Just as the previous photoessay focused on the distilled shapes and forms of the organic, today’s does the same for the inorganic. Hard shadows play off hard lines and angles and deep blacks create a sense of spatial discontinuity that turns the unknown into a solid anchor, intentionally inverting perception. Sorry, sometimes I forget I’m not writing for a society art critique. Most of the time, I just like the shapes. MT
This series was shot with the Nikon Z7 and contains SOOC JPEG images using my custom Picture Controls, available here. Similar results are available with other cameras by following the Monochrome Masterclass workflow.
Ming Thein | Photographer 