Photoessay: Beyond human scale

X1D3-B0001310 copy

I’ve always thought of Tokyo as a city of extremes: the insanely vast urban sprawl vs minuscule personal spaces; the pursuit of the ultimate food-art vs the ubiquitous convince stores and vending machines; incredibly opulent wealth and luxury beyond imagination, and more homeless people than you might think. The futuristic abuts horrible 1970s square-concrete; indecipherable quipu of power lines knot the tops of poles, yet streets are laid so precisely that there’s material used in the middle of intersections for better grip. At larger distances, this devolves into something both more homogeneous and at the same time, distinctive – as neighbourhoods are somewhat cohesive. Even somewhere like Omotesando, where architects compete for the most unusual structure, it seems that such very competition creates a different kind of uniformity: what would be exceptional somewhere else isn’t when taken in multiples. It’s this very dichotomy I’ve tried to capture here – and with as few visual cues to scale as possible. MT

This series was shot with a Canon 100D, 24STM and 55-250STM lenses, an X1D-50c and 90mm, and a H6D-100c and 100mm. Post processing was completed using the techniques in the weekly workflow and PS Workflow III.

[Read more…]

On Assignment Photoessay: Koenigsegg, part II

Behind the scenes at Koenigsegg

In the previous post I brought you the results of the aerial shoot for Koenigsegg; today’s long series of images is the second part covering the story of the making – behind the scenes at the factory. Almost everything is made in-house, and a tour of the compact but comprehensive facility will yield everything from CNC machines turning engine blocks, to people laying up complex carbon wheels, to a paint shop, alignment jigs, leather stitching and cutting, wiring and electronics and everything between. Even though the cars are astronomically expensive – EUR2m and up from what I understand – I actually wonder how Christian can still make money given the amount of specialised labor involved, and the length of time required to complete one car – they make fewer than 30 per year. The attention to detail is quite mind boggling – if you order a clear coated car, for instance, it’s not merely the epoxy matrix of the carbon that’s polished, but a dozen layers of clear lacquer applied by hand over the top, polished between each application, and each carbon panel’s seams must line up perfectly: and be symmetric on both sides of the car. Today is really a celebration of non plus ultra – both in the subject, and in using the H6D-100c to shoot it. Note: lighting looks natural, but is really a careful balance between ambient and a single Broncolor Siros 800L triggered wirelessly, and mounted on a voice activated light stand*. Enjoy! MT

*A tall assistant.

A big thank you to Koenigsegg for support and logistics. This series was shot with a Hasselblad H6D-100c, 50 and 100mm lenses, and a single Broncolor Siros 800L balanced against ambient. Postprocessing was completed using the Monochrome Masterclass Workflow.

[Read more…]

Photoessay: Prague singles

H51-B0015299 copy
Now, things get serious.

Inevitably, at the end of the curation process for a trip or assignment or shoot session – you’re left with a selection of images that doesn’t really fit any single coherent theme, but can stand alone individually and you’re perhaps a bit too emotionally attached to to throw away. They’re the kind of thing you shoot when you’re observing passively but perhaps not in full themed photographic attack mode. I haven’t thought of a good way of presenting these yet; the traditional photoessay structure doesn’t quite work, and there isn’t really that much to discuss with a single image in a post – I’d almost argue that if something requires that much text explanation, it isn’t a strong image in itself (or is exceptional, and those probably merit their own discussions). So – titles and all – here are a few single shot stories from Prague. MT

This series was shot with a Hasselblad H5D-50C and H6D-50C, various lenses and post processed with Photoshop and Lightroom Workflow III. You too may visit Prague vicariously with T1: Travel Photography.

[Read more…]

Photoessay: Design goals

_8B40588 copy

Regular readers probably know that I have more than a passing interest in all things horological; firstly as an aspiring collector, then a photographer (this is what motivated me to begin, to be the story of another article), then a low-budget collector, and fortunately, somebody who has access to the industry through client relationships and options that might not be available elsewhere. Eventually, I realised that the temptation to design my own was far too strong; finding the right collaborator proved less easy, but I eventually realised that dream (more detailed story here). It is, unfortunately, both an addictive and frustrating process: inevitably, once you’ve lived with any design for any length of time, you start to appreciate what works and get frustrated by what doesn’t. It’s even more frustrating when you have ideas you might want to try, and know that you can (somewhat) easily execute them. Some CAD and some sitting time later, the design has matured and you are making some phone calls. The trick is not to overdesign: it is easy to make something that’s too fussy and just doesn’t work.

[Read more…]

Photoessay: Hard edges

100D_MG_1094 copy

Today’s series is a visual evolution of monochrome geometry and form interpreted from hard architectural shadows in an urban context. Some light is harder than others; some shadows curved in a more pronounced way; sometimes organic elements intrude – including people. It’s a deliberately stark choice of style for a rather stark subject, I think. MT

This series was shot with various cameras and lenses including a Canon 100D, Hasselblad 501CM/CVF-50c and H5D-50C, and H6D-50c, various lenses and post processed with The Monochrome Masterclass workflow.

