Shifts in subject matter over time

AB0000590-601 copy

A recent discussion with some photographer friends centred around changes in our output over time – with almost all of us present (7/8) remarking that what we shot now was very different from what we shot when we started out – or even halfway through our careers. The eighth man was a relative beginner, with 3-4 years of experience compared to the 10 (or 15, or even 20+) years in the rest of the group’s case. The funny thing was that most of us never even noticed it happening; it sort of just did. In a lot of cases, we don’t really feel that different about working with our current subjects as compared to earlier ones, either. I left thinking that a lot of what is commonly perpetuated in the art and commercial worlds (“So-and-so must be great because they has 30 years of experience shooting the same thing”) may well be both untrue and a deliberate delusion.

Here’s where the alternative working title for this post comes in: You won’t be shooting the same thing forever.

[Read more…]

Back to basics: subject isolation

_64Z5755 copy
The man: color, texture, contrast, motion. We’re not really missing shallow DOF, are we?

Regular readers will know that I’ve distilled down four common traits of a strong image: quality of light, clarity of subject, balance of composition and ‘the idea’. The first is very simple: does the light present the subject in a flattering way or as you would desire? Is it directional (i.e. are there shadows) so that it’s possible to determine spatial layout of the scene? The last two require some practice, and the final one is really an never-ending quest for every photographer because there is no limit to the complexity of message that can be conveyed. Today, we will look at the easiest yet most commonly overlooked one of the four: subject isolation.

[Read more…]

What makes an interesting image, part two: illusion and reality

_M9P2_L1000224 copy
Inversion I

In the previous article, we distilled down the two components of an interesting image: subject and presentation. We looked at the theoretical implications of both; today we’re going to attempt to address practical application. It will be in a very limited subjective way, as there’s simply no way to do it at an absolute level; I suppose it will be as much a snapshot of my current state of interpretation of the purpose of photography as a medium as much as anything. I certainly would not have had this line of logic two years ago, nor will I probably agree with everything again in another two years. The more we see, the more we experiment, the more our own vision evolves together with the creative philosophy behind it.

[Read more…]

What makes an interesting image, part one: subject and presentation

IMG_2907b copy
A traveller’s view. We have the required visual cues to say ‘airport’ – the aircraft, boarding gates, apron, terminal, bits of ground hardware. But also the vertical bars that suggest perhaps we are being imprisoned or limited in some way, and the lack of clarity or definition from the plastic windows making it unclear if the view is a reflection or perhaps the illusory product of jetlag…

In previous articles, I’ve explored what makes a technically good image; what makes a visually balanced image; what makes an emotional image, and of course what makes an outstanding image. But at no point have I really addressed what makes an interesting one. I’m going to attempt to tackle that today; but bear in mind this is an extremely subjective topic, and opinions may diverge enormously.

You have been warned.

[Read more…]