One week left to order the MT x FF ultimate daybag…

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One week left to order the ultimate photographers’ daybag – designed by me, handmade in England by Frankie Falcon. The order book closes 31/10, and it won’t be sold again in this configuration (and even possibly not at all). So, this is your final chance – please get your orders in here if you’d like one.🙂 Thanks! MT

Available to order: The ultimate photographers’ daybag, a collaboration with Frankie Falcon

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I think we all have this problem: there is no such thing as the perfect bag. Unless, of course, you design it yourself. After receiving a lot of positive feedback (and desire) from people who’ve seen it, I’ve also decided it will be made in a limited run. In collaboration with bespoke UK bag maker Frankie Falcon, I’m pleased to offer my first hardware collaboration: The MT x FF Ultimate Photographers’ Daybag. Orders for the first (and limited) batch will run until 31 October 2016. Note: current backlog at 20/10 means orders placed now will ship in late November 2016.

Click on after the jump to order and for the rest of the details…

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Analysis: Photokina 2016

Now that the dust has settled on the biannual equipment celebration that is Photokina, we can (somewhat) more objectively opine and speculate on a) interesting individual releases and company activities and b) the industry as a whole. What I’m seeing are three trends:

  1. The effects of the sensor monopoly held by Sony, which aren’t good;
  2. A few courageous companies pushing the envelope wildly;
  3. The conservative ones iterating in ever small increments.

I actually believe this is a signal of the start of maturity and perhaps a bit more rational sense for photographers as a whole – or, perhaps not. There wasn’t really anything from anybody that made me itch and reach for the wallet, and I suspect the same is true for most people; partially because a lot of the more interesting releases already happened (5DIV, D5, D500, X1D, X-T2, X-Pro2 etc.) earlier in the year, and partially because just about everybody is dependent on one sensor maker.

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Hasselblad X1D: Very early shooting impressions (with full size samples)


Firstly, Selamat Hari Raya to my local readers! Secondly, and perhaps of more importance to the global audience, about 36 hours ago, the X1D arrived – plus both lenses and the system bag. I’m currently in the middle of a masterclass in Singapore and have had about four hours in total to shoot with it. Regular readers will know that normally, I wouldn’t post anything this early on in my usage of the camera for several reasons – firstly, firmware is not final, so not all functionality has been implemented and there are a lot of thing which will be improved before retail release. A large part of my responsibilities also include debugging and finding as many of those glitches as possible. Secondly, you really need to use it under a wide range of conditions to make a useful and comprehensive assessment of its capabilities. However, my inbox has been overflowing from the number of questions and requests for information, plus there’s been so much speculation over image quality, it’s more efficient for me to address this here. I also have clearance from Hasselblad to post full size images, linked in the article – I think they are also the first full size samples available anywhere. They are of sufficient technical standard but I’ll be the first to admit, it’s early days and I’ve not had as much time to shoot with it as usual – so the subject matter is somewhat limited. I have attempted to assess several things with these tests, though – quality of bokeh, edge sharpness, flare resistance, dynamic range, lateral CA etc. You may print or download them for your own use, but not commercial redistribution. For early impressions, read on. For full size files, click the images. I will attempt to answer questions left in comments HOWEVER please note that I am on the road for the next couple of days, so internet access will be limited. (Update: links to full size fixed; please let me know if they still don’t work.)

Important note: this is NOT final hardware, and subject to significant changes: and these changes will be only be improvements.

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Announcing the Hasselblad X1D-50c: medium format mirrorless is here.

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The teaser said game changer; those fighting words have been used before and left something wanting. I think now that the dust has somewhat settled after the X1D announcement, clearer heads may prevail in the analysis. For those who missed it: Hasselblad have just announced a 50MP medium format (44x33mm) mirrorless camera with a 2.36MP EVF, new lenses and full back compatibility with existing H system lenses, at a price point that’s bringing the fight to Pentax and making 35mm DSLRs look physically bloated.

It’s now time for a little of my customary analysis, and in a few weeks, an extended shooting report.

