European Workshops – last two places…

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Amsterdam – 25-28 September: one four-day seat left; a couple of slots for individual days
Prague – 2-5 October: 
one four-day seat left; a couple of slots for individual days

The syllabus will still follow the core fundamentals from the USA tour: throw everything you thought you knew about photography out the window, and start again. All you need is a camera and a couple of perspectives – one wide, one tele. It could be either end of a zoom on a compact, or it could be medium format and a couple of primes – it’s up to you. What I’ll be teaching is subject independent: make great images, any time, with any subject, any camera. Put it this way: it’s easy to spend thousands on equipment that you may use a handful of times a year, but what about the knowledge that lets you make the most of that equipment, in any situation?

For full details and to make a booking, click here. Thanks! MT

A gentle reminder: Sept/Oct 2013 European workshops

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A quick status update: there are a few places left for Europe and one left for Singapore.

Europe

Amsterdam – 25-28 September – One place left
Prague – 2-5 October – One place left
Munich – 9-12 OctoberPostponed to 2014 due to local commitments

The syllabus will still follow the core fundamentals from the USA tour: throw everything you thought you knew about photography out the window, and start again. All you need is a camera and a couple of perspectives – one wide, one tele. It could be either end of a zoom on a compact, or it could be medium format and a couple of primes – it’s up to you. What I’ll be teaching is subject independent: make great images, any time, with any subject, any camera. Put it this way: it’s easy to spend thousands on equipment that you may use a handful of times a year, but what about the knowledge that lets you make the most of that equipment, in any situation?

[Read more…]

Europe and Singapore 2013 workshops open for registration! (updated)

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Europe:

The polls are in and the people have spoken…I’m pleased to announce the Europe leg of the Making Outstanding Images Workshop series: three cities, three dates. There will be two big changes over the USA workshops: firstly, they’ll now run for four days instead of three so I can cover even more ground; and due to demand for shorter workshops, you can now attend and pay for just the days you find interesting – so for all of those who wanted a 1-day workshop option, here it is.

The cities will be:
Amsterdam – 25-28 September Currently full, but accepting standbys
Prague – 2-5 October Currently full, but accepting standbys

The syllabus will still follow the core fundamentals from the USA tour: throw everything you thought you knew about photography out the window, and start again. All you need is a camera and a couple of perspectives – one wide, one tele. It could be either end of a zoom on a compact, or it could be medium format and a couple of primes – it’s up to you. What I’ll be teaching is subject independent: make great images, any time, with any subject, any camera. Put it this way: it’s easy to spend thousands on equipment that you may use a handful of times a year, but what about the knowledge that lets you make the most of that equipment, in any situation?

[Read more…]

Quick poll: Singapore workshop?

I’ve just confirmed an extended assignment in Singapore at the beginning of July this year; I’m now wondering if there’s any demand for a workshop in that location. It would be either the first or second weekend of July, covering the two shooting days’  from the USA Making Outstanding Images workshops syllabus. Since I’ll already be in Singapore, there won’t be any travel costs incurred, so the prices would be correspondingly cheaper – S$500 if one day, and S$900 if two. Please only vote if you’re going to be in Singapore around then; the ‘no thanks’ option is so I can gauge what proportion of my Singaporean readers would be interested. Thanks! MT

Poll: 2013 European workshops

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The second half of 2013 is approaching pretty quickly, and due to popular demand (several of the USA sessions were oversubscribed) it’s now time to start planning the next round of workshops. As promised to/ requested by many…September/ October will bring the Making Outstanding Images workshops to Europe. The question now remains when, and where? The format will remain almost the same: three days, a focus on photographic fundamentals, with a shift towards intensive image analysis and feedback cycles rather than postprocessing. As with my previous workshops, the price of tuition will be between US$1,700 and US$2,200 per person depending on the location and direct travel costs for the three days. Sessions will be capped to a maximum of 8 participants. Due to popular demand, I will also be adding a shorter one-day intensive workshop at US$500 per person for each location, for a maximum of 10 people.

Realistically, from a timing standpoint, I can visit two cities. And of course the best way to find out which two are in demand would be a poll…

Numerous testimonials from previous workshop attendees can be found at the bottom of this page.

One week to go – a couple of places left for USA 2013 workshops

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Swallowed by the city. Tokyo, October 2012.

Departure day is drawing near, and I’m getting excited – both to finally return to the USA as a serious photographer – the last time I was there was pre-photography for me – but to meet so many of you in person!

