Time for something different. This April, I’m offering more than a workshop: an intensive experience to raise your photography to the next level. The focus will be on landscape, in and around Queenstown, New Zealand. We (I) will be driving a lot, bringing you to locations I discovered on my last trip to both explore and develop your own work. But here’s the kicker: the workshop will limited to just three participants, and is inclusive of 4*+ accommodation and ground transport costs. It’s something I’ve been asked for in the past, but didn’t make much sense unless going to a location where driving/ground transport is necessary and we have much range to cover.
Today’s photoessay is a mixed bag of observations from the lakes of Queenstown, New Zealand, and beyond – some landscape, some whimsy, some people. All in all, I think actually quite a representative mix of the experience. And for a change, I think the captions are probably necessary for context precisely because they’re not exactly part of a greater sequence. Enjoy! MT
The Black Island is available as a limited edition Ultraprint here.
We leave Queenstown today with my favourite images from the trip – a few you’ve seen before, most you haven’t, and all I feel evoke some sort of emotion – for me, at any rate. I don’t always think photoessays need a lot of description, sometimes they can just be appreciated as-is. Of course, one has to bear in mind the limitations of the web and the fact that for most of these, you’re looking at 1% or less of the total image…an Ultraprint or very large conventional print is really the only way to appreciate all of the information at once. Of course, these images are available as Ultraprints (except Tree and River, which is sold out from a previous edition) – please drop me an email or comment if you’re interested. Enjoy! MT
This series was shot with a Ricoh GR, Pentax 645Z, and Nikon D810 with Zeiss 1.4/85 Otus APO-Planar. Files were processed with the techniques covered in Outstanding Images 5: processing for style and The Monochrome Masterclass
Today’s photoessay is a sort of conclusion or coda to yesterday’s post from the Arrow River Delta; whilst it was shot in broadly the same area, it has a little more focus to the presentation, but a similar theme and somewhat more altitude. Enjoy! MT
This little gem of a location is perhaps one of the most photographically rich places I’ve ever been to. Firstly, an hour on an overcast grey day that yielded a couple of interesting images and very cold fingers, then the better part of an entire afternoon and evening in the gorge as the light fell and the mountains turned gold and the shadows a deep blue. I spent a magical few hours watching the light change, and towards the end of the day, running around like a madman trying to capture the last glowing tips of the trees before the sun went behind the ridge line for good.
As you might have gathered, Queenstown turned into a very landscape-photography oriented photography trip; the colors of the landscape were magical, but the variation in light and contrast was even more so – naturally lending itself to fantastic black and white images. Since it was winter, the sun traces an arc across the sky but never shines directly downwards from above – the upshot of this is you can shoot at all times of day. Naturally, I took advantage of it. I drove, stopped where the light arrested me, shot, and moved on. And on one day, spent most of the afternoon in the Arrowtown River delta – formerly the site of the Queenstown gold rush, but now the the home of some pretty spectacular trees – and a riot of colour that will be the subject of a future photoessay. Nevertheless, I felt black and white suited the subject matter quite well, as the trees in winter have this stark beauty to them that I felt was best captured without that sense of ‘life’ that colour imbues.
If you think about it, skiing must be one of the most pointless activities on earth – right next to motor racing. Both involve completing the same circuit (or piste) repeatedly. Sometimes with the objective of speed, sometimes with no objective at all. I’ve tried to figure out why we find it enjoyable, but honestly have no idea – perhaps it’s both the necessity of focusing on something to the exclusion of everything else, and the fact that it’s different enough from our normal activities that other parts of brains are stimulated. I remember having to work very hard at the basics before everything ‘clicks’ – and then you start moving at a much more intuitive level. I suppose it’s a sort of meditation, not unlike photography. Today’s photoessay is a series I shot at Coronet Peak, Queenstown, New Zealand a couple of months ago whilst taking a break from developing my landscape photography. I’m the sort of skier who learns off piste so he can fins something else to shoot; this time I used a Manfrotto Lino Pro field jacket to hold the gear – it’ll take a 645Z/55mm in one padded pocket, and a D810/Otus in the other. Enjoy! MT
Some urban scenery captured during downtime on another work assignment at the end of 2010 – often, this is all the time I get to shoot personal work. It’s a rather pleasant city by the bay that’s really quite nice when the sun is out – when the sun isn’t out and it’s cold and windy, it’s downright miserable. Especially when you find out everything closes by 5.30pm and there’s precious little in the way of dinner options. It’s also a popular cruise ship destination/ stopover en route to the outer Pacific islands or Hawaii. MT
Series shot with a mishmash of equipment – Apple iPhone 4, Nikon D700, AFS 28-300/3.5-5.6 VR and Sony NEX-5 and 18-55 kit lens.
The taxi driver I had on the return trip to the airport told me he just bought a new SUV to tow his 50ft yacht. I ran out of words, thinking solely that I was both in the wrong job, and living in the wrong country.