To be a specialist, you have to be a good generalist

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Here’s today’s provocation of the day: there is really no such thing as a specialist. I’m going to explain why, using photography as the background context. The general expectation is a specialist in one particular topic or subject or tightly defined discipline should be familiar with and understand how to handle the vast majority of variations encountered around that topic or subject. They would probably have to keep up to date with new developments or changes and do enough experimentation to answer any self-doubt or uncertainty: an expert sports photographer, for instance, would know how to deal with indoor arena lighting, outdoor high noon and night games – and still produce an image that would pass muster for their clients. An aerial photographer would know how to deal with haze – either to minimise in post, or to use as a feature of the image. Yet I keep encountering this odd resistance…even amongst supposedly educated and image-savvy people. Why?

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On Assignment Photoessay: Koenigsegg, part II

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In the previous post I brought you the results of the aerial shoot for Koenigsegg; today’s long series of images is the second part covering the story of the making – behind the scenes at the factory. Almost everything is made in-house, and a tour of the compact but comprehensive facility will yield everything from CNC machines turning engine blocks, to people laying up complex carbon wheels, to a paint shop, alignment jigs, leather stitching and cutting, wiring and electronics and everything between. Even though the cars are astronomically expensive – EUR2m and up from what I understand – I actually wonder how Christian can still make money given the amount of specialised labor involved, and the length of time required to complete one car – they make fewer than 30 per year. The attention to detail is quite mind boggling – if you order a clear coated car, for instance, it’s not merely the epoxy matrix of the carbon that’s polished, but a dozen layers of clear lacquer applied by hand over the top, polished between each application, and each carbon panel’s seams must line up perfectly: and be symmetric on both sides of the car. Today is really a celebration of non plus ultra – both in the subject, and in using the H6D-100c to shoot it. Note: lighting looks natural, but is really a careful balance between ambient and a single Broncolor Siros 800L triggered wirelessly, and mounted on a voice activated light stand*. Enjoy! MT

*A tall assistant.

A big thank you to Koenigsegg for support and logistics. This series was shot with a Hasselblad H6D-100c, 50 and 100mm lenses, and a single Broncolor Siros 800L balanced against ambient. Postprocessing was completed using the Monochrome Masterclass Workflow.

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Photoessay: Thaipusam 2017 cinematics, part II

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This is the peak of the event: handover of the offerings at the temple inside the cave (and at the top of 272 steps); the exit of trance and seeking of blessings by both participants and visitors. There are just as many exhausted devotees as ones dancing in religious fervour. I’ve always been careful to be highly respectful and not intrusive when photographing the ceremonies; we are privileged to be allowed to observe (and in a way, participate) in what is a very sensitive and private ceremony. Every year I’ve attended, I’ve been called over by one of the participants in trance to receive blessings in turn – and in a way, it feels as though I’ve been given permission to be there. I guess I’ll be going back again next year. MT

Additional coverage and full size sample images are here at Hasselblad.com The video is here.

This series was shot with a Hasselblad H6D-100c, 50 and 100mm lenses, and post processed with the cinematic workflow in Making Outstanding Images Ep. 4 & 5.

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Photoessay: Thaipusam 2017 cinematics, part I

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Part one of the photoessay covers the ascent: arrival, preparation and the activities at the base of the steps to the cave temple. Relief, chaos, trepidation, anticipation…the full gamut of emotions can be seen, but it’s not over yet – even after having trekked the better part of 13km from the departure temple. To be continued tomorrow in part II. MT

Additional coverage and full size sample images are here at Hasselblad.com The video is here.

This series was shot with a Hasselblad H6D-100c, 50 and 100mm lenses, and post processed with the cinematic workflow in Making Outstanding Images Ep. 4 & 5.

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On Assignment: High speed rail underground

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I recently was commissioned to produce a status update of sorts and small vignettes of documentary covering work in progress for the construction of the HK-Guangzhou-Shenzhen high speed rail link. The vast majority of the Hong Kong portion of this lies underground, which makes sense given both the lack of space and need to have a terminus somewhere centrally downtown. Fortunately, Hong Kong’s underlying geology is very friendly to tunnelling – I’ve always had the impression a good chunk of the island and Kowloon peninsula is really hollowed out given the number of subways, tunnels, malls and utilities hidden underground.

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Photoessay-gallery: the story of sushi

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Regular readers will know that Tokyo is one of my favourite destinations both as a city and a photographic locale. Sushi is inseparable from Japan, and probably the only food I could eat every day without getting bored. I’ve visited Tokyo at least once a year for the last ten years; almost every time I shot at Tsukiji Market, the clearinghouse for a huge portion of the high grade seafood caught. It didn’t occur to me to try to curate these visits into a coherent documentary until before my last visit; at the same time, I found out that Tsukiji was going to close and be relocated to a new site in preparation for redevelopment for the 2020 Olympics. It would be the end of an era in more ways than one – and most of the proprietors I spoke to inside the market sadly agreed that things would never quite be the same again. Tsukiji is in so many ways an insular community unto itself, and a Tokyo institution. Today’s presentation is my tribute to that: a reasonably complete journey of fish to sushi, via Tsukiji.

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Photographing concerts

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This is a slightly unusual topic for me: concert photography is something I’ve done quite a bit of, but never generally publicise because it falls out of my preferred commercial work. I started with being interested in the music first, in the mid 2000s; I shot a number of small venues locally, and these actually formed some of my earliest work – licensed to musicians and the like. Sadly, musicians are much like photographers: 99.99% of us are broke, but there are a small number of rockstars who make it into the big leagues. There are a few more who do okay and get by; we’re thankful we can sing for our supper and not drive a desk. That said, I have never (and will never) be on the other side of the microphone.

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On assignment photoessay: Construction, part II

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I’m presenting the second part of the Construction photoessay today – here, the individuals slowly recede into the context of the greater project and become important contributing parts of the whole. The ‘context’ is so large it often overwhelms everything else – I personally find the coordination part of the work amazing because once you’re on site, it’s very easy to get lost in the details. Large prints would of course work best to show the scale of many of these developments, but there are still limitations to the internet 🙂 [Read more…]

On assignment photoessay: Construction, part I

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This series of images comes from my body of work from the last year-plus for client Chun Wo in Hong Kong; they are the largest local construction company and are mainly involved in large infrastructure projects, including the airport and Central-Wanchai bypass that spans most of the prime waterfront. As many of you will have seen from previous photoessays and posts, my brief with them is an ongoing on that covers several aspects: 1) documenting work in progress in the greater context of Hong Kong, as a historical record; 2) documenting and celebrating the workers who make it all possible; 3) recording the finished projects. Earlier in the year, we held a successful charity exhibition at the Hong Kong Arts Center which showcased a limited selection of the work – something like ~100 out of about 1,500 images delivered. I’ve been asked many times if we could share some of those images online for those who weren’t able to make it in person, so here we are. [Read more…]

On Assignment: the International Lutheran Seafarers’ Mission

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In the second half of 2014, I was hired for a rather unusual documentary assignment. Amongst very many other things, the German Lutheran Church runs an international mission for seafarers around the world, with various stations and representative pastors in major ports. For their 2014 annual report (yes, I know it’s 2015 – I just haven’t had a chance to write and post up til now), they decided to produce a story on this as one of their featured activities. Even more unusually, rather than choosing a major home port such as Hamburg, the story was focused on Asia – the port of Singapore, to be specific. It’s not too far from Kuala Lumpur, so I got on an airplane. The report has obviously now been published, and I’m free to post the write up.

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