Photoessay: On the verge of anonymity

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An experiment of sorts, today: more ‘stream of consciousness’ style photography, but this time shot through my left eye instead of my (usual) right. The idea is to test the hypothesis of left-brain-right-brain influence on structure, order and general perception; personally, I think using the non-dominant eye tends to result in somewhat more organic overall structure and composition. That, and significantly more skew for some reason – I didn’t seem to hold the camera straight in any of these. It’s also been a long time since I’ve had the time to go out on my own for a day or two with no objective other than to wander around and shoot the streets; Tokyo is of course a great place for this with no end of possible material. MT

This series was shot with a Canon 100D, 24STM and 55-250STM lenses, and an X1D-50c and 90mm, and post processed with The Monochrome Masterclass workflow. Travel to Tokyo vicariously with How To See Ep.2: Tokyo, learn to be stealthy with S1: Street Photography and see how to capture the essence of a location with T1: Travel Photography.

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Long term review: Canon 5DSR

_5R00808 copyWhen the stars (trees) line up

These will be my closing thoughts on the Canon 5DSR, first reviewed here. It turns out there won’t be a part two for a simple reason – I don’t see the point. My opinions that follow are going to appear initially conflicting and probably be misinterpreted by the fanboys, so I’m going to state this upfront: I really, really liked the camera. But in the end, it just isn’t for me. Allow me to explain why.

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Review: The Canon 5DSR, part I – solo

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This is both the first extended review I’ve done in some time, and the first one of a Canon product. Regular readers will know that I only review things that are interesting, and to be interesting, they have to expand the envelope somehow. I am curious as to whether the 5DSR will do this –
I sold my 645Z a few months back because I could not justify ow ning a second system against the need for a larger home for my family; but I won’t deny that I missed its resolution and print flexibility, especially for making larger Ultraprints.

I come to this review as primarily a Nikon D810 shooter. I make no secret of the fact that I have not that much experience with Canon other than a serious evaluation period in 2007 where I decided if I should switch (pre D3); I didn’t because local support at the time left a lot to be desired. However, I also come to this review with an open mind: I’ve tried many other systems previously to expand my toolkit including Leica M, Pentax 645, Hasselblad V and M4/3. And I can guarantee you that I have no self-interest either way, since these experiments have come out of my own pocket. The 5DSR was also purchased at retail and is NOT a loaner. I don’t care what the name plate on my camera says: I care only that it lets me make the images I want to make and doesn’t get in the way, and my clients are the same. If anything, I am biased towards image quality. That said, I’m sure it’s only a matter of time before some forum keyboard warrior ‘expert’ asserts I’m now on the Canon payroll.

Note: I will present few full-size samples because I simply don’t have the bandwidth, nor do I trust that they won’t be reused without permission – it’s happened before. Given the limitations of web JPEGs, please go according to what I say and not what you see. Any perceived oversharpening is thanks to Flickr’s overzealous resizing algorithms and not blindness on my part. Read on if you have an open mind. Finally, a special thank you must go to my last client for allowing me to share some of the images from that assignment at the Crawick Multiverse and Garden of Cosmic Speculation. I literally collected the camera a few hours before heading to the airport and this was the first time I’d shot with it properly – no pressure…

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Fresh off the boat: Canon 5DSR and some early thoughts

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My Canon 5DSR arrived a couple of days ago. Surprise #1: it’s not a loaner. Surprise #2: I haven’t had time to shoot with it yet. For somebody who’s not known for having any particular interest in ‘the other side’, questions are bound to be asked. And I’m sure somebody will also mention the A7RII. But, there is a method to the madness – it’s not wanton equipment lust that I’ve fallen victim to, though my bank account will certainly need some time to recover from the shock of both a Leica Q and 5DSR within the space of a week. I would love to share images, but – see Surprise #2. Since early June, I’ve been back to back on assignments, the hanging, opening and related activities around my exhibition Connection in Hong Kong – during which we raised $2.4m for two charities in print sales, auctions and sponsorships – and I was back in Kuala Lumpur just long enough to attend the Q launch party, pick up the 5DSR and make sure my family still remembered me. Images will therefore continue to be forthcoming.

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OpEd: resolution, output, collector or photographer?

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The Internets have been alive with the noises of high resolution (if that isn’t a messed up metaphor, I’m not sure what is) cameras. “Finally, my photos will be better!” Let’s pause for a moment here. There are a lot of assumptions being made, and a lot which is not obvious. And I’m writing this article to address the flood of email I’ve been getting asking for an opinion.

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Inspirations from older cameras: The Canon SD780IS/ IXUS 100 IS

Early 2009. I’d never really thought of the importance of the camera you have with you up til this point – I’d always gotten around that by always carrying the best camera I had. There were, however, situations where that wasn’t really suitable, so I went in search of a compact camera. I was taken by the overall stealthiness of the Canon IXUS SD780IS; it was matte black, rounded, and had a load of flush buttons. 33-100 wasn’t an ideal focal length range, but it did start somewhere reasonably acceptable for street photography and covert documentary work. It also produced a reasonably nice file that was easy to work with in photoshop. My mum inherited this camera and refuses any attempts on my part to give her an upgrade. MT

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Steampunk

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Liquid

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Abandoned

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Untitled

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Truth is found at the bottom of a glass

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Paradise found

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Sunset

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Untitled

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Autumn in London

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One of my favorite portraits ever

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Untitled

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All about the eyebrows

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