The Outstanding Images Tour

San Francisco
By popular demand, I’m going to doing two sessions:
Session 1: Thursday 28 to Saturday 30 March 2013 (one place)
Session 2: Monday 1 to Wednesday 3 April 2013 (a couple of places due to reshuffled dates)

New York City
Friday 5 to Sunday 7 April 2013 (full)
New date by popular demand: Monday 8 to Wednesday 10 April 2013 (a couple of places)

[Read more…]

A gentle reminder: a couple of places left for USA 2013 workshops

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Swallowed by the city. Tokyo, October 2013.

The Outstanding Images Tour

San Francisco
By popular demand, I’m going to doing two sessions:
Session 1: Thursday 28 to Saturday 30 March 2013 (a couple of places due to reshuffling dates)
Session 2: Monday 1 to Wednesday 3 April 2013 (one place)

New York City
Friday 5 to Sunday 7 April 2013 (full)
New date by popular demand: Monday 8 to Wednesday 10 April 2013 (a go if we have 5 or more participants)

[Read more…]

Places still available for 2013 USA workshops

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This is not compulsory on my workshops, but it does yield interesting perspectives.

I’ve still got some places left for the 2013 USA workshops:

The Outstanding Images Tour

San Francisco
By popular demand, I’m going to doing two sessions:
Session 1: Thursday 28 to Saturday 30 March 2013 (All gone, but I’ll take a wait list in case of cancellations)
Session 2: Monday 1 to Wednesday 3 April 2013 (a couple left)

New York City
Friday 5 to Sunday 7 April 2013 (a couple left)

The format will be similar to my previous 3-day workshops in Hong Kong and Tokyo but instead chasing a particular topic, we’ll be focusing on improving photographic fundamentals – seeing the scene, finding light, timing, composition, balance, perspective, style etc. – all of the tools that  can apply to any shooting situation, against the background of travel and street photography with specific forays into related technique. The first two days will be hands-on photography, with the third day focused on review, critique and post processing. It will put into practice the content of the ‘What Makes an Outstanding Image?’ essay.

It will not be easy. Expect to be challenged, and have your creative vision opened to subjects and techniques you might not have considered before. Expect to go away as a better photographer – all of my past students have.

You don’t need to be an advanced photographer or pro to participate. All you need to make the most of the workshops is a determination to improve your images, and a basic working knowledge of exposure and operation of your camera. The sessions will be intensive and challenging, but also extremely rewarding; the more you put in, the more you get out. The sole equipment requirements for the session are a camera – even a compact will do – a laptop with Photoshop, and an editing tablet (I recommend Wacom).

Each workshop session is limited to just 10 paid participants to ensure everybody gets as much of possible out of the sessions. Places are reserved on a first-come-first-served basis. Please note that a refundable* 50% deposit will be required to confirm participation, with the balance due one month before the workshop date.

The price for a full three days of exclusive tuition is just US$2,000 per person.

If you’d like to book a spot, or have any questions, please contact me.

Looking forward to meeting everybody in the USA!

____________

Testimonials and feedback from recent workshop attendees:

Azhari (Nov 2012 Melaka Workshop): Truly a work of a master! Love them all. Glad i attended this workshop and had the opportunity to see how the master did it. Thank you very much Ming.

Doyle Shafer (Oct 2012 Tokyo Workshop): It was a challenging and interesting workshop. I would have never forced myself to see Tokyo in different ways. To be honest I was happy with my photography for the most part and had little interest in branching out. But as I mentioned earlier, after the workshop it’s like seeing The Matrix for what it really is: some basic “code” and infinite possibility. Now when I walk through Ginza it’s going to take me much longer than before the workshop. It’s funny because I used to think that place was kind of dry and boring! It’s all still sinking in, but my photography has already tightened up quite a bit. And I won’t even get into post processing…that rocked my world like when we did layering in Ginza @. @

Erwin Kindangen (Oct 2012 Tokyo Workshop): I had a great time there and my photography definitely improved after the workshop. It taught me how to “see” scenes and what scene would actually make a good photo and not just randomly shooting at people. Plus the basic wizardry of Photoshop at the end of the workshop definitely ties it all up. In the meantime, I’ll keep perfecting what I’ve learnt before I jump to the next workshop (I hope there will be a follow up).

