Photoessay: Submerged I

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I’m not a diver, much less an underwater photographer. But when the hardware capabilities are present already (as a consequence of other things) – then why not try them out? My daughter was glad to oblige as model, happily jumping in repeatedly and holding poses underwater. Unfortunately things proved more difficult for yours truly as it turns out I couldn’t find the goggles with corrective diopters, making viewing the screen difficult. In the end I landed up composing blind and guessing the FOV; most of the time I was too close, and I a) see why superwides are preferred for underwater work and b) have a new respect for people who can compose when both you and your subject are moving. Next milestone, increase my hit rate…  MT

Shot with a Sony RX0 II and processed with Photoshop Workflow III.

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Photoessay: Enter the Abyss

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The most challenging types of watch to design is where there are already rigid expectations set by the genre – pilot, diver etc. – to go outside this requires either not meeting functional requirements, or producing something that takes some acclimatisation by the market. You want to avoid being different simply or the age of being different as this inevitably leads to issues of design longevity/maturity as well as functional compromises. Our interpretation of a dive watch has had the longest and most painful gestation to date – with conceptual explorations starting in late 2017, not long after the 17.01 was launched. It’s taken us nearly two years to make something we were happy with, and in the end – we have also decided not to go to series production because it came too late in the brand’s overall design cycle. Even if we committed now, we wouldn’t see product until the end of next year at the earliest, by which time other launches with our second generation design language would have taken place and leaving the Abyss feeling a bit out of place.

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