Working with difficult subjects

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Negative space in pastel

…Or, “how to shoot without inspiration”.

Pessimistic? Depressing? I’d see it as the opposite: this line of thinking wouldn’t even exist if that was the case. We’d have packed up the camera and gone home otherwise. But sometimes: we’re either masochistic, or working pros*, and we want/need/must make an image. Example: you’ve finally manage to scrape together the leave and spousal permission for a photography trip…and it rains all week, or worse, it’s overcast and rain is threatened but not implicit. It’s Alanis Morissette’s updated Ironic. Or you sign up for a job that turns out to have quite different subjects in reality to what the client claims; or the model arrives and let’s say heavy photoshop is probably insufficient and one should consider illustration. Consider today’s post not quite a tale of woe, not quite an instruction manual, not quite a catalog of humour, but perhaps a little of all three. What all situations have in common though is that some (well, quite a lot) of creativity managed to squeeze out images the client and photographer were happy with, but at the time – all early in my career – they were the cause of a lot of stress…

*Arguably, the former group also includes the latter.

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