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Mid term assessment of Hasselblad H lenses (UPDATED 29/5)

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Having used the H5D-50c and a good number of lenses for a while now, I wanted to round off the post from a couple of days ago (which was my mid term assessment of the camera) with some more detailed comments on the lenses – especially since practical reviews of these things are not common, and I’ve been receiving a lot of email of late. This is understandable, since medium format glass is both a serious and not so liquid – at least compared to 35mm – investment and therefore not the kind of thing you want to make a mistake buying. For those who don’t know, Hasselblad H lenses are built by Fujinon in Japan. The good news is that what I’ve used is pretty much excellent across the board – there are some exceptions, but few. I’ve also added some rough numerical scores, relative to other lenses available at the time of writing. I’ve also updated the Camerapedia, too.

I know this post is probably for a very small audience, but why not read on and live vicariously…

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Mid term review: The Hasselblad H5D-50c and CFV-50c

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H5D-50c with HC 3.5/50 II; 501CM with 4/50 CF T* FLE, HC1 prism and custom grip. The design lineage between the V and H cameras is very clear in this configuration…

Today’s report is a twofer, for the simple reason that both cameras share the same electronics and imaging pipeline: the backs are effectively the same apart from a power button and battery holder, plus some communication points with the camera body in the case of the H mount version. For all intents and purposes, image quality and performance are identical. I’ve owned the CFV-50c since early December 2015, and have had a H5D-50c firstly as a loaner in January and then from February onwards as part of the Hasselblad Ambassador program. I’m going on six months and norhtof 12,000 frames with Hasselblad medium format as my primary system, which makes now a good time to pause and see if I made the right choice. This will be a calmer analysis in the same vein as my long term reports on the D700, D800E, D810, 645Z and 5DSR. Since switching, I can count the number of occasions I shot with my other cameras on the fingers of one hand; I have to make sure my batteries are still charged before taking them out – which is something that has never previously happened. I suppose this is a good sign…read on if you wish to put your wallet at risk.

In the interests of full disclosure, I am a Hasselblad Ambassador, so my objectivity may be in question. But I do have a significant amount of skin in the game, too – all of the V system (including CFV) was acquired prior to my appointment, and good chunk of the H system was purchased by me at retail.

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Announcing the Hasselblad H6D, in 50 and 100MP flavours

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Out of idle curiosity, I wondered what they shot the product images with: EXIF data reveals a H5D-200c MS

It turns out those April 7 rumours were true after all: there’s a new H in town. The H5 I’ve been using for the last couple of months was announced in 2012, with the CMOS version arriving mid 2014. Given the long product cycle times in medium format land, four years is not too bad between iterations. In any case, following Phase One’s XF-100MP announcement and innovative suite of features, Hasselblad would have to do something not to get left behind. The important features are here: 50MP on 44x33mm, 100MP on 54x40mm, leaf shutter up to 1/2000s with new/updated lenses, a new 3″ VGA touch panel, improved live view, RAW video out (Apple ProRes) at 1080P30 on the 50MP version and 4K30 on the 100MP version. Firewire is now USB3.0, along with HDMI out and audio IO. Oh, and no more CompactFlash – it’s now SD and CFast. Lastly, there’s a new version of the tethering and workflow software – Phocus 3.0.

Today’s post is going to be a bit more than just a spec sheet: it’s also a little analysis of the state of medium format at the moment.

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The Switch

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Advance warning: this post contains nothing but gear p***, since it is an equipment-centric post after all…and I make no apologies whatsoever for that. And that thing isn’t a carrying handle, it’s the HTS.

I suppose many of you will have seen this coming: I have switched primary camera systems from Nikon to Hasselblad. And you’ll also probably know I’ve got extremely good reasons for doing so, even more so since this is a significant commitment by any standards. I’ve also had several conversations with various people in the organisation that have convinced me that their future is also going to be pretty exciting indeed. Judging by the number of people who commented and emailed me after the previous recent posts on medium format (here, here) – there’s quite a lot of curiosity and more medium format shooters here than I previously thought. Today’s post is an explanation of that rationale, and the comments will be an attempt to answer any questions from the curious.

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A question of value, accessibility and medium format…

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Let’s say you’re in the market for a new camera – which face it, most of us find ourselves in frequently, often for reasons of our own doing. It has to be something reasonably exciting, and having played this game and gone through this cycle many times, for argument’s sake, it’s probably going to be at the higher end of the spectrum. We have a lot of choices. What I’ve shown above represents the full spectrum of choices, from the best of conventional high performance DSLR, to the top end of mirrorless, to entry level medium format, to something a bit more unconventional. Figure on spending say ~$12k by the time you’re done – body, a lens or two, and the usual plethora of system-specific accessories.

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