Off topic: Why I started making watches, part II

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The unexpected: 19.01, November 2017

Continued from part I.

Our group wondered if there were alternatives. We started looking into independents, and for me personally, those who would be willing to entertain serious customisation without breaking the bank; this meant compromising on the movement side, but as it turns out there were still interesting alternatives to be had. Ochs und Junior took the challenge and gave me very simple (read: reliable) annual calendar and high accuracy moon phase watches, but more than that, forced me to adapt the design to be coherent with the immutable parts (cases, complication locations and indications, production limitations). Until this point, I was still designing; evolving both my movement conceptualisation skills and aesthetics. By now, I’d developed a coherent design language and over 50 watches (including movements) on paper; these watches would represent the first baby steps towards seeing them come to life. But first, the ornamental complexity had to go; design would be reductive instead of additive. It was an interesting process that forced me to really identify and simplify critical elements required for time telling and identifiable stylistic cues down to their bare minimum. The Simpleton and Celestial were the product of those experiments, and it’s probably clear that design elements from both made it into our subsequent watches.

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Off topic: Why I started making watches, part I

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The MING family, as of March 2019

It’s a fair question, and one I’ve been asked frequently enough to properly explain myself somewhere, for the record. I suppose it isn’t just something you pick up on a whim one day, nor is it something that even if you had a burning desire to do – can easily begin by submitting a CV to a headhunter. Watchmaking, in its purest definition, is a vocation – not a profession. You physically have to make something, and in the process of doing so (from scratch, of course) understand everything from engineering to metallurgy to physics to aesthetics. It is the kind of masochistic intellectual pursuit undertaken successfully by only the most dedicated, the most skilled, or the most masochistically insane. I am not a watchmaker in the pure definition, nor am I dextrously skilled, but I am fairly dedicated and probably also insane. After all, eight years ago (has it been that long?) I did quit the top of the corporate game to start all over again as a photographer. And now, not having learned my lesson, history repeats.

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Addressing some rather serious feedback

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The quality of readership here has always been very high, and I owe the audience a big thank you for contributing intelligently to the discussion. But there are some occasions where people go above and beyond to bring something truly special to the table. I therefore feel it is only fair to highlight some of these today and give them the stage and attention they truly deserve.

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OT review: a thousand kilometers in the 2019 BMW M5

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A thousand kilometres (or five days, one long distance trip and some regular urban use) might sound like a lot, but it really isn’t that much time to get to know a car as complex and layered as the 2019 BMW M5, codename F90. It’s like a couple of hundred shots with a Hasselblad, or maybe an handful of tracks with a high end pair of headphones. A taste, an impression, nothing much more. I’m not a car reviewer by any stretch of the imagination, nor do I have the driving skills of somebody like Chris Harris; I merely have some interest and probably a bit too much obsession. For reference, I’m coming from a 2018 F87 M2 as my daily driver, on which I’ve barely passed the 12,000km mark and feel like I’m just about getting to understand it to the point of late night friendship terms, but not quite familial contempt. A description of the character in question thus follows.

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Merry Christmas!

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Merry Christmas and happy holidays to our readers celebrating from the mingthein.com team – MT, Robin and Praneeth (behind the scenes). May you have a great day and a full area under the tree… ๐Ÿ™‚

OT review: the 2018/9 BMW M2, midterm

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I make no secret of the fact that I’m a bit of a petrolhead; at least to the extent possible in Malaysia given the heftiness of our taxes and limited market affordability leading to a fairly uninspiring range of choices for the motoring enthusiast. That’s partially offset by affordable petrol and lax speeding enforcement, but given the state of traffic in Kuala Lumpur – the opportunities to enjoy it are few and far between. Nevertheless, I’ve often made my transportation choices emotionally driven rather than rational; the last time I did the latter, it was competent but not very fun. My options boiled down to either something completely impractical but fun (like a Lotus Elise) but cheap enough to afford a second family car where I would spend most of my time (and thus itself have to be tolerably interesting) – or something that could do double duty and have four seats (but not necessarily four doors). Some of you may recall I had a Z4 some time back. It turns out the limits of the car weren’t that high, no matter what one did to the underlying oily bits – there remained this delayed feeing to the steering that felt too indirect and vague for my liking. And whilst the 2.0T motor put out a healthy ~300bhp at the crank after tuning and on the right fuel, there was always a feeling of fragility given how often it would knock if not on RON 98 or RON 100. Fast forwarding a bit though several sensible diversions, I arrived at the M2 after a) waiting a very long time for a manual transmission and giving up, and b) somewhat regretting the F56 Mini Cooper S I purchased previously.

