Photoessay: Ponte Vecchio

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I can’t exactly say why I was so fascinated with this bridge during my time in Florence, but I do know it yielded a great variety of interesting images as light and perspective changed. Originally built during Roman times, it’s been updated and renovated repeatedly until its current iteration dating from around the mid 14th century. The latest addition in the mid 16th century by the Medicis linked the Palazzio Vecchio (Florence’s town hall and administrative centre) with the Palazzo Pitti, and is the covered topmost structure – the Vasari Corridor. The bridge itself is lined with goldsmiths and jewellers – and increasingly, watch dealers – I was a little surprised at this, but it seems this has actually been the case since the 15th century. The watch brand boutiques are therefore merely a quite apt modern take on things… MT

This series was shot with a Nikon Z7, mostly the 24-70/4 S and my custom SOOC JPEG profiles.

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Photoessay: Florentine patchwork

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One thing any place with extensive history seems to enjoy is a patchwork of evolutionary architectural styles and weathering; all of this combines to create a distinctly unique signature that we recognise as being ‘of a place’. The longer that history, the more disparate elements combine – in such a way that could not possibly have been predicted by those who put up the structures could have envisioned at the time. Whilst we’ve had discussions here in the past over how architects build and design with sensitivity to their immediate environment, there is literally no way they could have foreseen what comes in the years that follow. However one can only assume that the following architects would continue to be sensitive to their relative surroundings, thus creating a sort of thematic continuity that whilst perhaps is not seamless – is at least somewhat harmonious. MT

This series was shot with a Nikon Z7, a 24-70/4 S and my custom SOOC JPEG profiles.

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Photoessay: Florentine nights

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Even in the off season (and what now seems like another lifetime ago) – Florence felt like it could easily challenge New York for the title of ‘city that never sleeps’. Thanks to jet lag, we’d go out for a late bite or an early walk and still find crowds; you had to go quite far off the regular thoroughfares and find small residential alleyways before approaching anything deserted. And even then, somebody would come along soon enough. Being a pedestrian scale city following a layout from the time before cars, it’s hard to imagine the city without people – just like Venice. I for one never thought I’d say this, but sometimes, you actually miss the crowds. MT

This series was shot with a Nikon Z7, mostly the 24-70/4 S and my custom SOOC JPEG profiles.

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