Search Results for: Coolpix A

Battle of the 28mm compacts: Ricoh GR vs Nikon Coolpix A

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Following on from yesterday’s review of the Ricoh GR (Digital V) can only be one thing: the comparison shootout between the GR and its natural rival, the Nikon Coolpix A (full review here). Or is it the other way around, since the A came first? Doesn’t matter a single bit, it’s all about the images. Fight!

I’ll continuously upload images from both cameras to respective sets on my Flickr stream – the Coolpix A is here, and the Ricoh GR is here.

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Review: The Nikon Coolpix A

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Nikon has finally entered the large-sensor compact game (I don’t count the 1 series, which is a bit of an odd beast in that logically it’s all the system camera most people need, but not the camera that most people want.) The Coolpix A is a 16MP, 28/2.8 equivalent setup that’s built around a Sony DX sensor – an upgraded unit of the one in the D7000 and Leica X2, it seems. Unlike the D7000, and like the D7100 and D800E, this camera has no anti-aliasing filter. It’ll shoot full-fat 14-bit raw files at approximately 4fps, with a reasonably deep buffer. Focus is via a contrast-detect system, and there’s a fly-by-wire ring around the front of the lens for manual focus, plus two command dials – one on the top plate, and the other around the D-pad.

A continuously updated set of images from the camera can be found here on my Flickr stream.

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Quick first thoughts – Nikon Coolpix A and Fuji Finepix X20

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I recently picked up review units of the Nikon Coolpix A and Fuji Finepix X20 at B&H – the store itself is an incredible experience for any photographer, by the way – after a few days of intense shooting during my Making Outstanding Images workshops, I’ve had a chance to put together a few quick thoughts on the two cameras. I will be doing more complete reviews once I get a chance to shoot further with them and pore through the hundreds of images. Until then, this should tide over the curious.

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Quick review: the 2019 Fuji XF10

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Some camera purchases begin with much research, planning and deliberation; not to mention angst and hand-wringing. Others begin at airport duty free with too much time on one’s hands, and subsequent serendipity in locating a second hand unit. This falls into the latter category. I make no secret to being a big fan of large sensor compacts for their versatility and image quality. I liked the original APS-C GR, the Coolpix A and to a lesser degree, the original RX100; the RX0II is in my bag. You see, I had some time to kill at Heathrow, and landed up playing with some things I wouldn’t have done so otherwise. Those touch-and-try display counters are dangerous things.

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Repost: What makes a ‘good’ lens? (part II)

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This might seem like a very obvious question, but the moment you try to define a set of criteria to quantify ‘good’, you soon realize there’s quite a lot more to lens performance than immediately meets the eye. So, for those of you without the ability to try a large number of lenses – let alone samples of the same lens – how do you know if the one you’ve got is ‘good’?

Continued from part I.

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The un-camera camera

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Levels of commitment

What on earth is an ‘un-camera’? I think I’d better start by explaining the title of this post a bit better. I often find myself in a bit of a conundrum: I’m sure you are undoubtedly all aware of my role with Hasselblad and longstanding affinity for their hardware. I’m sure many of you are aware that I continually push the envelope for what’s possible with medium format and achieve some pretty unique results in the process. On top of that, I have the added benefit of having access to pretty much anything I need from the product catalog. I also still have a full Nikon system kicking around. So: what possible justification could I have for yet another camera?

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Premiere and review: The 2015 Leica Q (Typ 116)

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It is refreshing to be surprised, for a change – and refreshing to have something that comes somewhat unexpectedly but scratches an itch that you didn’t really know existed. I have owned and reviewed many Leicas in the past, from Ms, to the S system, to the T, X/1/2/113/Vario, to various ahem…rebodies. All have excited me in some way or other, but also left me with the feeling ‘if only’. If only the M had a built in EVF…if only the S had more pixels…if only the T was a bit smoother operationally…if only the Xs had viewfinders (and were 28mm). I was disappointed I couldn’t get a M246 Monochrom to test, especially against the D810. Instead, I was offered the Q.

Images in this review were all shot with a final production Q Typ 116 running firmware 1.0. I wil be uploading additional images as time goes along with to this set on Flickr. As you can probably tell from the sample images, during the limited time I’ve had to shot with the camera, the weather/light quality has best been described as ‘hmmm, painterly’. And a big thank you must be given to the folks at Leica Malaysia for the loan camera. Images in this review were processed with Photoshop Workflow II.

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The Q&A post: answers, part II

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Gratuitously painterly header image.

Continued from part one. Read on…

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Understanding native tonal response

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Sunrise over Lake Michigan

Continuing this little series on tonality, mood and monochrome, I’d like to explain a little about the idea of native tonal response: it’s something I’ve frequently referred to in reviews, but never fully explained. Unfortunately, there are a very large number of variables, so bear with me.

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Review: The Sigma DP2 Quattro

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Normally, we  look at a camera from a holistic point of view and compare it to the competition or the class leader. This unfortunately doesn’t make sense for extreme outliers like the DP2Q; we’ll have to do something a bit different. This review will look primarily from the point of view of image quality, and whether we can live with everything else. This is the opposite from every other review I’ve written to date, and the reasons for this will become clear soon enough. The other big change will be considering workflow and software as part of the camera package: it’s impossible to do anything else, since unlike every other camera, there is no universal workflow we can apply. Those of you who do not like caveats, are unable to look at something objectively, or are not open minded, I suggest you save yourselves some angst and stop reading now.

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