Review: Apple MacBook Pro 13″, late 2016 with touch bar

Screen Shot 2016-12-15 at 16.03.03
Image: Apple

Like every piece of hardware, there are plenty of reviews out there that assess the product from just about every possible point of view. For computers, there are other places that do the extensive quantitative testing far better than I could even if I had the time and inclination – which I don’t – but I think where I can add perhaps a little clarity is to review this machine from the point of view of a working and travelling photographer. If you don’t want to read the rest, in short and in my own opinion, this is perhaps the best laptop out there at the moment for the serious photography. There are a couple of major gotchas, though – which may or may not be a deal breaker for you. I’ve been using one of these new machines since the start of December, which is long enough for performance and battery life to settle down, and to figure out how it fits into the workflow overall.

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Apple PC hardware choices for the photographer

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Choices, choices. Image from the Apple Malaysia homepage.

At some point early on in the digital era, the world decided that Apple was the way to go for serious photographers and graphics professionals – granted, there were applications that were Mac-specific or just worked so much better on a Mac than a PC that it made sense. I’m sure some of that was image and hubris, too pricing be damnmed, the hardware just looked sooo much cooler. There was also a point in not so distant history at which we weren’t held hostage by Apple’s upgrade options, either: you could buy the base version, and upgrade certain components yourself if you were handy with a screwdriver, which brought the cost of performance down. The cost of ownership wasn’t (and still isn’t) as bad because Macs maintain their resale value – probably because the new machines are never much cheaper than the old ones. But a) does Apple hardware still make sense for photographers, and b) if so, what hardware?

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