independent would make it easier to write freely. [Read more…]

Street photography with the Olympus E-M10 Mark III

Traditionally, I always bring a new camera to the streets to shoot for review. For the recently launched Olympus OM-D E-M10 Mark III (full review here), I decided to shoot a different variety of sample shots which included sports, outdoor portrait and landscape. I am all game when it comes to doing something different to keep my reviews fresh. Still, since I had the E-M10 Mark III with me for a few more days, I had to satisfy the itch to have my shutter therapy on the streets. [Read more…]

Photoessay/ Drone diaries: Postcards from Europe, part I

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Today’s images are a series shot from various parts of Europe – mainly Sweden and Switzerland. Some were captured as part of scouting for another shoot with the much larger M600/H6D-100c combination, and some were simply because the weather looked incredible and there was no reason not to fly*. The packing penalty for including the Mavic in my travel bag is so small that I think I’ll probably make a habit of this in future – sometimes there are really incredible mornings where you’d like to see the place come alive in the light… MT

*Be sure to check local regulations first: in Switzerland, for example, no-fly zones within a certain distance of an airport are marked as are restricted zones with height ceilings. There are also weight category restrictions. Sweden requires a permit full stop.

These images were shot with a DJI Mavic Pro and post processed with Photoshop Workflow III and the Weekly Workflow.

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Premiere and review: The 2017 Olympus E-M10 Mark III

Olympus just launched a new camera in their OM-D series – the E-M10 Mark III. I personally own an E-M10 Mark II that was launched 2 years ago and have found it to be an extremely reliable and versatile camera to work with. The new and third iteration of the E-M10 comes with a few feature upgrades and improvements. In this article I shall review the OM-D E-M10 Mark III’s performance based on my own experience.

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