hasselblad – Ming Thein

Photoessay: Regular forms

August 17, 2016 by Ming Thein

Unconsciously, I must have been searching for Mondriansque architecture – with a touch of diagonal Rothko thrown in by the shadows. I can’t really think of a good reason why, but it came through in the post-shoot curation. Perhaps it’s because those two artists decomposed form into nothing mor than shape, colour and luminance, and for the last few years I’ve been seeing the world not as ‘tree’, ‘car’, ‘person’, ‘building’ but ‘triangle on rectangle’, ‘organic contrasty shape on circles’, ‘matte organic shapes, round on rectangle’ and ‘coloured regular/ recursive squares’ – which I suppose fits in with their gestalt. It feels like visual reductionism, but isn’t – because I don’t consciously search for purely clean forms to the exclusion of some of the more textured and wimmelbild aspects of reality. I also don’t think it’d have worked as well in a location with less directional light and more faded colour – a certain blockiness/ solidity is required. MT

This series was shot mostly with a Hasselblad H5D-50c, 50mm and 100mm lenses in Lisbon, Portugal, with a couple of supporting images from a Leica Q. Postprocessing follows Photoshop and Lightroom Workflow III.

Photoessay: Painterly in Porto

August 13, 2016 by Ming Thein

Today’s photoessay is a study in color and texture. I’ve always been fascinated by the deep richness of oil painting on canvas, and tried to replicate at least some of that feeling and tonal palette in photography. Admittedly, this is tough given that the medium itself is adding considerably to the impression of texture due to the semi-reflective and three dimensional nature of the surface; we can however at least partially simulate this with our choice of subject and light. It’s already tricky enough to do consistently with static/abstract subjects, let alone scenes and people since we are really not in control of the macro light over the whole area and the subjects themselves (some may not have suitable surface texture) – so we must start small…MT

This series was shot with a Hasselblad H5D-50c and various lenses, and post processed with Photoshop and Lightroom Workflow III and techniques in the Weekly Workflow.

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Filed Under: hasselblad, On Photography Tagged With: abstract, hasselblad, ming, ming thein, mingthein.com, painterly, photoessay, photography, porto, style, thein

Photoessay: Carflections, Lisbon

August 7, 2016 by Ming Thein

This post is probably going to read as odd to a lot of people, and I apologise in advance if any local Lisboans are offended by it.

During the week or so I spent in Lisbon, one thing kept nagging at me: what is the ‘essence’ of the city? After a lot of walking around, I came to three observations: firstly, there were a lot of cars – especially for an ‘old’ city with narrower streets and lots of elevation changes. Secondly, ornate architecture, some in good repair, some not. Finally, a surprising absence of people – I’d expected more inhabitants, but as it turns out, population contraction and economics issues have meant that there is far more real estate available than people to fill it, let alone people to buy it. If Lisbon were viewed from space by another species, I can’t help coming to the conclusion that more than many other cities – except perhaps LA – that the dominant species was the car. And here we have the genesis of this photoessay, which I personally feel was quite representative of Lisbon. Visually, I feel the juxtaposition between classical/hard/strong/colorful buildings and more organic, curved and ‘cleaner’ cars is quite interesting; there’s a sort of flow between them that is suggestive of water and progression of time. MT

This series was shot with a Hasselblad H5D-50c with various lenses, a Leica Q 116 and processed with Photoshop and Lightroom Workflow III

Photoessay: Atlantic coast II, Foz do Douro

July 30, 2016 by Ming Thein

Continued from the first part.

Whilst the previous companion photoessay deal with the people of the location at a more macro scale, the aim of today’s conclusion is to convey a feel for the place itself – the power of the sea; the repetition of the waves and the romanticism of the coast and nautical travel. There’s the certainty that the waves are trying to pound the human intrusion into submission, but for now the manmade is holding steady – yet in the long run, nature always wins. My choice of presentation for this set was deliberately painterly in nature – there’s something about those 18th century oil seascapes that I personally find both fitting and appealing… MT

This series was shot with a Hasselblad H5D-50C, various HC lenses and processed with the Cinematic workflow in Making Outstanding Images Ep.5.

Photoessay: Dark Porto

July 26, 2016 by Ming Thein

‘Sinister’ is perhaps the best description for the undercurrent that you feel when walking through the old town of Porto at night or under a cloudy sky; it’s as though the dilapidation and decay is hiding a sort of madness or mania – the anguish of knowing that survival is not assured, or that one’s best days are perhaps past. Color speaks of faded glory and perhaps a bit of whimsy/ nostalgia – but monochrome does much better in conveying the weight and ominosity…MT

This series was shot with a Hasselblad H5D-50c, various lenses, a Leica Q 116 and post processed with the Monochrome Masterclass workflow.

