At the end of last year, I sold my last DSLRs. In a way, they represented the apex of development in the smaller format: the D850, with high frame rates, resolution, high ISO capability, color accuracy, AF tracking and a great viewfinder – if you must still have an optical finder, and unless you need much lighter weight or crazy frame rates, this is probably as good as a DSLR is going to get. The D8xx line proved so good that the D3X high resolution pro body never even got a successor – there was simply no need. It challenged the medium format cameras of its day, and arguably still continues to do so at the 50MP 44x33mm end, especially if you need AF tracking, frame rates, or do a lot of low light work that needs fast lenses. Sitting at the other end of the spectrum, I also bid farewell to the D3500 – the synthesis of consumer manufacturing efficiency; complete with a decently performing, stabilised lens and state of the art sensor at a price less than most entry level mirrorless – or even a decent 1″ compact. Cheaper even, than a spare battery for some cameras. Yet with all of this, you get performance and image quality pros would have done highly immoral things for not that long ago. Despite my various hardware experimentations and diversions, I’ve always kept a DSLR of some sort somewhere in the lineup – even if not primary body. Since then, I’ve been living a mirrorless life – to make up for it, today I offer some reflections on the topic.
Photoessay: Morning at Charlottenburg
Charlottenburg Palace was built at the end of the 17th century as the seat of King Friedrich I – and subsequently made even larger and more ornate by his son. It was heavily damaged during the second world war, and most of what stands today has been reconstructed or heavily rebuilt. It is currently a museum housing the crown jewels and an extensive porcelain collection; some rooms have been restored to their former state and serve as a snapshot of life in the period. Perhaps intentionally, the building lacks the sense of scale and massiveness that these kinds of buildings typically have; the rooms and passageways felt very much sized to human scale and not something you’d expect either of royalty or that level of wealth. That said, the decoration was so heavily done – in true baroque rococo style, of course – that that I wouldn’t be surprised if the undersides of the tables were also gilded. Still, it proved to be an enjoyable diversion for the morning, as well as yielding some interesting details thanks to strongly directional light streaming through the tall windows. MT
This series was shot with a Nikon Z7, 24-70/4 S and 85/1.8 S lenses, using my custom SOOC JPEG picture controls.
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