Off topic: on coffee

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Anybody who spends any length of time in the creative industry will soon realise that it’s really coffee, not money, that fuels everything from ad campaigns to shoots to postproduction. Models don’t shun it like energy drinks because you can have it without sugar, and in small (espresso) volumes, and it’s still just as potent. It’s also legal and relatively easy to obtain when travelling, and you can bring your own without being questioned about what those pills or powders are. I’ve long been reliant on the drink (finance and consulting run on it, too) but only in the last couple of years developed more than a passing interest in it. Like the drink, think of today’s post as a little refresher/ break from the photographic content…

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Book review: ‘The Scent of a Dream: Travels in the World of Coffee’, by Sebastiao Salgado

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‘The Scent of a Dream: Travels in the World of Coffee’, by Sebastian Salgado, first edition, Abrams, late- 2015

It’s been a little while since I last reviewed a book, and a surprisingly a much longer while since today’s subject put out what was supposedly his last work – ‘Genesis’ (2013). Genesis’ challenge was that its scope was massive (a decade-plus of work, covering umpteen continents and locations) and it had been played up to the point that expectations were extremely high. Accompanied by a massive travelling exhibition with a huge number of large prints – you really got the sense that the images were meant to be viewed in that format over the book, and perhaps that we were missing something from his previous work by viewing it smaller. Unfortunately, this proved to be mostly not the case: whilst the impact of the prints was definitely wonderful, anything remotely approaching an intimate examination revealed serious shortcomings in printing and huge inconsistencies in post processing. There were also so many images that the whole thing felt like it could have used a bit more curation; understandably the output from a lifetime magnum opus would be huge, but even with the audience giving you the benefit of the doubt – there’s only so many images you can fully appreciate before hitting saturation. At least the lighting was nice.

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