Photoessay: Florentine patchwork

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One thing any place with extensive history seems to enjoy is a patchwork of evolutionary architectural styles and weathering; all of this combines to create a distinctly unique signature that we recognise as being ‘of a place’. The longer that history, the more disparate elements combine – in such a way that could not possibly have been predicted by those who put up the structures could have envisioned at the time. Whilst we’ve had discussions here in the past over how architects build and design with sensitivity to their immediate environment, there is literally no way they could have foreseen what comes in the years that follow. However one can only assume that the following architects would continue to be sensitive to their relative surroundings, thus creating a sort of thematic continuity that whilst perhaps is not seamless – is at least somewhat harmonious. MT

This series was shot with a Nikon Z7, a 24-70/4 S and my custom SOOC JPEG profiles.

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Photoessay: Vault and arch

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Today’s set is an abstract whistlestop tour of Milan’s interpretation of that most fundamental of architectural features: the arch, and it’s compound, the vault. I’ve always found the interplay of light off the curves and textures to be very compelling as a regular but abstract arrangement, probably because it has many surfaces and lines intersecting at nearly perpendicular. What’s more interesting is the range of interpretations present: from the small-scale to the monumental; from the ornate to the functionally minimalist, every combination of those two axes and everything in between, with the possibility of two or three dimensions to add even more variety. Photographically, flattening or enhancing that sense of depth through the use of shadow and camera position/perspective yields some rather interesting results, as I think you’ll agree. MT

This series was shot with a Nikon Z7, a 24-70/4 S and my custom SOOC JPEG profiles.

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