It is with pleasure that I’m announcing a new collaboration today with master printer Wesley Wong of Giclee Art, whom you’ll remember as the gentleman who takes care of all my art and exhibition printing – and has done for the best part of five years now. I think it’s safe to say that there’s no way to view a lot of the information captured at a single glance other than in print – there are no monitors that can display 50MP, for instance – and there’s also no better way to make an absolute reference image. I think this is very important as a photographer to take your own vision further; if you cannot visualise the finished product, how can you show it to others – or expect them to be able to appreciate your vision too? Beyond this, there is also the tangible satisfaction of producing a print and having a physical object as fruit of your labor. However, there has always been a gap between learning the art of printing in such a way as to be accessible to all – because of the physical element – and the economics of experimentation and running your own printer. As much as I print personally, it still doesn’t make sense for me to own my own hardware – there are periods where I don’t print at all, and keeping the printer in working order would require dumping very expensive ink through the heads to keep things flowing. Of course, if you utilise external print services, this is moot.

Following demand for printing workshops from a widely spread audience, Wesley and I have been working on these challenges for a while now, and we believe we have a solid teaching structure that addresses all of the issues. Beyond that, it also allows for one on one and personalised tuition around the needs of the individual in much the same way as the email school. Continue after the jump for the explanation, and to sign up. We will limit this to just five students for the first intake.

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