The Idea of Man, a virtual exhibition

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Welcome to The Idea of Man – a virtual exhibition, for all of you who are unable to visit the physical one at The Rangefinder Gallery in Chicago. It runs until 31 October 2015. I owe Dan Tamarkin of Tamarkin Camera a massive round of thanks for putting it all together and sharing his space – please drop by while it’s still up.

Here we go.

Note: for the benefit of those who prefer no captions, I’ve left them in only if you click through to the images on flickr. The narrative however, is important.

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Reminder: “The Idea of Man” opening, Oct 2 at the Rangefinder Gallery, Chicago

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Endless possibilities of the imagination – from The Idea of Man

Today’s post is a gentle reminder for the opening party for my exhibition “The Idea of Man”, at 6pm on Friday 2 October at the Rangefinder Gallery at Tamarkin Camera, Chicago. The exhibition itself runs from October 2-31 and is open to the public. In answer to many queries, they are almost all Ultraprints and they will be for sale in small editions. See you all there! MT

Exhibition announcement: “The Idea of Man”, Oct 2-31 2015 at the Rangefinder Gallery, Chicago

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I’m pleased to announce my second exhibition of 2015: The Idea of Man, which runs from October 2-31 at the Rangefinder Gallery at Tamarkin Camera, Chicago. Though the previously intended book didn’t happen (yet, we’re working on it) – a good selection of the images will make it into this exhibition as Ultraprints, which will be for sale in a limited run of 10 per image.

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Chicago and Tokyo Masterclasses open for booking

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Shibuya, Tokyo:  best suited to cinematic, urban, architecture and street; (more examples of what you might capture are here, here and here) think this is probably the best season to visit Tokyo – the trees are bright orange, the light is angled, and you’ve missed the grey winters, the cherry-blossom chasing hoardes, and the typhoons of summer. Images like Lone Tree were made around this time of year. It’s a little tricky to time the autumn leaves precisely, but generally +/- a week or two is fine. Please note that Tokyo will be a little more guided  location-wise than Chicago simply for ease of logistics and because of the language.

I’m pleased to announce two more Masterclasses for 2015, and a new Portfolio Review format – these will probably be the last two for the year, and in two of my favourite and most photographically rich cities:

Chicago and Tokyo!

Read on for more details and to book.

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Photoessay: Abstraction and reflection in Chicago

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Only one place in Chicago…

I think without reflections, urban photography and architecture would be pretty boring. There’d certainly be no opportunity for the sort of ‘continuity errors’ that make for interesting juxtapositions and impossible geometries; the kind of thing that adds depth, complexity and texture to a scene. These were shot in Chicago with a GR, 645Z, D810 and Otus 85 and processed with PS Workflow II. Enjoy! MT

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Photoessay: Until next time, Chicago

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Variety, hope and restoration

I loved the short amount of time I spent in Chicago; more than enough to want to go back again very soon. I’ve never been in any other place that felt quite so much like being in an open-air architectural museum; it isn’t so much the history but the diversity of styles, the visible progression and being able to see these buildings very much used as intended, and sometimes beyond the imagination of the original architects. Several days of very cooperative weather and a never-ending variety of clouds didn’t do any harm, either. This will be my final post of images from Chicago; fittingly, it’s a mixed cityscape/ architectural set. Enjoy! MT

Shot with a Pentax 645Z, 55 and 150mm lenses, Nikon D810, 24 PCE, Zeiss Otus 1.4/85 and Ricoh GR.

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Photoessay: the Jay Pritzker Pavilion, Chicago

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Chicago can be considered both a city of architects and in a way, a city for architects; despite the huge number of other famous buildings in the city, I found myself particularly taken by the form and execution of the Jay Pritzker Pavilion in Millennium Park. Perhaps it was because it was my first encounter in person with a Frank Gehry building – they’re understandably somewhat thin on the ground in Asia. It probably didn’t do any harm that I also happened to go on a day where the sky was throwing up a fantastic assortment of clouds and light; if you didn’t like the arrangement of cumulus, just wait a few minutes for a fresh one. And of course late September in Chicago means that the light is never directly overhead, because the sun sweeps over the horizon in an arc – making any time of day fair game to shoot.

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Photoessay: A corrected perspective, part II

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Skyscraper evolution and streamer

Today’s photoessay is a continuation of the previous monochrome series of hand-held tilt shift work from Chicago; it is in color and I personally believe has a more immediate, present feel than the monochromes – hence the separate presentation. Enjoy! MT

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Photoessay: A corrected perspective, part I

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Hancock building parking beehive I

While my students were out completing assignments during the Chicago Outstanding Images workshop earlier this year, I was working on a personal project of my own. I wanted to see how practical it was to shoot fully perspective-corrected architectural work handheld – in decent light, of course. Up til this point, I’d always done this kind of work on a tripod because of the need to use live view. As many of you who’ve tried to use a tripod in general urban situations will know, this isn’t always possible due to property restrictions and city ordinances.

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Workshop report and 2015 poll: Outstanding Images Chicago, Masterclass San Francisco

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As has become customary post-workshop, I’m pleased to present the report from the Chicago Making Outstanding Images Workshop and San Francisco Masterclass in early September this year. Following the previous London and Havana reports, I’d like to share some of the best images from my students instead of showing too many photographs of people photographing – I think those aren’t quite as demonstrative of what can be achieved in just a few days. Since next year’s workshop schedule is still very much open, I’m going to finish up with a poll to see where you’d like me to go next.

Finally, a spot has recently opened up for the November 24-29 Venice Masterclass due to one participant’s last minute work commitments. Please email me if you’d like to book, or for more info.

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