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In search of clarity…

…will be the theme and title of my monthly column at Mediumformat.com, a community and e-publication focused on the larger things in photography. Mingthein.com of course continues as normal; I just didn’t want to pass up the opportunity to work with an interesting bunch of people. Registrations are open from today. MT

OT: first anniversary!

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With some relief and a big exhalation of breath, it seems the horological venture has survived the first year; let me tell you it hasn’t been easy given we’re effectively trying to start something in an industry that doesn’t have any ecosystem in our country, competing directly against much better funded and experienced players. There have been no end of surprises – both good and bad – for the moment culminating in a nomination for a GPHG* prize for our flagship 19.01. We’re celebrating with a watch (of course) or more specifically two (one is good, more is better) variants of the automatic GMT 17.03 – both in the ever popular blue, with revised and refined dial and hands, and an experiment – because experimentation is what keeps us going. I heat blued 25 grade 2 titanium cases with a blowtorch, resulting in something rather special (and something I wanted to do with my own Ochs und Junior some time ago, but we had the wrong alloy). We made 125 of the regular titanium cased blue dial, and 25 of the Ultra Blue – unfortunately the Ultra Blue sold out within about an hour of announcement, and we have a very long wait list**, but the Blue is available right now at www.ming.watch. I leave you with specifications after the jump and the customary images; experimented with some new lighting techniques in this set, too. MT

*Grand Prix de Horologerie de Geneve, which is effectively the Oscars of the watch world.
**I seem to be very good at shooting myself in the foot when it comes to estimating demand and edition sizes.

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The continued adventures of the traveling audiophile: going wireless

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As with everything, it’s very easy to go off the deep end with audio – even personal, in-ear audio – and land up in a position where you have an extremely expensive piece of hardware that has zero secondary value (anything custom, for instance) and feel compelled that you have to make that decision before trying all options. And even if you’re lucky enough to be able to try all feasible options, 10-15 minutes of listening and A-B comparisons in an often less that representative (let alone ideal) location simply aren’t enough to make an informed decision. It also doesn’t help that you (I, at least) hit fatigue after perhaps half a dozen samples and can’t really hear the difference anymore – even if I might have fairly acute hearing on a normal day. But, I digress before I’ve even started. Last year’s move to the iPhone 7 and its forced choices of a) no charging with music if you use the Lighting to 3.5 adaptor, b) charging if you use the bulky as hell USB multiport thing and a small amp such as an AudioQuest Dragonfly Red, or c) wireless – has left me with a messy solution when travelling, which with involvement in three businesses in four countries and international clients, I seem to be doing even more of these days.

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Creativity by the yard

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The split

I’ve heard it said more than once that the world is divided into three kinds of people: those who create, those who support, and those who criticise. The former see the world differently and as a result land up being mostly societal misfits; at least until you become successful (which is nearly never, since the deck is stacked against you for reasons I will explain later). The corporate world wants to have the output and the commercial results, but is unprepared to support the infrastructure and requirements. The second group forms the majority of the population: ‘support’ can mean anything from consumption and patronage to supplier of key enablers such a services, environment or tools. And the latter – some serve as useful moderating reality checks and balances, but most just become bitter and jealous internet trolls. Today’s post is several things: an exploration of these roles, a series of suggestions from the point of view of a creative, and perhaps an apology (excuse?) for my wandering attention.

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