Nepal, 2011
At the risk of starting with fighting words, I question the objectivity and absoluteness of photojournalism as a reporting medium. I actually think the problem is not so much that photography has descended into a parody of manipulation, filters, photoshop and other things, but more that our collective societal expectations have warped what we perceive and how we perceive it. The recent move by Reuters to only accept JPEG submissions with minimal processing ‘in the interests of timeliness’ is at the beginning of my line of thought.