Andrew Yaw (Sep 2012 Finding Light workshop, Kuala Lumpur): It was an awesome day out. Second round of beating from the master after the ‘Making light workshop’ . This workshop changed my perspectives on street photography. Looking at not only the life around you but also the architecture, reflections, natural frames and much more. I have never walked around KL that much before. I plan to do it again alone this weekend. Who says you need to travel far to take pictures? The challenges were all interesting and some tough to train us into seeing things in ways never before. It really sort of reminded me of the “Wax on, Wax off” training technique in ‘Karate kid’. Lol. Really, for me it was. Especially the part where we had to shoot with our 2 second timer on and stage the subjects on a particular part of the frame. Epic fail at 1st. After a while though you slowly learn how to anticipate the subject’s movement and then.. ‘click’. Success! and then again and again. It was a full on day with tons of learning and perceiving. Ended the day at 8 PM after a slight debriefing and chattering in a cafe. Thanks Ming for a great day out. Can’t wait for the next one. Have a great time in Japan.

Andrew Yaw, (Sep 2012 Making Light workshop, Kuala Lumpur): Excellent workshop! Great teachings from honing the basics of photography to managing light in a controlled environment followed by hands on guidance while shooting the model for the day. The day ended with a bonus. The shared knowledge of the art of printing which is a totally different ball game. Went home feeling overwhelmed with awesome knowledge and information. Thank you Ming for sharing so much of your knowledge to all of us! Can’t wait for the next workshop!

Ciao Pui (Sep 2012 Making Light workshop, Kuala Lumpur): What a great day! Between the inspiring morning session studying Ming’s jaw-dropping photos and an amazing afternoon shoot with the gorgeous (and funny) Aliza, what Ming didn’t mention was the mouth-watering Malaysian Beef noodles lunch he took us to across the street at the road-side stall! I’ve been reading this blog for months, but I didn’t realized how much more I could learn in person until I took his recent workshops. For example, I’d have missed out on the important training where he raised both arms (see pic #13) waving them vigorously while shouting “Light on, light off” to perfect my shooting methods. Ok, just kidding about the above. On a serious note, the man is a machine! He got in way before everyone else (I know because I arrived an hour early). Then he spent the whole day teaching, instructing, demoing, shooting, working with model, showing his equipment, while tirelessly and patiently answering every questions the workshop participants had, not to mention the 2-hour impromptu print demo/admiration session after the workshop. Great value, great company, great images. I would take his workshops again. Highly recommended.

*No questions asked up to 1 month before the workshop, at which point full payment is due. After the T-1 month point, then refunds are only if I have to cancel or at my discretion under extraordinary circumstances.

____________

Enter the January 2012 black and white challenge – win a multispectral Sony NEX-5 B&W machine modified by yours truly!

If you enjoyed this post, please consider supporting me via Paypal (mingthein2@gmail.com). Visit our Teaching Store to up your photographic game – including Photoshop Workflow DVDs and customized Email School of Photography; or go mobile with the Photography Compendium for iPadYou can also get your gear from Amazon.comhere. Prices are the same as normal, however a small portion of your purchase value is referred back to me. Thanks!

Don’t forget to like us on Facebook and join the reader Flickr group!

appstorebadge

Images and content copyright Ming Thein | mingthein.com 2012 onwards. All rights reserved

Announcing 2013 USA workshop tour dates!

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Swallowed by the city. Tokyo, October 2012.

I’m very excited to (finally) announce the dates for my 2013 USA workshop tour!

The Outstanding Images Tour

San Francisco
By popular demand, I’m going to doing two sessions:
Session 1: Thursday 28 to Saturday 30 March 2013 (a couple of places due to reshuffling dates)
Session 2: Monday 1 to Wednesday 3 April 2013 (one place)

New York City
Friday 5 to Sunday 7 April 2013 (full)
New date by popular demand: Monday 8 to Wednesday 10 April 2013 (a go if we have 5 or more participants)

The format will be similar to my previous 3-day workshops in Hong Kong and Tokyo but instead chasing a particular topic, we’ll be focusing on improving photographic fundamentals – seeing the scene, finding light, timing, composition, balance, perspective, style etc. – all of the tools that  can apply to any shooting situation, against the background of travel and street photography with specific forays into related technique. The first two days will be hands-on photography, with the third day focused on review, critique and post processing. It will put into practice the content of the ‘What Makes an Outstanding Image?’ essay.

It will not be easy. Expect to be challenged, and have your creative vision opened to subjects and techniques you might not have considered before. Expect to go away as a better photographer – all of my past students have.

You don’t need to be an advanced photographer or pro to participate. All you need to make the most of the workshops is a determination to improve your images, and a basic working knowledge of exposure and operation of your camera. The sessions will be intensive and challenging, but also extremely rewarding; the more you put in, the more you get out. The sole equipment requirements for the session are a camera – even a compact will do – a laptop with Photoshop, and an editing tablet (I recommend Wacom).