[Read more…]

Photoessay: Architectural snippets, Singapore

H51-B0012378 copy

I like to think of this kind of image as little microcosms of environment – not quite a full wimmelbild, but more a degustation of the little area in which the image was captured. The images presented today are on a few different scales – everything from fairly intimate upwards. I think they’re fairly representative of the mood and feel of the immediate vicinity, at least from the perspective of an observer who’s just passing through. I honestly don’t know how to categorise images like this: not traditional architecture and not really pure abstract – they have no commercial application and appeal only to a very particular narrow aesthetic. Why do we make images like this? Because they appeal to us at some personal level; I suppose what speaks to me here is the compressed intricacy that can only be as product of evolution as opposed to planning – especially the little unexpected signs of life that suggest adaptation, humanity and real people as opposed to purely hard materials. MT

This series was shot with a Hasselblad H5D-50C and H6D-50C, various lenses and post processed with Photoshop and Lightroom Workflow III.

[Read more…]

Photoessay: John Rylands, Manchester

X1D3-B0002128 copy

I had a very small amount of time between meetings during a recent visit to Manchester; one of the buildings on my to-shoot list is (was, I guess) the John Rylands Library. It’s an interesting mix of new and old, much in the same kind of style as the British Museum, and to a lesser extent, the Louvre. The new part is very new; stark, minimalist and somewhat Escheresque in places; the old part is very much Gothic (though built in the late 19th Century, and opened in 1900). The detailing and finesse of the stonework is both delicate and extremely detailed; it’s an absolutely beautiful building to photograph. It’s also sensitively lit inside, too. Whilst photography is permitted, tripods aren’t, so one has to be either very steady – or find something to brace against*. The oculus/ring/gallery in the last shot is a personal favourite feature: you almost expect a portal to another dimension to open from time to time (but only during visiting hours, 10am-5pm Monday-Friday, closes 2pm Saturday). MT

*I can’t help but think an E-M1.2 and 12-100 with its incredible stabiliser combination would have been perfect here.

This series was shot with a preproduction Hasselblad X1D, 45 and 90mm lenses, and post processed with Photoshop and Lightroom Workflow III. Roam vicariously with T1: Travel Photography. and the How to See series.

[Read more…]

Photoessay: Doha to London

IMG_4062b copy
Doha

I always try to get a window seat if I’m flying, and if there might be the slightest chance of anything to see (night photography from an airplane has so far proven highly challenging, with few exceptions – either your ISO is cranked so high that any subtle tonality in the widespread blue palette completely disappears, or you have motion problems). In those cases, it’s probably advisable to take an aisle seat if you’re the insomniac type, or stick to the window if you prefer not to be climbed over by your neighbour. Usually, the Middle East to European routes have something worth seeing; you overfly desert, mountains, and cities, and there’s at least eight hours of boredom to kill. I can’t imagine what else the answer might be if not photographic, to the point that I’ll try to sit on the ‘correct’ side of the plane for light and likely opportunities – beats 20 reruns of Friends at any rate. Whilst perhaps airline travel doesn’t quite have the same immediate connection with the changing landscape as driving or taking the train, it simply happens at a much faster pace and larger scale – which sadly is all too often overlooked by most travellers.

The opening image proves again that the adage ‘the best camera is the one you have with you’ is true: whilst the H5D was on my lap as usual for takeoff, I had completely the wrong lens on (100mm) – iPhone to the rescue. MT

This series was shot with a Hasselblad H5D-50C, various lenses and post processed with Photoshop and Lightroom Workflow III. Roam vicariously with T1: Travel Photography. and the How to See series.

[Read more…]

Photoessay: Continuity

X1D3-B0001790 copy

I find it curious that a lot of modern structures try to hide their bulk buy the use of mirrors and glass; classical architects have proven that it’s very possible to make a beautiful and adequately light structure without massive glass curtain walls, and the brutal/industrial cast-concrete era of the 60s, 70s and 80s proved further that it’s even more possible to make such structures vomitoriously ugly and utilitarian. The modern stuff seems to try to blend by hiding – reflecting the surroundings and making it tricky to sometimes determine where the structure begins and ends. If a city were to only be furnished with such structures, there’d be a lot of light and the illusion of openness, but zero character and probably a lot of avian accidents. Fortunately, real life is a bit more chaotic and ‘dirtier’ which avoids that kind of thing. Yet there is still this strange blended continuity… MT

This series was shot in Tokyo with a Canon 100D, 24STM; an X1D-50c and 90mm; a H6D-100 and 100mm. Post processing was completed using the techniques in the weekly workflow and PS Workflow III. Learn more about capturing the essence of a location with T1: Travel Photography; or visit Japan vicariously in How To See Ep.2: Tokyo.

[Read more…]

Photoessay: Postcards from a wintery Gothenburg

X1D4_B9994894 copy

This set has had a little sitting time – shot in March, just about on the cusp of spring. I was in Gothenburg for Hasselblad-related things. The usual hotel near the office was booked out, which I initially resented, but it did give me the pleasure of a nice walk of a couple of kilometres down the waterfront from the hotel to the office and back. Living in the tropics, you really miss the seasons – the whole year passes pretty much the same, with some variations in precipitation as about the only clues as to which month you’re in. It’s strange, but there’s definitely pleasure in getting such a strong feeling from your environment that change is about to happen – you can see the brilliant sunshine and warmth trying to break through slightly more each day and chase the vestiges of winter misery away, though there are still moments during the day where you’re not quite sure what season it is (especially towards dusk, if there are clouds). What was that old saying again – we always want what we can’t have…MT

This series was shot with a Hasselblad X1D and 90mm lens, and post processed with Photoshop and Lightroom Workflow III. Roam vicariously with T1: Travel Photography. and the How to See series.

[Read more…]