Some images today from a few older rolls of film I found and recently processed; they don’t really have a theme other than some light documentary of my life; I don’t pretend they are significant to anybody – not even me – I suppose it’s more like a visual stream of consciousness than anything. And they just happened to have been shot on film – Acros 100 in an F2 Titan and the 58/1.2 Noct-Nikkor, to be precise.
This is a combination I can’t say I use often, but when I do, I always enjoy the process and haptics of the camera as much as the results. In fact, I think it’s perhaps one of the best cameras to shoot (along with the Hasselblad V) when one is in a contemplative mood, not looking for anything visually in particular but nevertheless still in a ‘receptive’ state. It can very much be a focused tool – it was designed that way – but I almost never use it as such. Instead, I like to think of it as the equivalent of a visual reset button. Enjoy! MT
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