Robin visits South Africa, part II

Continued from Part 1

It was hard to believe how close we were able to get to the wild animals in Madikwe Game Reserve. Our park ranger drove us as close as 5 meters from the animals! The feeling of potentially fatal danger was persistent even while we busied ourselves composing images. The animals kept turning toward us and glancing at us from time to time, but they never showed any sign of aggression or agitation. I guess they’re so used to human presence with the never-ending stream of tourists that pass through the reserve. I was thrilled to be able to continue shooting my portraits of strangers, only this time my subjects were wild animals instead of humans.

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Robin visits South Africa, part I

Let me begin by expressing my gratitude for the overwhelmingly positive response to my recent announcement about joining the Olympus Visionary team. I am grateful to have such supportive readers and have come this far thanks to your support. So please do continue to visit the site regularly as MT and myself endeavour to produce content.

From December 7th to 13th, I traveled to South Africa with a group of Olympus Visionaries from Asia Pacific. This photography trip was fully sponsored by Olympus with the objective of encouraging the 19 photographers from Malaysia, Singapore, Thailand, Hong Kong, South Korea and Australia to share ideas, inspire each other and to work more closely with Olympus. We went to Madikwe Game Reserve for safari shoots and stayed at the Tau Game Lodge. We spent 3 days going out in the field, trying to capture wildlife and nature shots. This particular trip was full of new experiences for me. For this first part of my South Africa series, I will share wider landscape and environmental photographs of the locations we visited.

All images shot with the Olympus OM-D E-M1 Mark II and M.Zuiko PRO lenses (300mm F4 PRO IS, 40-150mm F2.8 PRO and 7-14mm F2.8 PRO).

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Congratulations to Robin Wong – ‘Olympus Visionary’

I am proud and happy to announce that I have recently joined the Olympus Visionary program. In this short article, I’ll explain my decision of becoming a brand ambassador for Olympus Malaysia as well as how this changes my writing as a photography blogger moving forward.

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Shooting Muay Thai: Round two!

When a friend invited me to shoot a Muay Thai fight from the ringside, I immediately said yes. The organizers of Asian Fighting Championship (AFC) were kind enough to extend opportunities to photography enthusiasts to shoot the event. After my previous experience shooting Mixed Martial Arts (MMA) half a year ago, I thought this would be a great time to revisit fast-paced indoor sports and at the same time subject the best camera Olympus has to offer, the OM-D E-M1 Mark II, to some torture.

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Heresy and sacrilege: MT and SOOC experiments

IMG_2716 copy

Due to an idle browser, more idle hands and pre-Raya* specials, the un-camera is no more. I traded in the GX85 for an Olympus PEN-F (previously reviewed here), available now at just half of its original launch price (at least in Malaysia) and with bonus goodies of grip with built in Arca rail and extra battery. For a modest supplement, it seemed like a good deal. I’m getting a bit ahead of myself: firstly, why? Well, a couple of things: if I’m going to shoot something serious, then I’ll break out one of the ‘Blads. If I’m not, then managing a three year old and the associated peripherals means that you don’t really have a lot of payload left over for hardware, let alone time to use it. But there are still opportunities to be had, and often single interesting grabs that require something quick**. On top of that, I admit the un-camera had a couple of serious deficiencies: firstly, the body was plastic and felt like it – grip it with moderate force and you’d be rewarded with a squeak or three. The back control dial was a bit recessed to access easily, and turned stiffly. Default color needed serious help (more on this later) – and lastly, I just didn’t like the fact that despite having a very comprehensive feature set (4K, dual IS etc) it felt like an appliance and had nigh on zero emotional value to shoot.

*end of Ramadan
**I’ll be the first to admit this does not describe the current generation of Hasselblads; but we
are working on it.