Each workshop session is limited to just 10 paid participants to ensure everybody gets as much of possible out of the sessions. Places are reserved on a first-come-first-served basis. Please note that a refundable* 50% deposit will be required to confirm participation, with the balance due one month before the workshop date.

The price for a full three days of exclusive tuition is just US$2,200 per person. I’m pleased to offer an early bird special for US$2,000 per person if you confirm within the next week.

If you’d like to book a spot, or have any questions, please contact me.

Looking forward to meeting everybody in the USA!

____________

Testimonials and feedback from recent workshop attendees:

Azhari (Nov 2012 Melaka Workshop): Truly a work of a master! Love them all. Glad i attended this workshop and had the opportunity to see how the master did it. Thank you very much Ming.

Doyle Shafer (Oct 2012 Tokyo Workshop): It was a challenging and interesting workshop. I would have never forced myself to see Tokyo in different ways. To be honest I was happy with my photography for the most part and had little interest in branching out. But as I mentioned earlier, after the workshop it’s like seeing The Matrix for what it really is: some basic “code” and infinite possibility. Now when I walk through Ginza it’s going to take me much longer than before the workshop. It’s funny because I used to think that place was kind of dry and boring! It’s all still sinking in, but my photography has already tightened up quite a bit. And I won’t even get into post processing…that rocked my world like when we did layering in Ginza @. @

Erwin Kindangen (Oct 2012 Tokyo Workshop): I had a great time there and my photography definitely improved after the workshop. It taught me how to “see” scenes and what scene would actually make a good photo and not just randomly shooting at people. Plus the basic wizardry of Photoshop at the end of the workshop definitely ties it all up. In the meantime, I’ll keep perfecting what I’ve learnt before I jump to the next workshop (I hope there will be a follow up).

Andrew Yaw (Sep 2012 Finding Light workshop, Kuala Lumpur): It was an awesome day out. Second round of beating from the master after the ‘Making light workshop’ . This workshop changed my perspectives on street photography. Looking at not only the life around you but also the architecture, reflections, natural frames and much more. I have never walked around KL that much before. I plan to do it again alone this weekend. Who says you need to travel far to take pictures? The challenges were all interesting and some tough to train us into seeing things in ways never before. It really sort of reminded me of the “Wax on, Wax off” training technique in ‘Karate kid’. Lol. Really, for me it was. Especially the part where we had to shoot with our 2 second timer on and stage the subjects on a particular part of the frame. Epic fail at 1st. After a while though you slowly learn how to anticipate the subject’s movement and then.. ‘click’. Success! and then again and again. It was a full on day with tons of learning and perceiving. Ended the day at 8 PM after a slight debriefing and chattering in a cafe. Thanks Ming for a great day out. Can’t wait for the next one. Have a great time in Japan.

Andrew Yaw, (Sep 2012 Making Light workshop, Kuala Lumpur): Excellent workshop! Great teachings from honing the basics of photography to managing light in a controlled environment followed by hands on guidance while shooting the model for the day. The day ended with a bonus. The shared knowledge of the art of printing which is a totally different ball game. Went home feeling overwhelmed with awesome knowledge and information. Thank you Ming for sharing so much of your knowledge to all of us! Can’t wait for the next workshop!

Ciao Pui (Sep 2012 Making Light workshop, Kuala Lumpur): What a great day! Between the inspiring morning session studying Ming’s jaw-dropping photos and an amazing afternoon shoot with the gorgeous (and funny) Aliza, what Ming didn’t mention was the mouth-watering Malaysian Beef noodles lunch he took us to across the street at the road-side stall! I’ve been reading this blog for months, but I didn’t realized how much more I could learn in person until I took his recent workshops. For example, I’d have missed out on the important training where he raised both arms (see pic #13) waving them vigorously while shouting “Light on, light off” to perfect my shooting methods. Ok, just kidding about the above. On a serious note, the man is a machine! He got in way before everyone else (I know because I arrived an hour early). Then he spent the whole day teaching, instructing, demoing, shooting, working with model, showing his equipment, while tirelessly and patiently answering every questions the workshop participants had, not to mention the 2-hour impromptu print demo/admiration session after the workshop. Great value, great company, great images. I would take his workshops again. Highly recommended.

*No questions asked up to 1 month before the workshop, at which point full payment is due. After the T-1 month point, then refunds are only if I have to cancel or at my discretion under extraordinary circumstances.

