Wet departure, Hong Kong
Bad weather is usually the bane of any available light/ documentary photographer – in this case, just the right amount of bad came together for a much stronger sense of atmosphere than if on a sunny day (that bit of atmosphere between subject and distant background helps, too)
I thought I’d try a little exercise to round off the year: aside from the usual introspective new year’s resolutions, I felt that a retrospective curation of work done the previous year might prove to be interesting from both an analytical standpoint and a higher level view of where I’m headed creatively. However, as with every curation exercise – there was a serious struggle to get it down to a manageable number, topped of by questions around emotional bias, wildly different subjects, and some images having significantly more sitting time than others (e.g. January vs December captures). I shot close to 50,000 frames in total, which is significantly less than in previous years, but tempered by the fact that a lot of that was controlled, deliberate single-shot capture off a tripod (‘conventional’ medium format style). Overall productivity remains the same, I think.