Photoessay: Kathmandu with the Fuji X100

A continuation of my Streets of Kathmandu series – this time in color, and shot with a Fuji X100. Sadly, the camera with the firmware at the time was too slow for tracking street work – I resorted to either trap focusing or hyper focal. Superb colors, though. Enjoy! MT

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Images and content copyright Ming Thein | mingthein.com 2012 onwards. All rights reserved

Photoessay: Monochromatic life in Kathmandu

The first part of an ongoing series of the streets and people of Kathmandu, Nepal. Shot in mid-2011 with a Nikon D700, 24/1.4 G and 85/1.4 G lenses.

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Photoessay: More street images from the Leica 50/2 APO-Summicron ASPH and M9-P

Another batch of images that I just got around to processing…shot with the 50/2 APO-Summicron ASPH and M9-P. Enjoy! MT

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Photoessay: The Jaeger Le-Coultre Master Ultra Thin Moon

From the horological files. MT

Set shot with a Nikon D800E, several SB900s, the AFS 60/2.8 G Micro, and one shot with a Leica 35/1.4 ASPH FLE via adaptor – see if you can spot which one!

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Visit our Teaching Store to up your photographic game – including Photoshop Workflow DVDs and customized Email School of Photography; or go mobile with the Photography Compendium for iPad. You can also get your gear from B&H and Amazon. Prices are the same as normal, however a small portion of your purchase value is referred back to me. Thanks!

Don’t forget to like us on Facebook and join the reader Flickr group!

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Images and content copyright Ming Thein | mingthein.com 2012 onwards. All rights reserved

Photoessay: Around the temple at Tanah Lot, Bali

Tanah Lot is a rock formation on one of the Balinese beaches on the western side of the southern tip of the island, facing the Indian ocean. It’s also home to a famous temple to the Balinese sea gods, purportedly set up by the 15th century priest Nimrata. During the 1980s, subsidence and erosion threatened the temple’s survival; a comprehensive restoration and stabilization program saw about a third of the ‘rock’ replaced with artificial rock and concrete – courtesy of the Japanese Government. Today, it’s a popular site for both tourists and pilgrims. MT

This set was shot in 2006 with a Panasonic TZ3.

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Photoessay: In the pit lane at the Super Japan GT

Shot in 2011, from the pits during the Super Japan GT500/GT300 race at Sepang International Circuit, Malaysia. Had to make do with the 28-300 VR – which was extremely challenging for moving vehicles. Since I don’t regularly shoot wildlife or sport, I also don’t have any long fast glass. Still, an interesting experience. MT

Series shot with Nikon D700, D5100 and AFS 28-300/3.5-5.6 VR

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Photoessay: Burlesque party

A continuation of the sequences theme from a few weeks ago; let’s just say this was one of the more fun parties I attended. And being a party, it’s a social occasion; I certainly wasn’t working, but that didn’t prevent me from packing some pocket firepower in case photographic opportunities presented themselves, or I simply got bored with the conversation. (My wife is a long-suffering social and conversational martyr when it comes to me, photography, vacations and parties – thanks Nadiah!) Yes, it was dark, and there is motion blur because I ran out of apertures and shutter speeds (not to mention having trouble focusing on the rapidly moving dancers) – but I definitely think the motion blur adds to the action and slight sense of chaotic fun. MT

This series shot with an Olympus E-PM1 Pen Mini and Panasonic 20/1.7 G.

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Photessay: Thean Hou temple by night

Thean Hou temple is a famous Buddhist location just outside Kuala Lumpur, popular as a place of worship during the new year and various lunar festivals. It’s also home to various martial arts groups. The temple belongs to the Selangor and Federal Territory Hainanese association, and was constructed from 1981 with funds donated by the community.

This set shot with an Olympus E-PM1 Pen Mini.

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Photoessay: Kitchen portholes

I’ve never understood why kitchen windows are always round, but they are. Maybe because square is too much like a hospital or school. Nevertheless, they provide an interesting view into the inner workings of the place where our food comes from. The square format of the D-Lux 5 was perfect for this. MT

Series shot with a Leica D-Lux 5 and M9-P with 35/1.4 ASPH FLE.

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Photoessay: Bruno Menard at Forlino

I was in Singapore recently to run a few food photography 101 sessions under Leica at the World Gourmet Summit. One of the perks of the job was getting to enjoy the samples. In this case, by 3* Michelin chef Bruno Menard, who formerly ran L’Osier in Tokyo – widely thought to be the best restaurant in Japan at the time. I ran a very basic setup for the participants with a couple of small LED video lights, a Leica D-Lux 5 compact and some modified settings (optimized for food work); I shot tethered and showed the results instantly on a HDTV via HDMI out. There was a little PS work done to the images afterwards (i.e. for this set) but for the most part, the D-Lux 5 makes a surprisingly excellent little food camera – especially when there’s enough light around. MT

Images shot with a Leica D-Lux 5.

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