____________

If you enjoyed this post, please consider supporting me via Paypal (mingthein2@gmail.com). Visit our Teaching Store to up your photographic game – including Photoshop Workflow DVDs and customized Email School of Photography; or go mobile with the Photography Compendium for iPadYou can also get your gear from Amazon.comhere. Prices are the same as normal, however a small portion of your purchase value is referred back to me. Thanks!

Don’t forget to like us on Facebook and join the reader Flickr group!

appstorebadge

Images and content copyright Ming Thein | mingthein.com 2012 onwards. All rights reserved

Workshop report: Intro to Wildlife, Nov 2012 Kuala Lumpur

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Too close. RX100

The final workshop for this year was something a little different to my usual travel/ street or photoshop and lighting sessions: an introduction to basic wildlife photography techniques. Five curious photographers (including one who flew in from Hong Kong) discovered that wildlife photography is actually quite serious physical labor, and that rain isn’t the most pleasant environment to shoot in – but it does yield rather pictorially interesting results.

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Sleep with one eye open. OM-D, 100-300

We covered basic long lens techniques, tripod and monopod use; stalking birds and getting close; dealing with troublesome lighting and high contrast situations; animal portraiture; getting the right AF settings, and finally touching on species behaviour and what constitutes an interesting animal photograph. I even shot with a compact at one point to prove that you really can get close with the right technique – no more than 100mm. The session was split into two half days – between rain, exhaustion and other commitments it seemed like a smart thing to do – and in-between, images were reviewed and critiqued for feedback and general compositional good-practice reminders, which apply to all subjects.

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To prove you can do birding with a compact. RX100

Ultimately though, wildlife photography is polarizing: you either like it, or you don’t. There are plenty of things about it that most certainly aren’t fun – hauling heavy equipment around and being eaten by mosquitoes, for instance, or being ‘blessed’ by the birds from above – I think we all got bombed at one point or another – even physically handling the lenses requires some practice. However, the biggest challenge is inevitably patience: in the real world, you might well spend days, or weeks, on location and not see the particular species you’re looking for; the making of ‘Planet Earth’ is highly recommended for a taste into the world of the wildlife photographer/ cinematographer.

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Hidden. OM-D, 500/4P

We shot at a ‘safe’ location where the birds are captive in a large open-air aviary and relatively tame; they’ll still fly away if you get too close or move suddenly, but at least they’re still in the general area; it’s understandably completely useless to try and teach in a situation where there is no subject material! That said, if you’ve ever been curious, taking a trip to the local zoo or bird park with a decently long lens – say rent a 400 or 500mm – will tell you very quickly if wildlife photography is something you want to pursue farther or not.

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Part of the park. RX100

For the curious, I was using an Olympus OM-D with a Nikon 500/4 P generously loaned to me by one of my students on the first day (1000/4 equivalent, and an old familiar lens of mine – I used to do most of my wildlife work with one) and the Panasonic 100-300/4-5.6 on the second day (200-600 equivalent). I have to be honest and say that whilst having that much reach was great, it could often be too much; manual focusing is a lot easier than you’d expect on such a combination because the depth of field transition is quite fast. The second day was liberating from a weight standpoint; I was not envying David with his 1Dx and 600/4! That said, in a fast moving environment with say charging buffalo, I’m pretty sure I’d want the latter combination. MT

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By popular demand, I will be doing a US tour over late March/ early April, stopping at San Francisco (two sessions), New York and probably Boston. Please send me an email if you’d like more details – things are still in the planning stages, which means plans can be kept a bit fluid. Thanks!

____________

If you enjoyed this post, please consider supporting me via Paypal (mingthein2@gmail.com). Visit our Teaching Store to up your photographic game – including Photoshop Workflow DVDs and customized Email School of Photography; or go mobile with the Photography Compendium for iPadYou can also get your gear from Amazon.comhere. Prices are the same as normal, however a small portion of your purchase value is referred back to me. Thanks!

Don’t forget to like us on Facebook and join the reader Flickr group!

appstorebadge

Images and content copyright Ming Thein | mingthein.com 2012 onwards. All rights reserved

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Cloverleaf. OM-D, 100-300

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The thinker. OM-D, 100-300

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Scarlet ibis. OM-D, 500/4P

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Duck with halo. OM-D, 100-300

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Lost in a manmade world. OM-D, 100-300

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Sheltering from the rain. OM-D, 100-300

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Grooming. OM-D, 500/4P

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Untitled. OM-D, 500/4P

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Vigilant. OM-D, 500/4P

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Hidden peacock. OM-D, 100-300