Photoessay: Architectural snippets, Singapore

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I like to think of this kind of image as little microcosms of environment – not quite a full wimmelbild, but more a degustation of the little area in which the image was captured. The images presented today are on a few different scales – everything from fairly intimate upwards. I think they’re fairly representative of the mood and feel of the immediate vicinity, at least from the perspective of an observer who’s just passing through. I honestly don’t know how to categorise images like this: not traditional architecture and not really pure abstract – they have no commercial application and appeal only to a very particular narrow aesthetic. Why do we make images like this? Because they appeal to us at some personal level; I suppose what speaks to me here is the compressed intricacy that can only be as product of evolution as opposed to planning – especially the little unexpected signs of life that suggest adaptation, humanity and real people as opposed to purely hard materials. MT

This series was shot with a Hasselblad H5D-50C and H6D-50C, various lenses and post processed with Photoshop and Lightroom Workflow III.

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Photoessay: Singapore snippets

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Trapped in an order only an outsider can see

Like the Prague Singles, there are those few images at the end of the post-trip or post-shoot curation that really don’t fit into any common category or curation – yet for some reason or other, an emotional attachment has developed and you’re loath to throw them away. They become your albatrosses; probably of no significance to anybody else other than the imaginator. Why? Because there’s a story there that’s triggered a memory, your imagination, or some flight of whimsical fancy; it’s incongruous, unexpected and fleeting. Titles are necessary. MT

This series was shot with a Hasselblad H5D-50C and H6D-50C, various lenses and post processed with Photoshop and Lightroom Workflow III.

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Photoessay: Night falls

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With the benefit of an unusually clear evening in the usually quite overcast tropics, it’s possible to appreciate the subtle and wide variety of hues the evening sky transitions through – and the interesting interplay off the mirrored glass and water between artificial and reflected light. People often ask why I like to shoot in cities; it’s partially because of the difficulty in finding similar natural environments which are close enough to allow you to photograph in often, and partially because only the built environment gives you this kind of transition. It’s also a glimpse into somebody else’s imagination and vision to some degree; how did they envision their creation in the existing environment. Even if it’s merely a product of corporate averaging, we still get to see what the collective masses expect and deem to be ‘good’…MT

This series was shot in Singapore with a Hasselblad H5D-50c and processed with Photoshop and Lightroom Workflow III.

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Photoessay: separation in Singapore

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Big city, bright lights, teeming crowds…yet the quest for individuality is perhaps stronger than ever. Yet we’re social creatures, so we want to fit in. But where? How? Here more than ever, people felt transient, subservient, temporary. Native is not native and you’re on the way somewhere else. The stage stays; the actors change. Here more than ever, I’ve always felt like I was just passing through – even the times where I was based here for months. MT

This series was shot with a Hasselblad H5D-50c and processed with Photoshop and Lightroom Workflow III.

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Photoessay: Two buildings and a break

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For some odd reason, I’ve always thought these two buildings* to be amongst the most difficult to photograph in Singapore – partially because they’re such iconic landmarks that there’s almost no angle or light or weather condition that hasn’t already been exploited; you’re almost afraid to take a photograph because there’s a high chance you’ll just be doing something unoriginal. On top of that, the structures themselves are oddly shaped and the perspectives available at ground level are somewhat limited so that they look very similar from a wide range of vantage points. In the end, I landed up going back to basics: what is the essence of the form and feel of the structure? The result was a series of abstracts of each building. I’ve left what appears to be an unconnected ‘conventional’ image to divide between them, for the simple reason that under the skin: the hardware and M&E doesn’t change. MT

*If you aren’t familiar with Singapore architecture, the two buildings are of Art Science Museum and the Parkroyal on Pickering.

This series was shot with a Hasselblad H5D-50c, 35-90mm and 150mm lenses and post processed with The Monochrome Masterclass workflow.

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One place left final 2016 Masterclass: Prague (September)

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There are still a couple of places One last slot is available for my final workshop of 2016 – the Prague Masterclass (5-10 September). Click on  for the details, or send me an email to book. This is likely to be the last workshop for some time…

Places left for final 2016 Masterclasses – Singapore (Jul) and Prague (Sep)

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There are places still available for the final two workshops of 2016 – the Singapore Masterclass (1-6 July) and the Prague Masterclass (5-10 September). Click on the respective links for the details, or send me an email to book. These are likely to be the last workshops for some time…

Places still available: Singapore Architectural Masterclass, 1-6 July 2016

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I still have places available for the Singapore Architectural Masterclass from July 1-6, 2016. It won’t be your typical masterclass: there’s a bit of a twist. In fact, this will be structured a little differently to the usual Masterclasses and about as close to a crash course in architecture photography and an actual commissioned assignment as it gets. By the end of the week, you’ll be turning in both an assignment and a portfolio. Interested? Click here for details, and to book.

Open for booking: Singapore Architectural Masterclass, 1-6 July 2016

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All images from this post were shot in Singapore.

This will be something a bit different: like last year’s Hanoi Cinematic Masterclass, this will be a themed offering. I’ve been asked for architectural-based classes several times now, so here we go: presenting the Singapore Architectural Masterclass from July 1-6, 2016. It won’t be your typical masterclass: there’s a bit of a twist. In fact, this will be structured a little differently to the usual Masterclasses and about as close to a crash course in architecture photography and an actual commissioned assignment as it gets. By the end of the week, you’ll be turning in both an assignment and a portfolio. Interested? Read on for details and to book.

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On Assignment: the International Lutheran Seafarers’ Mission

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In the second half of 2014, I was hired for a rather unusual documentary assignment. Amongst very many other things, the German Lutheran Church runs an international mission for seafarers around the world, with various stations and representative pastors in major ports. For their 2014 annual report (yes, I know it’s 2015 – I just haven’t had a chance to write and post up til now), they decided to produce a story on this as one of their featured activities. Even more unusually, rather than choosing a major home port such as Hamburg, the story was focused on Asia – the port of Singapore, to be specific. It’s not too far from Kuala Lumpur, so I got on an airplane. The report has obviously now been published, and I’m free to post the write up.

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