Photoessay: People of Venice

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A touch of longing

Today’s photoessay is perhaps best thought of a series of vignettes of the locals living in Venice – there may be one or two tourists that got caught in the mix, but I doubt most of them would buy raw meat at the butcher’s. There was a deliberate effort on my part to exclude people who were obviously tourists and focus on individuals; that wasn’t actually too difficult since it was a) winter and b) I was in many of the neighbourhoods that pretty much only saw residents. Those who attended my Venice Masterclass in November 2014 may recognise some of these images from the final day’s curation and processing session; in fact, you might even have been there at the time of capture… Enjoy! MT

This series was shot with a Ricoh GR, 21mm converter, 645Z and 55/2.8 SDM and processed with a mixture of PS workflow II and the ‘fine art’ style in Making Outstanding Images Ep.5: Processing For Style.

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The Pentax 645Z review, part III: SDM lenses and long exposures

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Exif data is intact for all files – click through to flickr to view it, and larger versions of the images.

Having a bit more time with the relatively new Pentax 645Z under my belt has given me the opportunity to try a couple of things I’ve been curious about: long exposures, and a more thorough evaluation of the three SDM lenses currently available for the 645 system. The former is probably only of interest to landscapists, architectural photographers and people who have severe allergies to controlled lighting, but I feel the latter is probably a critically important topic in itself. Let’s start there.

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Review: The Pentax 645Z, part II: compared to the 645D, Nikon D800E and Hasselblad CFV-39

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The contenders. From L-R: Pentax 645D, Pentax 645Z, Hasselblad 501CM with CFV-39 digital back, Nikon D800E.

Four cameras, 166 megapixels, no sensor smaller than 36MP and 36x24mm. It’d have been nice to get the Phase One IQ250 and Leica S along for the ride too – sadly there’s no Phase distributor in Malaysia and nobody from P1 has ever replied any email I’ve sent though. So we’ll make do with four: two from the old CCD guard and two from the new CMOS challengers. Lining up on the right are the Pentax 645D (33x44mm, 40MP) and Hasselblad CFV-39 on a 501CM body (49x37mm, 39MP) against the Pentax 645Z (33x44mm, 51MP) and Nikon D800E (24x36mm, 36MP). Perhaps we should have gotten one of the 41MP Nokia PureView phones along for kicks, too. That said, the rationale behind these choices is as follows a) I had access to them; b) to build a more or less complete system would be roughly the same price; Nikon and Pentax new lenses are more expensive than the used screwdriver Pentax FA or Hasselblad V glass; by the time you add everything in, the 645Z is obviously the most expensive option – but also arguably has the highest IQ potential. Welcome to part two of the Pentax 645Z review – the first part can be found here.

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Review: The Pentax 645Z, part I

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After a bit of – drought, it’s review bonanza week: at the opposite ends of the spectrum. First we had the Sony RX100 Mark III, and today will be the first part of the Pentax 645Z review; to be split into an assessment of the camera itself and a relative comparison to its predecessor, a previous generation CCD-equipped Hasselblad CFV-39 digital back, and the Nikon D800E. As far as I can tell, this is the first review of a production 645Z, anywhere. This part alone is going to be a 4500+ word monster, so grab a large coffee and settle in for a bit. Unfortunately the weather at the moment in Kuala Lumpur is extremely hazy – 120+ APIs thanks to various burning vegetation – which is not ideal for camera reviewing. However, as the 645Z is part of my personal equipment, bought at retail from Malaysia, it will be with me for some time and be subject to mid and long term updates – much like the Nikon D800E.

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MF digital goes mainstream: early thoughts on the Pentax 645Z

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Image from Pentax UK.

A couple of days ago, Pentax threw down the gauntlet to the other medium format digital camera makers in the form of the 645Z. It uses the same ~50MP 44x33mm CMOS as the Hasselblad H5D-50C and Phase One IQ250, but with one critical difference: unlike the Hasselblad and Phase One, it’s feasibly within the reach of a whole load more people. And it isn’t just the shocking price – $8,500 plays $29,000 (Hasselblad) or $37,000 (Phase) – it’s the UI and operating gestalt, too. I think what we’ve just seen is an early game changer.

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