Drone diaries: differentiated aerial perspectives

DJI_0063 copy

More months, more flying. I’ve come to believe that real appeal of aerial photography lies solely in one thing: the ability to see familiar places or objects or classes of objects from a drastically and otherwise physically inaccessible perspective. An image shot from a slightly elevated level with gimbal only slightly down is not that different to standing on a hill or building; an image shot from some altitude and entirely top down is at the other end of the scale. Most of the really interesting drone images I’ve seen or personally captured seem to fall into the latter category. We are coming dangerously close to the automated and the formulaic, here. Or are we?

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Photoessay-project-WIP: Crust

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Today’s post is going to be the first time I’ve presented a partially completed project – for the simple reasons that I feel it’s probably useful to discuss the creative process, because it’ll make a good follow on to this post on projects in general and because I have honestly no idea if or when I’ll ever be able to complete this set. The idea behind Crust is fairly self-explanatory: the dried, hard, textured earth from the air in monochrome – all the better to enhance the suggestion we may well be looking at a highly magnified burnt breakfast offering*.

*And I think I might well shoot that as the title image, too.

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Photoessay: More from the air (and some tips)

_Q116_L1020291 copySomewhere over Scotland

Today’s photoessay is a series of images that is both a continuation of the dreamscape series and the result of spending far too much time on an aeroplane in the last few months – think of it as the fruit of doing a little homework before departure. Of course, shooting from a chartered helicopter is nice, but also not something undertaken without a client or access to a central bank’s vault – preferably from a country that’s still solvent.

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