I’m guessing you’re probably sick of seeing NYC, so this will be the last one for the time being: somewhere between street photography and the observations of a flaneur, but above all, a view at how I see a new environment. Shot with the Fuji X20 and Nikon Coolpix A; two very capable and enjoyable cameras I reviewed some time back while in the US. Enjoy! MT
One of the things I enjoyed most about New York was the architecture; the pace of development and abundant funds in the city meant that a walk through any of the districts was almost like stepping through the pages of a history of modern architecture. In particular, I was quite captivated by the more modern buildings and their interaction with the environment around them; most sought to give the impression of transparency and lightness by heavy use of mirrored glass, but in the end landed up standing out as somewhat soulless monoliths. Yet at the same time, they also blend in with their own kind. Even though each building is pretty much the same functionally, constrained only by dimensions and the need to maximize usable floor plate for a given land area, if you look carefully, you can still see the stamp of individuality of the designers. MT
Today’s photoessay continues my exploration of NYC’s streets in black and white. Perhaps I’m being masochist in continuing this series after the dissenting opinions expressed in the comments in Part one (found here) – but once again, photography is subjective interpretation and each observer has their own views and preferences. I happen to like the precision and perfection others call ‘clinical soullessness’ – and I’d argue that the lack of imperfection is a style and skill of its own; consistently being able to find ‘perfect moments’ in a sea of uncontrolled chaos is extremely difficult indeed – which anybody would know if they’ve tried it. Enjoy. MT
Given how ingrained certain locations are in the popular photographic consciousness due to heavy presentation in a particular style by multiple photographers – Paris and NYC in black and white of course come to mind – I think it’s possible to do one of two things: either avoid that style altogether and try to find your own, or explore a little in the genre and see what falls out. I had a chance to try both the last time I was in New York; to be honest, I found B&W with moderate contrast to suit the timeless feel of the location a bit better – as opposed to expressing the fleetingly temporal nature of life. There’s of course no right or wrong. (My attempt at individual style can be found here, in the NYC cinematics photoessay.)
Today’s photoessay is a set of images shot with the Nikon Coolpix A on the streets of New York City during my earlier workshop trip this year. NYC on a blue sky spring day is seriously difficult to beat. Not much to add, other than enjoy! MT
If you’d like to learn how to make images like this, you’ll be pleased to know that one last seat has opened up for the Prague workshop (2-5 Oct) due to a participant’s conflicting work commitments. Now available at the special price of $1,900 instead of $2,150!For full details and to make a booking, click here. Thanks! MT
I honestly have no idea what category or genre this kind of photography falls into; it’s not quite abstract because you know what the subject is, though there’s heavy reliance on geometry, form, color and light; it’s not street even though it’s generally shot on the street or from the street; I suppose it could be travel, though they don’t really especially make you want to go visit a place. Flaneur, perhaps; the exploring observer. Or still life, except there are frequently moving elements. It’s not really cityscape or architecture either, because often there are no buildings, or they’re not complete, or the view isn’t wide enough to be considered an entire cityscape.
I found the people and streets of New York to be eminently suited to a bit of cinematic street photography. Perhaps it’s the fact that so many movies have already been filmed in New York, or it’s the quality of light filtering between and reflecting off buildings, or it’s the various diverse characters that live in the city. These are little moments, vignettes and slices-of-life; I don’t want to use the word ‘stolen’, but it does sometimes feel like one is peering into a pre-coreographed scene and simply borrowing a frame. I sincerely apologise in advance for having some fun with the captions.