Street photography with the Olympus ZD 17mm f1.2 PRO – an addendum to the review

Some of you who read the Olympus M.Zuiko 17mm F1.2 PRO lens review here, must be wondering why there were no street photography images, since the 35mm equivalent is a classic focal length for street photography and it is widely known that I do love shooting on the streets. The culprit was bad weather, thanks to a spell of rain over the last couple of week combined with overcast skies. Lighting is crucial for all photography and with cloudy weather I would have had flat, uninteresting and dull looking images. Fortunately, I did have a little time left with the Olympus 17mm F1.2 lens before returning it to Olympus, so I went out to do some street shooting when the weather cleared. This article shall be an extension to the Olympus 17mm F1.2 review, with more sample images shot with the lens.

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Review: The Olympus M.Zuiko 17/1.2 PRO

Firstly – Happy New Year! I hope 2018 proves to be fruitful and fulfilling – both photographically and otherwise. Now on to the business at hand…

The Olympus M.Zuiko 17mm F1.2 PRO lens was launched in September 2017 and together with the Olympus 25mm and 45mm F1.2, completes the PRO F1.2 lens trinity. My review unit of the Olympus 17mm F1.2 was on loan from Olympus Malaysia during the final week of 2017. I acknowledge that 35mm (equivalent) is a classic, popular and highly revered focal length especially for environmental portraits, documentary and journalism work as well as traditional street photography.  Frankly, 35mm is not my favourite focal length to work with – I generally prefer either the wider or longer end for my photography needs. Therefore, this review was exceptionally challenging for me and required more effort than usual.

Some disclaimers before we move on – the Olympus 17mm F1.2 lens was on loan from Olympus Malaysia solely for review purposes only and will be returned soon after. Neither myself nor MT are associated with Olympus in any way, and this review was conducted independently. This review is based off user-experience and presented from my point of view and is therefore, subjective. All images were shot with the Olympus OM-D E-M1 Mark II and post-processed with Capture One Pro.

A gallery of all the images shown in this article with EXIF data intact can be viewed on Google Photos Album here.

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Working with multiple systems and formats in the field

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A typical assignment for me may involve a) quite a variety of objectives, and b) quite a variety of hardware. Whilst the obvious solution would be to go with one complete system and suitable backups, this isn’t always possible for any number of reasons – from weight to lack of coverage in that system to cost or practical versatility. I had a recent email discussion with a reader and fellow pro over how to manage this in the most efficient way possible – both from a cost and logistic standpoint, but also a creative one. Often, suitable equipment for a broad range of optimal coverage* may require a significant shift in shooting mindset between different bits of hardware; for obvious reasons this becomes quite a bit more challenging when you’re working under pressure. I thought it might be an interesting topic to examine further…

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Review: the Panasonic DG Vario-Elmarit 12-60 f2.8-4

Olympus and Panasonic have been releasing increasingly similar and overlapping lenses as the Micro Four Thirds system matures. More options and choice can definitely be seen as an advantage. Early this year, in January, Panasonic released the Panasonic Leica DG Vario-Elmarit 12-60mm F2.8-4.0 zoom lens. The other competitors for a similar zoom lens are: the Panasonic 12-35mm F2.8 and Olympus 12-40mm F2.8 at about the same price as the new 12-60mm F2.8-4. For a premium, you can have the Olympus 12-100mm F4, and at the lower end there is the Panasonic 12-60mm F3.5-5.6. There is no shortage of standard zoom lenses. Therefore in this review, I shall explore the capabilities of the Panasonic 12-60mm F2.8-4 and discuss how this lens stands out from the rest of the crowd. [Read more…]

Final stock for the MTxFF Mirrorless and Duffel bags

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We’ve decided to end the Mirrorless and Folding Travel Duffel bags after the current production run – it’s time to work on other new projects. There are currently 13 Mirrorless bags and 6 Duffels remaining, and once these are gone – we will not be producing any more. Please click on the images above or the links below if you would like to order one. Thanks! MT

Buy the MT x FF Mirrorless bag
Buy the MT x FF Folding Travel Duffel

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Images and content copyright Ming Thein | mingthein.com 2012 onwards unless otherwise stated. All rights reserved

