Discussions: On going pro

_Q116_L1120157 copy

Something different for the first post with Robin: a transcribed discussion between us about the realities of ‘going pro’ in the current market environment. I think it’s pretty clear that the last ten years have been rather turbulent times for the industry, both for service providers/ creatives and the hardware manufacturers; consolidation has been the underlying theme but also a drop in barriers to entry and a real extension of possibilities at the high end – but only in very rarefied air. It’s become harder than ever, I think, and I’d definitely have liked to have the benefit of experience of somebody who managed to make the shift stick in recent times and who understood the climate; Robin and I have decided to publish this conversation in the hopes that others in the audience might find it useful too. Think of it as sitting in on a conversation rather than a traditional article in the in the usual style of the site.

Advance warning: this may be a lengthy post. MT&RW

[Read more…]

Discussion points: Influences

_7R2_DSC2651 copy
From the series ‘Only The Clouds are Truly Free’, inspired by the work of Magritte

Following on from the previous article on finding inspiration – it makes sense to throw another question out to the audience – who are your inspirations? Hopefully, you might find something you’ve not seen before. The more I’ve been asked this question, the more I’ve found myself allowing increased weight to non-photographic themes: creativity is a fluid, difficult-to-define thing, and sources can be pretty much anything: other photographers; artists in different media; music; a season; muses; objects; locations; even (ahem) hardware.

I’ll go first, after the jump. MT

[Read more…]

Discussion points: An ideal format?

_1M01225 copy
Flexible? yes. Practical? Not exactly…

Today’s post will be the first in the experimental ‘discussions’ theme proposed a little while back.

We all know there is no such thing as the ‘perfect’ format or system – there are myriad considerations for selection, based on creative properties and technical ones – for example, depth of field, dynamic range, ‘graphic-ness’, color depth, shooting envelop, ability to deploy under certain conditions that might be weight restricted, system completeness for specialised lenses, camera movements etc. And this is before we even get into any thoughts around cost (for hobbyists) or return on investment (for pros). In most cases, we’re left either stuck with a single system that fills all needs but perhaps not perfectly, or multiple systems and formats and the inconvenience of both overlap and lack of it. For example – I love to create graphic images with a lot of compression and infinite depth of field, but this requires a narrow angle of view and thus longer equivalent focal length. I could do it with my H6D-100c, but the sensor on that is so large that I can clearly see a difference in focal plane at f8 and just 150mm-e, with a subject 100m away. Clearly, this is not workable – so I also have an E-M1.2 and Canon 100D with their respective telephotos for that kind of work. The graphic intent of the output means that limited dynamic range and crushed blacks aren’t so much a problem as desired most of the time.

[Read more…]

Forum thinking

_VL31_L1010058 copy

One of the best things about this website is the people I’ve met through it. At this point, my motivations for continuing to create content and engage with the community are pretty evenly split between the pleasure I get from interacting with a huge range of people with common interests, and the satisfaction I get from writing. A look at the comments below the line on any one of the more popular recent posts* – that were not entirely gear or review related shows that there’s some very insightful and intelligent discussion starting off the back of the original article, almost always covering viewpoints or interpretations that I hadn’t initially considered – and whilst I do try to be as comprehensive as possible when writing, it’s of course impossible to be exhaustive. I’d be lying if I said I didn’t learn something from these discussions, and I think one of there reasons we enjoy the quality and size of community we do here is because such discussions are both self-curating and self-encouraging. I have been told repeatedly that as far as photography goes, this community is pretty unique on the internet for both erudition, engagement and civility. The next question is of course: how do we grow this?

*For example, soul; soul, redux Photokina 2016; would they be famous now; bucket list; trouble with choice; state of play; social media – for a small selection

[Read more…]

Discussions: MT x Lloyd Chambers on the Pentax 645Z and Nikon D810

Today’s post is going to be a little bit of an experiment: the first in I hope a series of discussion-collaborations with Lloyd Chambers of diglloyd.com, respected technical expert and all round good guy. We’re covering the Pentax 645Z and Nikon D810 and a whole bunch of other diversions for the kickoff…I do realise it’s a bit lengthy, but this is probably the closest you’re going to get to being in the conversation. Let us know what you think!

[Read more…]