Today’s article has proven to be another one of those significant challenges to write, once again for reasons of limitations of language to describe visual elements. On top of that, there are three conceptual leaps that have to be made: abstract idea, to descriptive language/ elements to characterise and quantify the specific unique traits of that idea so we conceptually understand it, then the final translation to a visual idea that can be understood by a wider audience than just the creator. There are really two questions at hand here: firstly, what is the idea, and secondly, what’s needed to convey it – and what do we need to avoid overdoing that results in dilution or confusion?
I’ve recently been asked by a couple of people about curation – specifically, the process I use when putting together a portfolio, photoessay, exhibition or something similar. Turns out that whilst I’ve talked about the importance of curation in the past, and evaluating images individually and against each other in Photoshop Workflow II, I’ve never actually addressed about the process as a whole. It’s actually a pretty interesting topic that isn’t as straightforward as you might think.