The role of the camera is to present a perspective not otherwise visible; nowhere is this more obvious than night photography. Firstly, because we tend not to shoot much at night since most of us need to spend it sleeping to be functional for work the next day, resulting in both limited subject material and limited opportunity; secondly, because historically the results have always been lacking technically; and finally, because it requires us to train our minds to see in a different way than we normally do: what’s visible is made much more obvious by the ambient darkness, or what’s hidden. Yet shooting after the sun goes down is precisely the kind of thing that yields rich photographic results because it is less common, and therefore fewer images exist of activities that take place at night and are seen by fewer people. Beyond the subject matter itself, there’s the opportunity to present the same subject very differently: be it due to the change in ambient illumination color and direction, or integration long exposure and motion, or at a deeper level, reflecting the changes in ourselves and the way we observe and behave once the sun goes down.