Photoessay: People of Penang, with the Hasselblad X1D

July 22, 2016 by Ming Thein

I’ve spent the last week producing some material for Hasselblad with a pair of preproduction X1D prototypes; I’ve teased the results of that in this post and the full content is in final production right now. In the meantime, I wanted to share some images from that shoot and thoughts on use of the X1D for street photography/ documentary. The portrait samples go up first because I’ve received quite a lot of mail asking about a) bokeh; b) available light performance; c) people.

Additional X1D coverage can be found here: announcement, first shooting impressions, teaser

Photoessay: People at the seaside, Foz do Douro

July 18, 2016 by Ming Thein

I’ve always found the Atlantic coastlines to be a little melancholy: there’s the beauty of nature, but often something heavy in the sky and a bite to the wind that makes you glad you brought your coat and hat. People still go because they’re attracted to the sea and presumably wondering what’s over the horizon; in this case, we’re at one of the westernmost points of the European continental mainland, and there’s pretty much nothing until you hit the coast of America. This series of images was shot in the space of a couple of hours. Porto’s old town proper had proven rather depressing, and the weather hadn’t helped; we took a chance and headed to the coast with the hopes of one last hurrah before returning to Lisbon. I’m glad we did, because I think it paid off – even if it meant using a lot of damp towels later to carefully dissolve the dried salt off our equipment. Despite the huge amount of moisture in the air and seawater splashing everywhere, the Hasselblad didn’t miss a beat – though curiously there was a lot more dust on the sensor than normal, perhaps sticking as a consequence of humidity.

Coming soon…

July 14, 2016 by Ming Thein

…Yes, I’ve had some time with the X1D. Yes, I’ve shot a wide variety of subjects and situations with it. And yes, there’ll be a video. In the meantime…

Also, there are more new images after the jump 🙂 MT

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Filed Under: hasselblad Tagged With: hasselblad, ming, ming thein, mingthein.com, penang, teaser, thein, trailer, video, x1d

Hasselblad X1D: Very early shooting impressions (with full size samples)

July 6, 2016 by Ming Thein

Firstly, Selamat Hari Raya to my local readers! Secondly, and perhaps of more importance to the global audience, about 36 hours ago, the X1D arrived – plus both lenses and the system bag. I’m currently in the middle of a masterclass in Singapore and have had about four hours in total to shoot with it. Regular readers will know that normally, I wouldn’t post anything this early on in my usage of the camera for several reasons – firstly, firmware is not final, so not all functionality has been implemented and there are a lot of thing which will be improved before retail release. A large part of my responsibilities also include debugging and finding as many of those glitches as possible. Secondly, you really need to use it under a wide range of conditions to make a useful and comprehensive assessment of its capabilities. However, my inbox has been overflowing from the number of questions and requests for information, plus there’s been so much speculation over image quality, it’s more efficient for me to address this here. I also have clearance from Hasselblad to post full size images, linked in the article – I think they are also the first full size samples available anywhere. They are of sufficient technical standard but I’ll be the first to admit, it’s early days and I’ve not had as much time to shoot with it as usual – so the subject matter is somewhat limited. I have attempted to assess several things with these tests, though – quality of bokeh, edge sharpness, flare resistance, dynamic range, lateral CA etc. You may print or download them for your own use, but not commercial redistribution. For early impressions, read on. For full size files, click the images. I will attempt to answer questions left in comments HOWEVER please note that I am on the road for the next couple of days, so internet access will be limited. (Update: links to full size fixed; please let me know if they still don’t work.)

Important note: this is NOT final hardware, and subject to significant changes: and these changes will be only be improvements.

Photoessay: Life in Porto, part I

June 28, 2016 by Ming Thein

I came away from Porto with a bit of strange feeling about Porto. From a distance, and on the opposite bank of the Douro, the old town looks charming and quaint, with a vibrant revival immediately around you. The sun is shining, the tourists are enjoying their wine tastings, and the locals are eager to please. Go back over, however, and a cloud seems to settle; edifices that appeared charmingly quaint are really decaying very badly and somewhere between neglected and derelict. There are few locals left, and those who are are very elderly and not in much better shape than the buildings. Smiles are absent. Tourists are tolerated or seen as targets. It is altogether a very different Porto from The Other Side. It seemed to me that most of the locals inhabited a sort of zone between the two – a monotonous grey transience between the two states of decay and forced tourist joviality. They lived lives subservient to their environment and took what little joy where they could find it – a drink here, a smoke there, a bit of sun when it showed. It honestly felt a bit sad. These are the impressions I left with of life in Porto. MT

Shot with a Hasselblad H5D-50C and 28, 100 and 50mm lenses except for one image, which was shot with a Leica Q. Postprocessing was with the Monochrome Masterclass Workflow.