MT’s Scrapbook: Sunday afternoons

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The first entry in the Scrapbook is a quasi-narrative one from a lazy Sunday – the perfect kind of thing for which to test the entire pretext of the exercise. There was enough photographic content to keep me challenged and in practice, but not so much as to turn into the primary purpose of the day – oddly, not something I’ve had to worry about too much in the past, pre-family. Finding that balance again is challenging. Definitely not perfect, but more importantly – with enough verisimilitude that it’s pretty much as we remember it, which oddly, reminds me a bit of shooting film on family holidays when I was much, much younger (and pre-serious-photography). MT

The Scrapbook series is shot on an Olympus PEN F, with unedited JPEGs straight from camera bar resizing (and of course some choice settings).

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Photographing friends and family

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I’ve often thought that this is perhaps both the easiest and hardest subject to shoot, and shoot well. It’s also the most accessible human documentary subject for all of us, and almost always one of the chief motivations underlying our own photography. As I head into 2016, and with an increasingly active young daughter, I’m personally finding myself pointing the lens at her – as is the same for any parent, I think. Yet unlike with other forms of social or commissioned documentary photography – I find it much harder to make an image I’m happy with, even though the subject matter means more to me personally than any of my other work (to which I think most pros in the audience will agree, too). And it’s not because toddlers are fast and active little humans; I think it’s got to do with subject familiarity and some principles that also underpin quantum mechanics. Have I completely failed to make sense yet? Let me try a little harder…

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