Photoessay: NYC mornings

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Today’s set is a very stream of consciousness series grabbed on the way to another meeting; I had a briefcase and meeting materials in one hand and just a compact in the other, so things were about as fast and loose as it got. I still think the mood is captured rather accurately: a bright, crisp autumn morning with both deep shadows and intense patches of light in places. It was also one of the few times New York felt relatively empty and calm to me; there was a sense of space instead of the usual crowd and hustle. The city was quiet and taking in a few moments to breathe in the sunshine before the rush – dare I say I even felt shades of Tokyo in places. Must have been something in the light. MT

This series was shot with a Fuji XF10 and processed with Photoshop Workflow III.

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Photoessay: NYC cinematics, part II

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Continued from the daytime series

In a way, I actually found it more fluid to shoot the first set, even if the varying color palette here carries a bit more emotional weight. In some ways I also felt this set was a bit more stereotypical ‘New York’, given there’s not much control the photograph has over timing affecting light and mood – daylight is a lot more transient than neon. That said, I’m still quite happy with the individual frames capturing the mood of their particular corner of the city – sometimes a couple of blocks really does feel that different… MT

This series was shot with a Nikon Z7, 24-70/4 S, 50/1.8 S and my custom SOOC JPEG profiles.

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Photoessay: NYC cinematics, part I

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Whilst of course there should be no reason to limit cinematic-style photography to just low light work with shallow DOF, there is definitely a tendency towards this as it’s much easier to create a controlled atmosphere with very directional light than during daytime. However, the conditions during my trip to New York late last year made for something similar while the sun was up: long shadows and strong sunlight, with intense contrast and pools of both mystery and stark exposure. It’s probably the first time I’ve been motivated to try cityscape cinematics with bright light. Even though I’ve been given similar light in dense urban environments before, I think NYC is unique in the layout of the streets and the way they cut light up into patches – this doesn’t happen with the more organic layouts of say, Tokyo or Lisbon. Admittedly, it wasn’t a photographically-focused trip – being customer events for the watch company – but I still got a couple of hours in. Naturally, this continued after dark… MT

This series was shot with a Nikon Z7, 24-70/4 S, 50/1.8 S and my custom SOOC JPEG profiles.

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