On assignment photoessay: Chinese University of Hong Kong Library

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One from the archives for today – I thought I’d posted this a long time ago, but turns out it sat in the ‘draft posts’ folder. Oops!

Inspiration begets inspiration. At least that’s my own theory of creativity. If you’re in photographically inspiring surroundings, it’s unquestionably easier to make an interesting image than otherwise – or at very least feel that you’ve got far more possibilities to hand. There are some assignments where one must fall back onto professionalism and the motto of the US postal service* to get the job done, but then we also have those where you couldn’t stop shooting even if it were forbidden. This assignment was most certainly the latter, and appropriate given the subject was the Chinese University of Hong Kong’s new library space – which in itself is presumably meant to be inspiring to its students.

*Come rain, come shine, dogs be damned etc.

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On-Assignment Photoessay: Curves in the garden

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This series contains more images from an unusual but highly rewarding assignment last year – documenting the work of landscape architect Charles Jencks, both at the Garden of Cosmic Speculation and the Crawick Multiverse. Both of these are cosmologically-inspired ‘built landscapes’ with features that reference various features of our universe, and best appreciated with time (no pun intended) – it can take some walking not just to see everything, but to get a feel for how the various elements come together and relate to each other. This was one of those rare assignments with an open brief – both intimidating and extremely satisfying at the same time because of potential scope and expectations. Fortunately, all went well. Today’s photoessay focuses on sculpted curves in the Garden of Cosmic Speculation. Note that the changing hues of grass aren’t due to profiling or color mismatches – it was shot over a couple of days and was quite windy (as you can see from the sole long exposure) and light changed fast with the flow of clouds as a result. It isn’t the same as walking through it, but that’s not physically possible for most of us – enjoy, and bonus points if you can spot the smile in the landscape! MT

This series was shot with a Nikon D810, 24-120VR, 24 PCE, 85 PCE, Canon 5DSR and CY Zeiss 2.8/35 PC Distagon, and post processed with PS Workflow II.

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On Assignment: Film noir

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Today’s images are from a recent shoot – and shakedown test – of my recently acquired Hasselblad H5D-50C and some other bits of new lighting equipment. The brief: film noir. The model is a local actress. Those of you who frequent my site will know that portraiture – especially of the posed and lit kind – is not something I do often (but at the same time, I do more of it than you might think) mainly because it’s somewhat outside my usual focus of corporate documentary and architecture/ interiors. That said, when everything comes together it can be rather satisfying; I’ve always viewed portraiture as a conversation during which you might just happen to have the lights set up and a camera handy – very few people are aware of the way they look, body position etc. to a degree that they can control it to produce a desired result. It’s much easier to talk to your subject and try to elicit the desired responses without them quite being fully aware of it – that way, the results turn out natural, too.

Images in this series were shot with the H5D-50c, 50/3.5 II and 100/2.2 lenses, and post processed with the Monochrome Masterclass workflow. Lighting with six speedlights in two Lastolite Ezybox IIs.

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On assignment photoessay: Construction, part II

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I’m presenting the second part of the Construction photoessay today – here, the individuals slowly recede into the context of the greater project and become important contributing parts of the whole. The ‘context’ is so large it often overwhelms everything else – I personally find the coordination part of the work amazing because once you’re on site, it’s very easy to get lost in the details. Large prints would of course work best to show the scale of many of these developments, but there are still limitations to the internet:) [Read more…]

On assignment photoessay: Construction, part I

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This series of images comes from my body of work from the last year-plus for client Chun Wo in Hong Kong; they are the largest local construction company and are mainly involved in large infrastructure projects, including the airport and Central-Wanchai bypass that spans most of the prime waterfront. As many of you will have seen from previous photoessays and posts, my brief with them is an ongoing on that covers several aspects: 1) documenting work in progress in the greater context of Hong Kong, as a historical record; 2) documenting and celebrating the workers who make it all possible; 3) recording the finished projects. Earlier in the year, we held a successful charity exhibition at the Hong Kong Arts Center which showcased a limited selection of the work – something like ~100 out of about 1,500 images delivered. I’ve been asked many times if we could share some of those images online for those who weren’t able to make it in person, so here we are. [Read more…]

On Assignment: the International Lutheran Seafarers’ Mission

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In the second half of 2014, I was hired for a rather unusual documentary assignment. Amongst very many other things, the German Lutheran Church runs an international mission for seafarers around the world, with various stations and representative pastors in major ports. For their 2014 annual report (yes, I know it’s 2015 – I just haven’t had a chance to write and post up til now), they decided to produce a story on this as one of their featured activities. Even more unusually, rather than choosing a major home port such as Hamburg, the story was focused on Asia – the port of Singapore, to be specific. It’s not too far from Kuala Lumpur, so I got on an airplane. The report has obviously now been published, and I’m free to post the write up.

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On Assignment Photoessay: Abstraction in the machine

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Today’s photoessay is something a little different: the curated results from an assignment last year where I had an open creative brief; I was to document and photograph everything and anything at the given locations. The client was a heavy engineering/ construction company with everything going on from schools to subways to airports; it was both one of the most interesting assignments I’ve undertaken as well as one of the most satisfying – and simultaneously challenging.

Some of these images will be part of the larger exhibition in Hong Kong in June, so if you’re around, please come and say hello.

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On Assignment photoessay and challenge: Making a $200 watch look the business

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Today’s photoessay-on-assignment-report hybrid comes courtesy of a regular client who both makes their own and OEM watches for other companies. They’re not a big name – you’ve probably never seen the brand outside Asia, if at all – and they’re certainly not competing at the high end, but they do have mass-market volume; it’s a very different sort of assignment to the kind I normally undertake in Switzerland. It doesn’t require much skill to make an exceptional watch made with no consideration for price look exceptional; the challenge there is making it look extraordinary – otherwise your photography has not added any value or even done the object justice. My job here is very different: how does one make a $200-retail watch look like a $2,000++ one?

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On Assignment: new car launch, part II


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Continued from part I.

Right after the last file was returned from the retoucher, checked and sent off, I packed myself up to go on the tech reccie for the next part of the job: the TV commercial. Unusually, I wouldn’t be behind the camera this time: instead, I’d be occupying the folding canvas director’s chair. (I was surprised they existed, too). Read on to see life behind the lens from another angle…

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On Assignment: new car launch, part I

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An enormous amount of visual material needs to be generated before any new car launch; both stills and motion. The first part of this article will look at something I am very familiar with – normal studio photography.

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