When is a photograph not a strictly a photograph?
This is a little question that I’ve bumped up against now and again with increasing frequency as I produce personal work that’s less literal and more abstract. I think at simplest, what we have here is a continuum from ‘straight’ untouched images of literal objects that happen to be taken from an unusual vantage with unusual light that contributes to them feeling abstracted, surreal or both, to the opposite end where there is so much manipulation going on that we are no longer sure that what we are looking at can be classified as photography instead of mixed-media art. Some ‘conceptual’ commercial work can fall into this latter category, too. What is clear is that none of these images are in any way attempting to represent themselves as transparent photojournalism. The question that I’d like to address is not so much the definition of photography as at what point we must start to unburden ourselves of conventional notions of image-making and really start trying the crazy stuff.