Photoessay: Rhythmic geometries

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I see the images in this post as a sort of musical score: the suggestion of an overall harmony (wave) interspersed with little details and textures is too strong to ignore. I don’t know any of the correct musical terminology for this kind of thing, but I do know that I feel the same way about these abstract compositions as I do when I listen to a piece of classical music: there’s a strong underlying structure linking the whole score together, but at the same time also little diversions and explorations into variations that hold your attention and get you thinking. There is a similar change of scale here – not all the instruments play at the same time in every image; you might not have the same range of scale, but you do have the same sensation of layering and interplay of shadow. When the piece shifts into the next movement, not all of the elements may make it through intact, but enough do that you can recognise continuity in style; a sort of design language. MT

These images were shot in Singapore with a Hasselblad X1D-50c and 90mm, and post processed with either PS Workflow III and the Weekly Workflow or The Monochrome Masterclass. See more on your journeys with T1: Travel Photography and the How to See series.

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Photoessay: Because it is Tokyo and there must be architecture

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But even though Tokyo is defender of the modern, the minimalist and the avant-garde, it wouldn’t be a fair representation with a little subversive chaotic mess to sneak into the curation somewhere – in many ways, a fair representation of the real city. Whilst most of the quick-expansion concrete boxes are being rapidly erased by more modern and more interesting structures – especially in the more expensive parts of Tokyo – there are one or two left. I can’t help but wonder if in future they’ll turn out to be historical curiosities much like what we think of as ‘traditional’ buildings are today…I can only hypothesise everything is relative. MT

This series was shot with a Canon 100D, 24STM and 55-250STM lenses, an X1D-50c and 90mm, and a H6D-100c and 100mm. Post processing was completed using the techniques in the weekly workflow and PS Workflow III.

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Photoessay: Dark Porto

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‘Sinister’ is perhaps the best description for the undercurrent that you feel when walking through the old town of Porto at night or under a cloudy sky; it’s as though the dilapidation and decay is hiding a sort of madness or mania – the anguish of knowing that survival is not assured, or that one’s best days are perhaps past. Color speaks of faded glory and perhaps a bit of whimsy/ nostalgia – but monochrome does much better in conveying the weight and ominosity…MT

This series was shot with a Hasselblad H5D-50c, various lenses, a Leica Q 116 and post processed with the Monochrome Masterclass workflow.

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Photoessay: Minimalist Lisboan architecture

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Clean and colourful – this is modern Lisboan architecture in a nutshell, I think. There’s an element of brutalism to it; perhaps that’s the result of minimalism when scaled up. Still, on a sunny day the bright/ light colours go a long way to softening things, and the simple forms are relatively unthreatening. A few traditional references remained, too – the new cobblestones, the tiled walls; I suspect the more ornate ironwork and mouldings were simply too expensive to replicate. Can’t help but wonder whether the whole mood changes in winter, though – there were already hints of it at the Calatrava-designed Oriente station, which has perhaps not fared as well as expected – elegant from a distance, but overly massive at anything other than platform level, and with rusting pillars and a leaky roof above. MT

This series was shot mostly with a Hasselblad H5D-50c, with some from the Leica Q 116. Postprocessing with Photoshop Workflow II. For a more in-depth architectural photography experience, there’s also the Singapore Architectural Photography Masterclass from 1-7 July.

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Photoessay: Uniformity

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Today’s photoessay is a slight evolution on the previous theme. We still remain in an urban setting, but we look only at the uniform, the monolithic, and the stark. They are almost dehumanizingly abstract and yet instantly identifiable as artefacts of our own ambition and desire for bigger, better, more. There is a sort of progression in entropy here – we start with aspirational order and end in decay. Perhaps it is a metaphor for the nature of all things, or perhaps it’s just a consequence of requiring scale for abstraction and visual interest – read into it as much or as little as you please. Enjoy. MT

This series was shot in several countries with a Nikon D810, 24-120/4 VR, 45 PCE, 85/1.8G and Voigtlander 180/4 APO lenses. Postprocessing and color management was done using Photoshop Workflow II and The Monochrome Masterclass.

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FD Photoessay: Urban abstracts in monochrome

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It’s been a little while since I posted any images from Kuala Lumpur; the truth is that I don’t actually shoot that much in my home city these days. Partially it’s because I feel I’ve really plumbed the depths of most parts of the city; partially it’s because I try to keep some potential in reserve for when I have to go out and review a camera – finding new material in a city in which you’ve shot close to 200,000 frames is actually quite tough.

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