Continued from part I
The way bright sunshine projects through the space through its various apertures and orifices is the kind of thing that is practically begging for a high contrast monochrome series – in person, the actual interior is much more similar to the first set of images in brightness as the concrete reflects and diffuses a lot of those hard beams. I imagine it’d be a very different space on an overcast day, with none of the drama and detail seen at the time I shot it. The horological side of me couldn’t help but think some of those floors would be great with calibrated scales to allow the light to be used as a sundial of sorts… MT
This set was shot with a Nikon Z7, 24-70 and my custom SOOC JPEG profile pack.