Review: the 2017 Olympus M. Zuiko Digital 45mm f1.2 PRO

With the Micro Four Thirds lens collection now no longer lacking good, affordable zoom and prime options, Olympus has shifted their focus to making premium large aperture prime lenses. In addition to the existing M.Zuiko 25mm F1.2 PRO lens, Olympus just announced two new PRO lenses: the 17mm F1.2 and the 45mm F1.2. Special thanks to Olympus Malaysia for the M.Zuiko 45mm F1.2 PRO loan unit for this review. I’ve had one full day to shoot with the lens on the streets and behind the scenes of a Chinese Opera.

The highlights of the Olympus M.Zuiko 45mm F1.2 PRO lens are:

  • Designed to be optimally balanced between delivering excellent resolution and producing beautiful “feathered” bokeh.
  • Complex lens construction consisting 14 Elements in 10 Groups with 1 ED lens, 4 HR lenses, 1 aspherical lens
  • Full weather sealing (splash and dust proof)
  • Minimum focusing distance of 0.5 meter and maximum magnification of 0.1x
  • LF-n button (customize-able function button on lens), manual focus clutch mechanism, takes 62mm filters and weighs about 410g

You can find the full technical specifications on the official product page.

In case some of you aren’t aware yet, I left my Olympus employment in April. So neither MT nor I are affiliated to Olympus in any way and this is an independent review. The Olympus M.Zuiko 45mm F1.2 PRO lens and OM-D E-M1 Mark II camera body were provided on loan by Olympus Malaysia strictly for review purposes only. This is an experience based review and is likely to be subjective. All images were shot in RAW and post-processed in Capture One Pro version 10.2. For higher resolution images with full EXIF data intact, kindly view the images in the online gallery here.

Read on for the rest of the review. [Read more…]

Review: the Canon EF-M 22/2 STM

Just when I thought my temporary flirtation with the Canon EOS-M6 was over, Canon Malaysia came back to me with the EF-M 22mm F2 STM lens which I was very interested to try out. In my recent review of the Canon EOS-M6, I concluded that it performed well, with the only serious downside being the sub-standard kit lens. Therefore, I was hoping that the 22mm F2 pancake would do justice to what the M6 is truly capable of!  [Read more…]

Roaming Kuching’s streets with the Canon EOS M6

Since my review of the Canon EOS-M6, I’ve had few more days with the camera before having to return it to Canon Malaysia. I brought the camera home to Kuching (in Borneo) for a short weekend trip. I was going back for a collective exhibition featuring local photographers. I managed to find time for some shutter therapy in the midst of my busy schedule – most of this time was spent with my beloved mum or catching up with friends. For these short shutter therapy sessions, I decided to give the Canon M6 another spin.

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Review: The 2017 Canon EOS M6

With the release of the Canon EOS-M5/M6, perception towards Canon’s mirrorless system has changed. Both the M5 and M6 use the same APS-C 24 Megapixels image sensor and dual pixel AF system as Canon’s high-end APS-C DSLR, the 77D, Thanks to Canon Malaysia, I have had the new Canon EOS-M6 to shoot with for the past week. I understand that the M6 is not a new camera and has been on the market since April. Some of you may already have one. I am doing this review purely out of curiosity: to find out where the M6 fits in the almost never-ending choice of mirrorless cameras now. [Read more…]

Why GAS might actually turn out to be good for you

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One is bad enough. Two is…well, probably a signal that some form of clinical treatment is required. Full disclosure: the second one was supplied as a spare for the Thaipusam video; we didn’t use it.

At the risk of severely contradicting myself, I’m going to offer an alternative point of view to several of my posts from earlier this year (namely, this one on diminishing returns; this one on finding the right camera and moving on; this one on ideal formats for a given creative output). Many of you have pointed out in the comments and subsequent emails etc. that things are not really quite so clear cut; I’ve given this some thought and spent some time rationalising my own equipment journey – especially since from an external standpoint, it might appear that I’m probably the worst offender of all. The conclusion, is of course one of very fine balance – like most things in photography; and like most things creative, a little tension is required to produce not-safe and not-boring results. Here are my thoughts on why…

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