Book review: Across The Ravaged Land, by Nick Brandt

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I think many of you will recall me being quite blown away by the power of the images and the quality of the printing/ presentation in my review of Nick Brandt’s earlier twin book On This Earth, A Shadow Falls (here). I’m fairly sure many of you were too, judging from my email traffic, the comments, and the number of orders via Amazon. I’ve turned into an enormous fan of Nick’s work: he is the photographer’s photographer, a man who clearly thinks about what he’s doing, photographs with integrity, for a reason, with an idea, with the most appropriate tool for the job, and presents the images in the best possible way. Across The Ravaged Land, the final volume in the trilogy, raises the bar even further. I spent an hour with the book and felt like I’d been smacked upside the head with the Pentax 67II he favours. Allow me to explain why.

Note: in this article, I’ve attempted to reproduce the tonal feel and colour of the images as accurately as possible, but reality is that it’s simply impossible to do so via a screen and a JPEG. Just buy the book, and from the print quality alone you’ll see why every photographer should spend some time making prints. I can’t even begin to imagine the impact of the large format images.

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Photoessay: The boats of Amsterdam

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I must first apologize for the enormous processing backlog that has kept me from posting any images from the Amsterdam and Prague workshops several months ago to the site; the astute of you will have seen them go up on Flickr a little while ago, though.

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Xmas 2013 picks

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Here’s one to get you into the spirit of Christmas: either treat yourself, treat a very good friend, or better yet, get somebody to treat you*. This list is mostly composed of new releases for 2013, or new items I’ve discovered during the course of the year. For a complete list of recommendations, see this page. Please note, all links from this page do award me a small referral commission; it doesn’t increase your price, but it does help to pay for all the bandwidth this site uses – thanks for your support!

*Here’s hoping the wife reads one of my articles for a change!

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2014 workshops now open – KL, Melbourne, London

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From the Prague 2013 Making Outstanding Images workshop.

I’m pleased to announce dates and details for the first half of 2014’s workshops, starting with the first Masterclass in Kuala Lumpur during the Thaipusam festival, followed by Melbourne and London! Click on for more details, or if you’d like to register, please send me an email.

Reports from previous workshops can be seen here – Amsterdam/ Prague, NYC/ San Francisco, Singapore, Tokyo, Hong Kong/ Macau, Kuala Lumpur one, two and three.

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Judging the 2013 Maybank Photo Awards

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One of the winning images from photographer of the year, Yaman Ibrahim.

Sometimes, choice can make life difficult. A couple of weeks ago, five judges and I sat down (virtually, since everybody was in different parts of the world) to decide on the category and overall winners for the 2013 Maybank Photo Awards. I had the privilege of working with Raghu Rai from Magnum; Mike Yamashita from National Geographic; Jim Liaw and Manny Librodo. Submissions closed on 31 October after three months, with a grand total of nearly 70,000 entries from 9 ASEAN countries. Shortlisting these down to approximately 1,500 final contenders was a panel of secondary judges, with myself overseeing.

Winning images and detailed results may be viewed here at the Maybank Photo Awards website.

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Photoessay: recent iPhone work

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Today’s post is a small collection of recent work – I suppose a better description is grab shots encountered in the course of life when I didn’t have another camera available to me. I make no excuses for the medium; the work stands on its own. It’s to serve as a reminder that the camera really doesn’t matter. Enjoy! MT

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A very OT review: the 2013 BMW Z4 28i

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In a break from regular programming, I’m going to take up one of my readers’ suggestions from a flickr comment and review something different for a change: a car. There are a few automotive journalists I admire and whose work I enjoy for various reasons; the Top Gear trio, Chris Harris, etc. But I’m going to approach this in the same style I approach my camera reviews: from an unashamedly practical standpoint and with some nice images. I’m an enthusiast and nothing more. Read on if you dare.

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Defining ‘art’, redux

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Is a creative interpretation in another medium of the work of another artist art in itself?

Not so long ago, we had a healthy debate on the line between photography and art (if you haven’t already read it, I highly recommend spending some time on both the main article and the comments – especially the comments). In yesterday’s photoessay, I attempted something different. Distilled out of this are a few thoughts and interpretations on the definition of art…

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Photoessay: artistic experiments in the home

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Brokeback Chair

And now for something a little different. Shooting purely for message isn’t new to me; shooting purely for message through metaphor with found objects is, to some extent. Today’s photoessay is an experiment; make of it what you will – but I’m very curious to see what you all think…please leave a comment after the jump. And yes, the captions matter. MT

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Originality is dead: or is it?

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Today’s post is going to be something of a counterpoint to yesterday. Every time we frame up an image, we ostensibly try to capture something different, unique – in essence, to take a photograph that has never been taken before. But more importantly, the resultant outcome must actually look like it has never been taken before, by appearing quite distinctly different from anything else. That’s the part which is not so easy.

Each of the images in this set represents the outcome of a new experiment for me: subject, idea, execution, processing, equipment or something else. They are almost certainly unique, but I cannot say that they have not been attempted before, by somebody else. Take, for example, the fact that they were all shot on film: film is not new, even to me. But developing my own film and looking at the tonality achievable undoubtedly influences the way I process my digital files. Just as composing in squares does affects the way I see the world, too; and so on.

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