Film diaries: losing my large format virginity

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Doing gymnastics for the camera. I’ve never encountered a situation in which this degree of movement is actually required.

Many of you will know that earlier this year, I acquired a large format 4×5″ studio monorail. It’s an Arca-Swiss F Line with standard bellows; it has full but ungeared movements on both front and rear standards, a telescoping monorail and takes Graflex film holders. I paired it with a Schneider APO-Symmar 150/5.6, which turned out to be the right choice as I’ve not yet felt the need for longer or wider – somehow, it matches my perspective perfectly. Film – my beloved Fuji Acros 100 – and spare holders arrived a little while after the camera, and I’ve had a complete working setup for about a month. Today’s article comprises some collected thoughts after living and working with it for a while, from the point of a primarily digital photographer who’s also gone back to revisit medium and now large format film.

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