Thoughts on travel photography, 2019 edition

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There are two kinds of travel photographers*: those who travel to photograph, and those who document their travels. I used to be firmly in the former category: you pick a destination and plan your entire itinerary based around photographic objectives; you try to sit/stay/transit via positions that maximise every possible photographic opportunity. You depart at times when light and seasons are likely to be most cooperative. Your equipment is 90% of your total baggage weight, and you’ll recycle your underpants if it means you can bring both the gimbal head and the ball. You pack every bit of gear you own just in case – you can always leave it in the hotel, but you might not be able to get a spare on location. And then you carry everything on the off chance you might miss an opportunity. You fly airlines that are lenient on hand luggage, but must balance that off against who cleans their windows best (or has A330s/A340s with that CrystalVue coating). I’ve done that round first on holiday, then on commissioned jobs, on workshop tours, and finally on misguided attempts to take a break from commercial work. Of late, I find the way I work changing; and that’s meant some big changes in the way I approach the idea of travel photography. Oddly though – my yield isn’t lower. If anything, I’d say quality is higher. Let’s try and figure out why.

*There may well be a third kind, but I’ve yet to find it.

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NEW video: T1 Travel Photography

Click to watch the trailer above

We’re pleased to offer a new video in time for your holiday season viewing and vacations: T1: Travel Photography!

Shot on on location in Prague, T1: Travel Photography focuses on making the most of your trip photographically – and how to come home with unique images that represent what you saw and experienced. It covers everything from pre-trip planning to post-trip workflow, camera maintenance, field tips and everything in between. The location city is both beautiful yet widely seen and visited, making getting something different an interesting challenge. Join us in this video for a unique blend of philosophy, technique and composition/seeing.

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A concise city guide for photographers – updated!

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Updated from the 2012 version: my concise city guide for photographers. I’ve added many cities to the list since the first edition, and things have of course changed. This guide is a shortlist of places I’ve been to personally that I think are worth visiting as a photographer, places to be avoided, and places if you like a challenge… It’s organized by city, in alphabetical order. Name links lead you to any other posts tagged from that location – usually photoessays – to help you get a better idea of what to expect. Certain destinations also have a vicarious travel/photographic guide in the form of a How To See episode – links for those are included, too. MT

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Travelling as a photographer

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There’s a big difference between travelling for photography, and taking photographs while travelling. I think it all boils down to priorities: is your priority photography, or travel? Or are you like me: photographing gives you a reason to travel, and forces you to observe and thus enrich your experience?

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Travel photography

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New York City

After writing the article on why we photograph and fresh off the back of several overseas trips, I wanted to share a few thoughts on travel photography. It seems that like street photography, the ‘travel’ genre is almost a generic catch-all bucket for images that don’t fit anything else; it’s a bit of portrait, a bit of landscape, a bit of street, a bit of still life, a bit of architecture, and, well, just ill-defined.

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