Synthesis: technology as an enabler for art

_8A12416 copy1957, from the Havana series. VR on the 70-200/4VR required for slow shutter to motion blur car handheld; D800E to maintain extended tonal range and relatively small aperture for DOF

Much like genius and madness, the line between chasing the horizon for the sake of enabling art and chasing the horizon out of pure gearlust is a thin and often tenuous one. We don’t want to photograph with cameras that frustrate, impede or not inspire us. We certainly won’t feel like just that ‘one last shot’ or that ‘what if?’ experiment. But it is also true that composition is completely independent of hardware, too. Where do we draw the line? [Read more…]

How to choose equipment

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How do you spontaneously prepare for situations like this? Or compose around your limitations?

This is a question that all of us have to address at some point or other – and one whose answer is not exactly straightforward. Having fielded this many times from students, random persons and more often than not, myself, I feel fairly qualified to answer it in a way that I feel yields the best compromise…

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