Review: The OIympus PEN E-P5 (updated)

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Not so long ago, Olympus updated both the E-PL series (E-PL5 reviewed here) and the E-PM series with the OM-D’s sensor and other trickle-down technology. Thus it only made sense that it was also about high time for the E-P3 to be refreshed, too. They’ve taken a bit longer over this one; in fact, the new E-P5 has so much of the OM-D’s technology (and a few other things) that picking one over the other is no longer such an easy decision.

Updated 18 June: I’ve had the chance to shoot with a final production E-P5 and VF-4, and have added conclusions on image quality below. The camera looks and feels physically identical to the earlier prototype I tested. In the intervening time, an update to Adobe Camera Raw has also been released that natively supports the E-P5, so I’ve had the ability to evaluate RAW file quality on a comparable basis to the OM-D.

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Battle of the 28mm compacts: Ricoh GR vs Nikon Coolpix A

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Following on from yesterday’s review of the Ricoh GR (Digital V) can only be one thing: the comparison shootout between the GR and its natural rival, the Nikon Coolpix A (full review here). Or is it the other way around, since the A came first? Doesn’t matter a single bit, it’s all about the images. Fight!

I’ll continuously upload images from both cameras to respective sets on my Flickr stream – the Coolpix A is here, and the Ricoh GR is here.

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Review: The 2013 Ricoh GR (digital V)

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Not long after Nikon announced their 28/2.8, 16MP APS-C super-compact, Ricoh also decided it’d be a good time to launch an update to their cult GR Digital line. Version V has done a Leica and dropped the model number to confuse us (and Google searches for the new model), but gained a near-identical spec to the Nikon – also 28/2.8 equivalent, 16MP APS-C sensor without AA filter (it does have square and 35mm crop options, but you can always easily apply those in post). Neither one has IS. I covered most of the spec sheet in the preview, here. Now I’ve had some (albeit very brief) time with a final production prototype*, it’s time to report back here on how it actually fares in the metal.

*Meaning some things like image quality and focusing behaviour may undergo final tweaks before production versions ship, but apparently they’re pretty close to it. My camera is running firmware 1.11.

4 October update: Ricoh has released FW 2.03 which fixes a lot of issues I had with the initial camera such as program mode stopping at f4 – the update is downloadable here.

A continuously updated set of sample images on my Flickr is here.

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Lens review: The Nikon AF-S 80-400/4.5-5.6 G ED VR II N

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Nikon’s 80-400mm received a long-deserved update earlier in the year; it’s in fact had a complete overhaul and optical redesign. The original lens was Nikon’s very first VR lens, and body-driven to boot – the large front element had a reputation for pinching fingers between the protruding filter ring flange and the zoom ring (I fell victim to this on my first outing with it). It’s gone from being a 17/11 design to a more complex 20/12, gained Nano-Crystal coating, a shorter minimum focus distance (1.75m in AF and 1.5m in MF vs 2.3m), a silent wave motor and internal focusing, second-generation VR, and plethora of additional switches. Gone is the aperture ring, so you’re not going to be using this on a pre-command dial film body. The hood is also now a petal-type design with the same kind of locking catch as the 17-55, 24-70 and 70-200 hoods. It reverses for storage. Unlike the old lens, it’s also fully gasketed and weather sealed. It’s also more expensive; about $800 more, to be precise.

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Review: The Nikon Coolpix A

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Nikon has finally entered the large-sensor compact game (I don’t count the 1 series, which is a bit of an odd beast in that logically it’s all the system camera most people need, but not the camera that most people want.) The Coolpix A is a 16MP, 28/2.8 equivalent setup that’s built around a Sony DX sensor – an upgraded unit of the one in the D7000 and Leica X2, it seems. Unlike the D7000, and like the D7100 and D800E, this camera has no anti-aliasing filter. It’ll shoot full-fat 14-bit raw files at approximately 4fps, with a reasonably deep buffer. Focus is via a contrast-detect system, and there’s a fly-by-wire ring around the front of the lens for manual focus, plus two command dials – one on the top plate, and the other around the D-pad.

A continuously updated set of images from the camera can be found here on my Flickr stream.

