Film diaries: why we shoot film and digital differently

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Irrespective of format and camera, there’s definitely a difference in the way we shoot film vs digital: a lot of comments from an earlier article examining the economics of shooting both media to a similar output standard suggested that this is the same for a lot of other photographers, too. We may not feel qualitatively that there’s much of a difference, but the higher keeper rate suggests the complete opposite. I think I have figured out why this is the case – at least for me – and beyond that, what we can take away from the process to improve our images – independent of the medium.

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FD Photoessay: A little casual jazz

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Sometimes, you can’t help but feel that the mood of a particular event or evening fits a particular camera; some time back I was invited out to a casual evening jazz concert/ jam session. There is something about black and white film and jazz; I don’t know what it is exactly, but I think the two compliment each other perfectly. Perhaps it’s the way the smooth richness of the brass instruments is the auditory compliment to the rich 3/4 tones of film*; or perhaps it’s because the whole affair invokes another, earlier, era. That said, the relatively low light was challenging due to the inherent sensitivity limitations of film, traded off against image quality – the tonal look I prefer for film requires mid tones, which tend to be pretty thin with faster emulsions. Not to mention the challenge of focusing under such low light – fortunately, I had the F2 Titan, whose focusing screen is really quite excellent – snappy, and easy to discriminate the focus transition even with very fast lenses. I hadn’t used that camera in so long, I’d forgotten how transparent a photographic experience it was; your view of the world is reduced to what’s inside the large finder, and your fingers are only the three controls – focus, aperture and shutter, with a thumb cocked around the winding lever to help secure the right-sized body, and nothing more. It’s what the Df should have been.

*A discourse on the relationship and similarities between photography and music is something I’ve been meaning to write for some time, but I’m still trying to learn enough about music to have enough descriptive language to adequately convey the concepts. Increasingly I’m starting to feel that the written/ spoken language really is inadequate for the description and explanation of visual ideas; perhaps that too is another article for another time.

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FD Photoessay: Early large format landscapes

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These photoessays will have far fewer images than the usual variety, simply because the number of images taken is necessarily lower. I’ll shoot perhaps 12 frames in a productive day. To confess, I’ve actually been hesitating a little over whether to post these at all, because even though the loss from print to screen is enormous, there’s an even bigger loss between full digital files to web. There is simply no way to represent them in such a way that doesn’t throw away most of the tonal subtlety and immersive detail. I’ll do it anyway, for the curious. But upfront I will say that something is definitely missing…there’s a ‘digitalness’ to the images at this size that isn’t present in the full size images; I suspect it’s because once you shrink an image this much a lot of the subtle tonal and microcontrast cues that say ‘film’ are downsized into oblivion. Just so you know: you’re looking at an image that’s been reduced to about 0.5% of the original size. MT

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FD Photoessay: Urban abstracts in monochrome

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It’s been a little while since I posted any images from Kuala Lumpur; the truth is that I don’t actually shoot that much in my home city these days. Partially it’s because I feel I’ve really plumbed the depths of most parts of the city; partially it’s because I try to keep some potential in reserve for when I have to go out and review a camera – finding new material in a city in which you’ve shot close to 200,000 frames is actually quite tough.

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Film diaries: choosing film or digital, and a little rationale

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Amsterdam Arch, color – Ricoh GR

For serious photographers – the kind that buy cameras to take pictures with, not for bragging rights or spec sheet counts – creative choice is good. And perhaps the largest and most divisionary of all of the creative choices available to a photographer has been whether to go film, digital, or a combination of both. Don’t expect to get a concrete answer one way or the other after this article; rather, I’m going to explore the less obvious rationale and strengths for both options.

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FD: From the opening party of “Engineering Art in Metal”

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It’s been a busy January. I finally found some time to develop the film from the opening night party of my current exhibition, ‘Engineering Art in Metal’ – it’s at the Center for Asian Photographers and has been extended until mid-February, so if you’re in town, please go have a look. (More details are here.)

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FD Photoessay: Amsterdam architecture, part one

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No words today, just a series of images for you to enjoy. Various architectural details from my last trip to Amsterdam, shot with the Hasselblad 501C, 80/2.8 CF T* on Fuji Acros. Some of you may recognize these images from the November print sale; others may be enjoying a large print on their walls 🙂 MT

These images were made during the October 2013 Making Outstanding Images Workshop in Amsterdam; I will be holding three more of these in Melbourne, Sydney and London later this year. Click here for more info, and to sign up.

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FD Photoessay: Prague monochromes, part II

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The second part of the monochrome photoessay from Prague was shot on film, with a Hasselblad 501C and my favourite B&W film – Fuji Acros 100. To be honest, given the tight quarters, I’d have preferred to have had something either a little wider or a little longer – preferably both – to give me some additional ability to add context, or compress (especially with buildings clinging to hills in the background). Nevertheless, we make do with what fits inside our camera bags – after making provisions for film, I didn’t have any space left for lenses!

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FD Photoessay: Perbadanan Putrajaya and the Tuanku Mizan Zainal Abidin Mosque

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One of my favourite buildings in the country is the Tuanku Mizan Zainal Abidin Mosque – also known as the Iron Mosque due to its stainless-steel clad structure. It’s a very modern building located in the administrative capital, Putrajaya, that still manages to integrate traditional culture and religious cues into its design. These, together with its scale, location on the Putrajaya lakefront and sight lines, make it quite a spectacular building.

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