All photography is of course transient; most of it is nothing more than a vicarious disconnected glimpse into the life of somebody else or timeline of another object’s point of view – other than self-documentary, there really isn’t such a thing as a continuous statement simply because a photograph lacks causality when viewed in isolation. Yet something about the people and subjects featured in this set – shot in the rain and winter in Tokyo and Kyoto – seemed to me especially poignant and fragile. It’s as though there’s both a sort of contemplative melancholy brought on by the season (and probably also lack of sun), but simultaneously an appreciation of the fleeting fragility of the moment. Perhaps introspection is the most appropriate description of the mood here. MT
This set was shot with a Nikon D850, 24-120/4 VR and processed with the Monochrome Masterclass Workflow. Experience Japan vicariously in How To See Ep.2: Tokyo.














