Photoessay: Paradise Lost, part III

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Today’s images are I think a little darker and sadder than the previous two (part I, part II) – but not quite over the edge into full-blown depression. I see it as being analogous to one of those portraits where we want to enhance the lines on the subject’s face. I can see the final presentation of this series going in waves, with grouping and pacing a mirror image to the way we have different moods depending on the day – though I feel the impact of this particular set is lost in color, and mixing the two is somewhat odd unless the presentation medium is conducive (e.g. separate gallery areas, or sections in a book – but not as a continuous scroll or all at once. The ‘break’ is required to prevent a jarring visual discontinuity. What do you think? MT

This series was shot mostly with a Hasselblad 501CM, CFV-50C digital back, 4/50 C T* and 4/150 CF T* lenses. Postprocessing follows the Monochrome Masterclass workflow.

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Photoessay: Paradise Lost, part II

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I’ve been continuing to work on the Paradise Lost project for some time now; at some point I will have to curate a consistent body of work to a theme and declare the thing ‘finished’, but in the meantime I’m still experimenting with the presentation. As mentioned previously, I’m treating this project as an ‘open book’ so you can see what goes into the creation of something like this. My current dilemma is a question of mood: is it a happy retirement, or a sad one, or a melancholic one? Or perhaps somewhere in between the three?

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Photoessay: Paradise Lost, part I: the daydream

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What if inanimate objects had a soul? Hopes, dreams, lives, consciousness, a feeling of purpose? Do they have salad days? What happens when they retire, descend into old age and start to feel their mortality? How does a retirement community for Air Force aircraft feel?

Paradise Lost is a project I’ve been working on for the last few months that attempts to answer some of these questions in a photographic interpretation. At some point, I’ll expand this to include other machinery – mining equipment would be fantastic (but tricky to access) and cars are probably the next logical steep (and easier to execute). The first part of the series is supposed to evoke feelings of daydreaming, wistfulness and a nostalgia for golden days past. I’m once again experimenting with the metaphor of clouds as insubstantial fleeting thoughts (first encountered in The Dreamscape Project). Enjoy! MT

This series was shot with a Sony A7RII and Zeiss 1.8/55 FE and 1.8/85 Batis lenses.

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