Photoessay: domestic minimalism

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I’m going to start by making two seemingly unrelated statements. 1. It is difficult, if not impossible, to turn ‘off’ your photographic eye once it has been turned on. 2. You will never get a better shot than a local. How are they related? Firstly, if you stay in a place long enough, you get to see it under all kinds of lighting conditions; this can make a huge difference to the presentation of the subject. The chance of your visit intersecting with the optimal (or most interesting) light is slim; a skilled photographer can close the gap somewhat through compositional ability, but you can’t add shadows afterwards. Secondly, we spend more time than anybody else in our own usual domestic circles of orbit – home, work, car, commute etc. It is easy to become immune to this and walk past a potentially interesting scene because we dismiss it offhand as ‘seen it before’. Not walking past and being compelled to stop and take a closer look is what differentiates the serious photographer from the casual one: I’ve lost count of how many times I’ve randomly taken a shot of something inside my own home because the light on that particular day of the year happens to be coming from the right direction and it isn’t overcast. And it’s almost always a fast opportunistic grab, which means whatever is to hand – since even I don’t walk around the apartment with a camera, that means my iPhone. It’s a good practice exercise I can heartily recommend to anybody. Enjoy!

MT Images shot with an iPhone 6 Plus and processed with PS Workflow II – you can open JPEGs in ACR too, if you right click and select the appropriate option in Bridge. [Read more…]