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A blast from the past II: revisiting the Olympus OM-D E-M5

Of all the cameras that I’ve reviewed in the past, the Olympus OM-D E-M5 will always have a special place in my heart. It seems appropriate to follow the previous revisitation of the very first E-1 by revisiting the E-M5. The E-M5 was a game-changer for the mirrorless interchangeable camera world, pushing the boundaries for capabilities and setting high standards for other mirrorless manufacturers to follow. It’s been 6 years since the release of the E-M5 and I want to explore the significance of the E-M5’s role in changing the perception towards mirrorless cameras as a serious tool. I spent a day with the E-M5 for my shutter therapy and all the images shown are fresh out of the trusty, old E-M5.

MT also reviewed the original E-M5 some time back, here, and wrote about how it was a game changer for him professionally at the time, here.

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A blast from the past: Robin Wong on the Olympus E-1

Between the chase for stratospheric megapixel numbers, lust over new gear releases and pushing the limits of imaging envelopes, I sometimes take a step or two back and relive the experience of shooting with cameras from yesteryear. In this case, the first ever Olympus Four Thirds DSLR, the E-1 which was introduced in 2003. While accessorizing my outfit with a vintage-looking camera matches the overall retro-fashion look that seems hip these days, my purpose of shooting with the dinosaur E-1 was more simplistic. I wanted to slow down, and just enjoy shooting without having the camera get in the way. After all, have I not repeatedly talked about going back to the basics and getting the fundamentals right? Even MT has a great, must-read article about shot discipline, which emphasizes critical timing and technique relevant to all gear choices.

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Firmware 2.0 for the Olympus E-M1 Mark II

Olympus has announced firmware upgrades for their OM-D E-M1 Mark II, E-M5 Mark II and PEN-F cameras. Olympus Malaysia provided me with the early version of Firmware 2.0 for my E-M1 Mark II about a week ago and I’ve had some time to test it out. There are no major changes but there are small yet relevant improvements that can make a difference. In this article, I explore the improvements that firmware 2.0 brings to the E-M1 Mark II, and how it affects my photography.

Olympus has made the following feature additions or enhancements to the E-M1 Mark II via the firmware upgrade:
– Smaller AF target area for both Single-AF and Continuous-AF
– Focus Stacking compatibility for M.Zuiko 12-100mm F4 PRO lens
– Indication of 1 to 1 magnification view on image reviews
– Improved buffer of Pro Capture Mode to 35 pre-burst frames from previously 14 frames only.
– In camera fisheye lens distortion correction (de-fishing)
– New Flicker Scan Aid function allows for easier removal of flickering when using electronic shutter.
– New Art Filter added: Bleach Bypass

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Review: The 2018 Olympus E-PL9

Olympus has just launched a new addition to their PEN line-up, the E-PL9. I had the opportunity to shoot a review unit for about a week before the launch. Looking at the compact form factor, stylish design and inclusion of a selfie screen, the E-PL9 is clearly targeted towards the entry level market – particularly smartphone users who need better image output and performance but are not keen on carrying larger and heavier DSLR cameras. However, there is no shortage of entry level system cameras now, both from the mirrorless and DSLR camps. In this E-PL9 review, I explore the capabilities of the small PEN camera that allows it to stand out from the crowd, as well as the compromises that were made to keep the compact form factor. [Read more…]

Street photography with the Olympus ZD 17mm f1.2 PRO – an addendum to the review

Some of you who read the Olympus M.Zuiko 17mm F1.2 PRO lens review here, must be wondering why there were no street photography images, since the 35mm equivalent is a classic focal length for street photography and it is widely known that I do love shooting on the streets. The culprit was bad weather, thanks to a spell of rain over the last couple of week combined with overcast skies. Lighting is crucial for all photography and with cloudy weather I would have had flat, uninteresting and dull looking images. Fortunately, I did have a little time left with the Olympus 17mm F1.2 lens before returning it to Olympus, so I went out to do some street shooting when the weather cleared. This article shall be an extension to the Olympus 17mm F1.2 review, with more sample images shot with the lens.

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