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The trouble with compacts

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Homage to Van Gogh. I didn’t leave the house that day with the intention of shooting anything, but if I hadn’t been packing some pocket heat, I wouldn’t have gotten this image, either.

I ended the last article on this note:

By far the most effective camera-for-when-you-don’t-want-to-carry-a-camera is a compact of some description; ideally one that’s small enough you don’t notice it, but is fast and responsive enough to react when you see something, and preferably be operable one-handed. I don’t want to feel like I’m carrying a camera. Of the dozens of these things I’ve owned, precisely none of them have fit the bill completely.

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To carry or not to carry?

Advance warning: I’m going to butcher Hamlet here, or as close as I can to it. Modern English isn’t really suited to the meter, nor is technical photographic jargon. I’ve done my best.

MT: To carry, or not to carry – that is the question:
Whether ’tis more sensible to pack your camera
At only when the time and mood suits

Or to always be loaded for bear
And in preparation, bag the shot. To hear the shutter
The flow of pixels, the fizzing chemistry of halide

Whatever your medium. Tis a satisfaction
Confirmed by the rush of hits. To travel unburdened
With no magic box: ay, light of shoulder you be,

For who knows what frames yet unseen may lie ahead
The imagined torture of being able to see but
Unable to capture gives the photographer pause.

There’s the problem with going without.
For who would bear the unfortunate light,
The tripods and accessories, the TSA-man’s probe

The aching shoulders, the impatient spouse,
The ‘NO FOTO!’ shouted, and the frustration of
Lugging the gear without it seeing use,

When he might delude himself into making do
With just an iPhone? Whom but the most hardcore
Would insist on two bodies and four lenses?

But that dread of missing the shot,
The heavenly light, which transforms the
Mundane into the magical, frustrates the hell,

And makes us bring the f1.4s, and a flash
Just in case, rather than wing it and go blind.
Thus the anxious photocondriac in us all

At the least burdens pockets, usually bags,
Empties our purses upgrading, enforces visiting
Of the chiro and desire for just one more stop.

With this, I break down and hit order
Hoping this is The One. To the ‘Bay the others go.
O Hyperion, give me contrast but hold the range
My sensor is now but one-inch.

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Review: The Fuji FinePix X20

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I picked up my review sample from B&H on my first day in New York; I spent several days solidly shooting it alongside the Nikon Coolpix A, and the Olympus OM-D I normally travel with. Many of you are going to (and have already) ask why I didn’t review the X100s instead, all the more so given that the wide converter would turn the camera into a 28/2 equivalent. Short answer: there wasn’t one available, and it’s something I still hope to be able to try out at some point.

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Announcing the Ricoh GR (Digital V)

It seems that 28mm large sensor compacts are like buses. You wait ages and ages and ages…and suddenly we now have no less than three APS-C options: The Nikon Coolpix A, The Fuji X100s with wide converter, and (drumroll please): the brand-spanking-new Ricoh GR.

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Thoughts on system choices, part two

In part 1, we dealt with SLR systems. Today, we’ll look at what will probably be a secondary system for most serious photographers, or as primary system for less serious ones.

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On paper, the system makes sense for consumers – it definitely doesn’t have the image quality required for commercial work – however, Nikon shot themselves in the foot twice: firstly with the obscene pricing, then by dropping it to laughable levels. And then they dropped an anvil on the same foot by crippling it with a whole slew of slow consumer zooms. I think it would have had a much stronger response with a series of fast pancake primes – two isn’t enough – because the sensor itself is actually quite good, and the camera’s AF performance is unparalleled in the mirrorless world, and rivals that of DSLRs. I can’t recommend this system at the original asking price, but at the last closeout prices of $350 or so, it’s a very interesting option against a premium point and shoot – especially given the larger sensor, built in EVF and interchangeable lenses. But I just can’t recommend it otherwise, unless you want to put your F mount glass on it via adaptor and use it for birding (then, it makes sense: 300/2.8 turning into an 810/2.8 with AF and VR, anybody?) It’s surprising how a company that makes DSLRs that are so ergonomically and functionally right can make both compacts and mirrorless cameras that are so bad.

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